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Topology of Violence

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Topology of ViolenceBy: Byung Chul Han Series: Untimely Meditations One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity. Some things never disappearviolence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung Chul Han considers the shift in violence

By: Byung-Chul Han   | Series: Untimely Meditations 
One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity.

Some things never disappear—violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung-Chul Han considers the shift in violence from the visible to the invisible, from the frontal to the viral to the self-inflicted, from brute force to mediated force, from the real to the virtual. Violence, Han tells us, has gone from the negative—explosive, massive, and martial—to the positive, wielded without enmity or domination. This, he says, creates the false impression that violence has disappeared. Anonymized, desubjectified, systemic, violence conceals itself because it has become one with society.

Han first investigates the macro-physical manifestations of violence, which take the form of negativity—developing from the tension between self and other, interior and exterior, friend and enemy. These manifestations include the archaic violence of sacrifice and blood, the mythical violence of jealous and vengeful gods, the deadly violence of the sovereign, the merciless violence of torture, the bloodless violence of the gas chamber, the viral violence of terrorism, and the verbal violence of hurtful language. He then examines the violence of positivity—the expression of an excess of positivity—which manifests itself as over-achievement, over-production, over-communication, hyper-attention, and hyperactivity. The violence of positivity, Han warns, could be even more disastrous than that of negativity. Infection, invasion, and infiltration have given way to infarction.

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Works as a paper towel holder. Its a stick. It doesnt look like a cheap stick and it didn't break. Which means it met all my criteria. Great job.
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when having guests over, it's nice for each one to use their own towel instead of having a 'community' guest towel, or those fancy ones that people feel guilty using. This solved the problem.
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Poem by Luci Shaw and Illustrated by Ned Bustard
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A wonderful book for all ages! Thank you to InterVarsity Press, Luci Shaw, and Ned Bustard. The book ends with A Note from the Author. Luci Shaw writes, "And if this book inspires children to write their own poem or story, or create some art, both Ned and I would be so very pleased!" Thank you.
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This picture book features vivid cut-paper illustrations that visualize the concrete images in the poetic text. I found aspects of the poem abstract enough that I'm not sure if young children would connect with it, but they can enjoy the rhythmic language and emphasis on phonic sounds related to the letter "O," even if some of the abstract thought is beyond them. The vivid and colorful pages will definitely appeal to both children and adults, and the book has a nice message about hope and God's love. Throughout the book, the letter "O" appears in different colors, and the note at the beginning of the book encourages children to find things in the illustration that start with that letter. Children could also count how many times the letter appears in the text. This would be a great choice for Christian families, churches, and Christian preschools, and would combine very well with a cut-paper craft for kids to do. The author's note also includes some open-ended discussion questions that adults can use with children.
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