SKU: 36957615890

Genuine Moldavite 1.1 grams Small

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Description

Genuine Moldavite 1.1 grams SmallThis rare genuine Moldavite Tektite is one of a kind. All of our Moldavite for sale is certified and comes with a signed Certificate of Authenticity. Our authentic natural Moldavite Tektites are sourced directly from the Czech Republic. Special Gift Wrapping is included & we offer FREE Shipping in the US! You will receive the exact piece shown. Size: 19 x 8 x 5mm Weight: 1. 1 grams Certified: Yes. Includes a signed Certificate of Authenticity Stone:

This rare genuine Moldavite Tektite is one of a kind. All of our Moldavite for sale is certified and comes with a signed Certificate of Authenticity. Our authentic natural Moldavite Tektites are sourced directly from the Czech Republic. Special Gift Wrapping is included & we offer FREE Shipping in the US! You will receive the exact piece shown.

  • Size: 19 x 8 x 5mm
  • Weight: 1.1 grams
  • Certified: Yes. Includes a signed Certificate of Authenticity
  • Stone: Natural Moldavite, from Czech Republic
  • Classification: Impactite, Tektite group
  • Crystal System: Amorphous
  • Chakras: All, Heart (4th), Third Eye (6th)
  • Energies: Transformation, Clearing, Protection, Spiritual Evolution

Science & History About Moldavite

Moldavite is a very rare and unique green Tektite that was created as a result of a meteor that fell to earth about 15 million years ago. While it is commonly referred to as a stone, crystal, or meteorite, it is actually none of these. Moldavite is a naturally occurring form of impact glass known as a Tektite. It is part earthly (made from the Earth's crust) and part extra terrestrial (meteorite-based).

The intense heat generated upon impact of the meteorite with the earth instantly vaporized surrounding materials. This created a hot molten green glass-like silica-rich material that rained down to earth in a region now known as the Czech Republic. This is the only place in the world that Moldavite is found. It has been referred to as the gemstone that fell from heaven. Its beautiful green color, extra terrestrial origins, and thousands of people's extraordinary experiences with it have earned this stone quite a reputation.

Metaphysical Properties

Moldavite is known as "the stone of transformation". It has a strong reputation for accelerating "change" for one's highest good and also increasing synchronicities. It brings rapid spiritual evolution while ushering in change necessary for alignment to one's path in life. It is also considered a very protective stone. It is also used to connect and communicate with extra terrestrials or ETs. Moldavite is also one of the Synergy 12 Stones as described by author Robert Simmons for activating the light body.

What is the Moldavite Flush? When holding a piece for the first time those sensitive to the energy of this stone often experience the "Moldavite Flush". It is usually felt as a mild sense of heat or tingling in the hand followed by a warm flushed feeling in the body. Sometimes it is felt as a sudden and spontaneous opening of the heart chakra while simultaneously clearing negative energy trapped in the the etheric body / light body. This experience can be intense for some people, while others may feel nothing at all consciously.

Often times people feel inexplicably drawn to buy Moldavite when they first learn of it. It is advised that those new to this stone's energy only work with it for short periods of time at first. Simultaneously holding or carrying minerals like Shungite, Hematite, Smoky Quartz, Black Obsidian, Jet, or an Iron Meteorite will aid in balancing and grounding the high vibration energy. Herkimer Diamonds and other quartz crystals help to stabilize and also sometimes amplify Moldavite's energy. It is always best to follow one's own inner guidance when working with crystals and minerals.

    This gorgeous 15 million year old piece of Moldavite is in excellent shape, but does have some minor chips as most all ancient tektites do. Close-up photography is used in natural sunlight to show detail. The moldavite tektite may appear larger than actual size. Please see size listed for the dimensions. 1" = 25.4 millimeters.

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    Exchange/Return Notes
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    SKU: 36957615890

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    4.7 ★★★★★
    Based on 17 reviews
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    Paula Cappa Reviews
    Fort Morgan, US
    ★★★★★ 5
    If you can only afford one craft book on Dialogue, this one is it.
    Format: Hardcover
    The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get. Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in. What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 28, 2016
    B
    Verified Purchase
    Bookworm
    San Leandro, US
    ★★★★★ 5
    It's All Right Here. All of it.
    Format: Hardcover
    I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 21, 2016
    J
    Verified Purchase
    jk Smiles
    Port Orchard, US
    ★★★★★ 5
    A book on dialogue should be experienced first as a book on tape
    Format: Audio CD
    I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 30, 2018
    L
    Verified Purchase
    Lori T. Sly
    Waukegan, US
    ★★★★★ 4
    Helpful, but not as good as "Story" by same author, and it disses certain genres
    Format: Hardcover
    This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on December 12, 2019
    R
    Verified Purchase
    Ray Pryor
    Houston, US
    ★★★★★ 5
    Amazing.
    Format: Kindle
    Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 18, 2017

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