SKU: 28741927243

Asola Table Lamp by Ligne Roset

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Description

Asola Table Lamp by Ligne RosetAsola Table Lamp by Ligne Roset Asola is a glimpse of the Seventies and Eighties, as much in terms of the material used perforated steel and its white colour as its stylised mushroom like shape. The latter evokes the emblematic lights of the period such as Giancarlo Mattioli's Nesso light (1967) or Mario Botta's Shogun (1986), which was designed for Artemide. Table lamp with stem and shade constructed from two white lacquered perforated steel

Asola Table Lamp by Ligne Roset

Asola is a glimpse of the Seventies and Eighties, as much in terms of the material used - perforated steel - and its white colour as its stylised mushroom-like shape. The latter evokes the emblematic lights of the period such as Giancarlo Mattioli's Nesso light (1967) or Mario Botta's Shogun (1986), which was designed for Artemide. - Table lamp with stem and shade constructed from two white lacquered perforated steel cylinders. The upper section of the cylinder-stem has an anti-glare dome in repousse steel. Epoxy white lacquer finish. White electric cable. Manual switch. Equipped with 1 x 57 W E 27 standard eco halogen bulb (Classic A). This light is sold with an energy class c bulb. - Suspended lamp with a shade (H 51 - Dia. 60 cm) comprises 3 cylinders made from satin white lacquered perforated sheet steel. The light is suspended from 3 x 150 cm steel wires with 'coulistop' mechanism. White lacquered ceiling fitting (H 3 - Dia. 12 cm). Supplied with 1 x 116 W E 27 standard (classic A) eco halogen bulb. - Floor lamp with stem and shade (Dia. 60 - H 30 cm) composed of two perforated steel cylinders. The upper section of the cylinder-stem has an anti-glare dome in repousse steel. Epoxy white lacquer finish. White PVC cable and white foot-operated dimmer switch. Equipped with 1 x 14W E27 dimmable LED bulb (2700K 1521 Lm) .

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SKU: 28741927243

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4.4 ★★★★★
Based on 23 reviews
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allison
Lowell, US
★★★★★ 5
A great reference for Biblical factual archeology
Format: Paperback
I just received this book and I am so excited. It is a great tool and reference for Biblical studies. Each artifact has a great photograph next to the quick eye catching dates, discovery, period, keywords and Biblical passage. Then a brief but to the point description. It is simple and effective. Very easy to refer when reading your Bible or if you are just interested in archeology. Each artifact is about 2 pages and nothing more which is perfect for references. What a great book!
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Reviewed in the United States on March 1, 2025
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sandyrouse
San Leandro, US
★★★★★ 5
Excellent and in-depth archeologic finds that authenticate Bible history.
Format: Paperback
Archeology is proving much of the Bible's history as true. This book really delves into various sites and provides a lot of detail. My type of reading.
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Reviewed in the United States on February 21, 2026
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Angie Criss
Massapequa, US
★★★★★ 5
Great information and pictures
Format: Paperback
Great information on Biblical sites, beautiful pictures, and a pretty book as well. I gave several of these to my family for Christmas. Everyone seemed to love them. The only thing I will caution you about is that the book is small.
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Reviewed in the United States on January 22, 2026
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Mareadas
Phoenix, US
★★★★★ 4
Knowledgeable and delectable book.
Format: Paperback
This book shows an excellent archaeological evidence of the Bible accuracy of places, names, events, etc. and proving for the Christians that the Bible is a historical document as well as the inspired inerrant word of God. The majority of the book is interesting and delectable, I mean, the pages where the author presents archaeological facts such as the artifacts and their correlation with people, places times, events and practices recorded in the Bible. But I do not like when the author make personal assumptions and do not present any proof of that. He says: it probably be…. it may be… Here I show three cases of this conjectures;: 1.The author seems to affirm that the triumphal entry of Jesus into Jerusalem, or at least, the name of this event, was derived from the Roman triumph celebration. He says (page 231), regarding to the Roman Empire and the life of Jesus: “By the time of Jesus, the requirements and meaning of a triumphal entry had shifted slightly from its earlier roots associating it with a conquering hero, as it became even more significant and representative of kingship and divinity”. He continues to say: “In ancient Roman culture, a triumphant victor, known as vir triumphalis (“man of triumph”) would enter the city in a celebration parade wearing the laurel wreath and a purple garment, which identified him with the royal and the divine, while riding in a chariot pulled by four horses, alluding to Sol the sun god”.  But if we compare the Roman triumph celebration with the entry of Jesus into Jerusalem described in the Bible, it is not derived from the Roman culture but is the exact fulfillment of the prophesy of Zechariah 9:9. I do not see any correlation between the two celebration; Jesus did not ride a horse but a donkey to signify peace, meekness and humility. It was not a pompous entrance of a conquering hero or king wearing a expensive garment and royal crown. 2.Even though, it is not possible to identify the location of the tomb of Jesus with absolute certainty; the author states (page 199) that the tomb of Jesus is located at the Church of the Holy Sepulchre possible based on “the restoration work to the edicule and an arcosolium tomb from the Roman period found in the church of the Holy Sepulchre”. The author also affirms without giving any proof that: “Christians in Jerusalem then passed down a continuous memory of the location of the tomb (of Jesus) from the time of the burial and resurrection in AD33 until construction of the Church of the Holy Sepulchre was started in about AD326”. But where are the records of that time? The author probably based his statement on Eusebius who lived in the 3rd and 4th centuries AD. According to the history , the Church of the Holy Sepulchre was built by the Roman Emperor Constantine around 326 AD, when her mother the Queen Helena, wanted to replace the pagan temples with Christian churches; she met the Bishop Macarious of Jerusalem who determined the location where Jesus had been buried at the place where was a temple to the Greek goddess Venus. At the beginning of the construction of the church, a rock-cut tomb was found there and an edicule was built to protect the site. But later the edicule was destroyed and rebuild. More tombs has been found under this church. How to be sure or verify that this rock-cut tomb was the one where Jesus was buried? 3.The author is biased with respect to the Masoretic Text, he make a statement but does not support it with any evidence in this regard. Writing about the Dead Sea Scrolls (Page 173) he states: “And certain passages in the Masoretic text seem to have been intentionally modified to match ideas and theology of medieval Judaism.” it is a bad accusation.
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Reviewed in the United States on April 23, 2021
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Verified Purchase
Harold Lau
Chelsea, US
★★★★★ 5
Great Worth
Format: Paperback
The Book That Must Be Read!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2026

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