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Vaguess – Thanks No Thanks – New LPOnce you know it, and maybe if you didnt (its too late for that now), its easy to hear this is a one person project (but not a one man band), seems to sit fairly nicely next to all those obscure records from decades past that seem to have so much and at the same time so little to do with each other and always make me really happy when I happen upon them, seems maybe a mix of lowkey synth punk, kitchen sink punk pop and backyard sun tea, UK synth pop
Once you know it, and maybe if you didn’t (it’s too late for that now), it’s easy to hear this is a one-person project (but not a one-man band), seems to sit fairly nicely next to all those obscure records from decades past that seem to have so much and at the same time so little to do with each other and always make me really happy when I happen upon them, seems maybe a mix of lowkey synth punk, kitchen-sink punk pop and backyard sun tea, UK synth-pop new wave and Southwest American indie rock and cow-punk of the 1980s, Cleveland art rock and NYC underground rock of the 1970s (without showing the heavy VU influence that many of those bands showed), Australian punk of last year or decades ago (I know I make way too many comparisons, but I really hear hints of all those possible influences), the jangle and power-pop with hints of hillbilly and folk that enters at various levels depending on which cut you drop the needle on helping make it a continuation of a Los Angeles tradition that goes back to the 1960s with the wide variety offered from artists like the Byrds (without the Dylan influence) and maybe Skip Spence (if you ventured somewhere in the canyon between his solo work and work with Moby Grape), sounding like it was cooked up in a wooden fruit cellar, a screened-in porch or the plywood loft in a garage. It sounds pretty wonderful. – winch
Vinny Earley is the brain (floating in a jar) behind the LA based band Vaguess. You might have seen him around. He's pretty tall, kind of looks like a mix between Hulk Hogan and Bart Simpson and is probably standing in the corner of a house party flicking lit matches at the wall, and talking about how GG Allin wasn't even really that gross. In reality, Earley would more likely be seen surfing, skating, telling a hilarious fart joke, or ripping guitar or drums in one of a handful of heady bands in the LA scene like Diode, 2m8o, and Scam Likely.
Vaguess, however, is Vinny's lifeblood. Since 2012, the band has released a dozen or so LP's and EP's, touring extensively with a rotating cast of Earley's close buds building a cult following. Vinny fearlessly traverses genres, seamlessly switching between glitchy synth punk, jangly art rock, and twangy
cowpunk melded together with his singular approach to songwriting, production, and unique voice. On his latest release Thanks No Thanks, Vaguess joins forces with Under the Gun Records embarking on an odyssey of bigger and bolder production, infectious melody, and introspective songwriting propelled by dialed, head-bobbing rhythms.
With Thanks No Thanks, the vibe of the music shifts in controlled bipolarity as the songs flow from snotty punk tune to heart-felt ballad to dancy Indie banger. The music on this record, however, is uniformly grounded by taut drumming, angular riffing, and tunneling synth arrangements. Earley's singing style pings from more spoken, punctuated post-punk vocals to ringing, belted choruses. The lyrics feel personal, like he's working through feelings of love lost, spiritual devastation, and deep conflict with society’s inequities explored through Earley's poetic, sardonic lens. These narratives careen through the album with the help of densely arranged instrumentation and engineering magic cooked up in Earley's own homespun studio. This album is best enjoyed with headphones as the music thoughtfully swirls in stereo sound.
Vaguess delivers a diverse pallet of modern rock sounds as a uniform and cohesive piece of art. Thanks No Thanks has something for nearly everyone-eggheads and spikey cretins alike. And while Vinny may not look like The Hulkster or Bart Simpson or do any of that other stuff that was said initially, he more importantly continues to contribute his singular and exciting rock n roll vison to the punk zeitgeist with a new Vaguess Record. -- Sims Hardin
All songs Written, recorded and Mixed by Vinny Earley
Vocals by Jennifer French on "Let U Know" and "OCTA"
Mastered by Andrew Oswald
Vaguess, however, is Vinny's lifeblood. Since 2012, the band has released a dozen or so LP's and EP's, touring extensively with a rotating cast of Earley's close buds building a cult following. Vinny fearlessly traverses genres, seamlessly switching between glitchy synth punk, jangly art rock, and twangy
cowpunk melded together with his singular approach to songwriting, production, and unique voice. On his latest release Thanks No Thanks, Vaguess joins forces with Under the Gun Records embarking on an odyssey of bigger and bolder production, infectious melody, and introspective songwriting propelled by dialed, head-bobbing rhythms.
With Thanks No Thanks, the vibe of the music shifts in controlled bipolarity as the songs flow from snotty punk tune to heart-felt ballad to dancy Indie banger. The music on this record, however, is uniformly grounded by taut drumming, angular riffing, and tunneling synth arrangements. Earley's singing style pings from more spoken, punctuated post-punk vocals to ringing, belted choruses. The lyrics feel personal, like he's working through feelings of love lost, spiritual devastation, and deep conflict with society’s inequities explored through Earley's poetic, sardonic lens. These narratives careen through the album with the help of densely arranged instrumentation and engineering magic cooked up in Earley's own homespun studio. This album is best enjoyed with headphones as the music thoughtfully swirls in stereo sound.
Vaguess delivers a diverse pallet of modern rock sounds as a uniform and cohesive piece of art. Thanks No Thanks has something for nearly everyone-eggheads and spikey cretins alike. And while Vinny may not look like The Hulkster or Bart Simpson or do any of that other stuff that was said initially, he more importantly continues to contribute his singular and exciting rock n roll vison to the punk zeitgeist with a new Vaguess Record. -- Sims Hardin
All songs Written, recorded and Mixed by Vinny Earley
Vocals by Jennifer French on "Let U Know" and "OCTA"
Mastered by Andrew Oswald
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4.1 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 5
Wow. Just wow. An amazing read
Format: Kindle
This book was eloquently written, or should I say the authors writing style is very eloquent? I loved the characters, and the story was quite compelling. I absolutely loved the FMC, she's a BA who doesn't take any crap & gives as good as she gets. A certain person certainly got his just desserts & then some, the earlier scenes of which were quite satisfying, had me punching the air & everything haha. All in all 20/10, great read
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Reviewed in the United States on November 29, 2024
★★★★★ 3
My opinion
Format: Kindle
Let me preface this by saying I really liked the story and the characters however, this book is in desperate need of some sort of editing. It's not misspelled words or formatting, but continuous run on sentences. Redundancies within the sentences. There were a couple of paragraphs that I had to go back and reread 3 or 4 times. Overall, I'd say it was worth the read.
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Reviewed in the United States on May 29, 2025
★★★★★ 5
Beautiful
Format: Kindle
I love omegaverses I had looked at this one multiple times thinking it's just another book about cocky rock star guys that let fame get to their heads and there are parts like that so I wasn't 100% off. I started reading the second book and met the fmc Astraea from the first one,after she had a run in with the aphla from the gym.😁 it gave me the push to stop and read book one first and im so glad I did this book was amazing their was so many characters I fell in love with hoping they will find their happily ever after. the guys were great, the plot was 🎯, and the ending had me 😭😭😭. I was wondering how nate could ever redeem himself, and he did. the last scene with him was sad, but I also felt it was beautiful. thank you to the author for making a beautiful omegaverse book that gave me all the feels. now I'm jumping straight into book two.
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Reviewed in the United States on March 25, 2025
★★★★★ 4
Knot their Omega
Format: Kindle
It took me a day to really get into the book, there is a lot happening in the beginning of the story. I wish there was more of a time frame because I felt like something’s happened quickly but they were farther away than I thought so that was a little confusing to me. I felt like there was so much happening but also not enough.
As for the story itself I enjoyed it, it was different than other OV I’ve read. Bring the tissues, you will need them. They guys were great, I wish we saw more of Kai and Kenjis relationship. As for Nate…… IYKYK.
I enjoyed this book, my first from this author and look forward to reading about Kamaris story.
Book: ⭐️⭐️⭐️⭐️/5
Spice: 🌶️.5/5
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Reviewed in the United States on October 24, 2024
★★★★★ 2
Has Potential, Poorly Executed
Format: Kindle
I really really wanted to enjoy this book and was looking forward to reading it. However there were just one too many convoluted plot points, sentences just did not flow nicely at times, and I was left with a lot of confusion on my end. I think it has the bones of being a great story but seems like it was rushed and I had to push myself to finish the last of the book and was left with an unsatisfying ending. It’s definitely different from other omegaverse novels I’ve read but not for good reasons. I really think it could be great but needs some serious tweaking and editing before I’d read it again.
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Reviewed in the United States on February 3, 2025