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Description
avocor AVS-6510E Collaboration DisplayThe AVOCOR AVS 6510E Collaboration Display is a 65 inch S series interactive panel designed to elevate teamwork in any room. Engineered for modern meeting spaces, classrooms, and creative studios, this 4K LED backlit display combines crystal clear imagery with effortless touch interaction to foster faster ideation, clearer communication, and more productive sessions. With a bright, lifelike picture and precise infrared touch, the AVS 6510E brings
The AVOCOR AVS-6510E Collaboration Display is a 65-inch S-series interactive panel designed to elevate teamwork in any room. Engineered for modern meeting spaces, classrooms, and creative studios, this 4K LED-backlit display combines crystal-clear imagery with effortless touch interaction to foster faster ideation, clearer communication, and more productive sessions. With a bright, lifelike picture and precise infrared touch, the AVS-6510E brings ideas to life—from intricate diagrams and spreadsheets to spontaneous whiteboarding and remote collaboration. It’s built to handle back-to-back meetings, heavy annotation sessions, and seamless content sharing, all while delivering a clean, professional look that fits any professional environment. Whether you’re conducting strategic planning, design reviews, or training sessions, this 65-inch collaboration display helps teams collaborate more efficiently, stay on the same page, and move projects forward faster.
- The AVS-6510E delivers immersive 4K clarity on a 65-inch panel, making every chart, photo, and document appear with sharp detail and vibrant color. The LED backlight provides consistent brightness and improved energy efficiency, ensuring content remains legible even in well-lit conference rooms. With a wide viewing angle and high contrast, presenters can share content across the room without losing fidelity, so everyone stays engaged from start to finish.
- Multi-user infrared touch unlocks true collaboration. With precise, palm-rejecting touch input, several participants can annotate, circle ideas, and highlight elements simultaneously. The natural feel of touch and pen input makes brainstorming sessions more dynamic, reducing friction and speeding consensus. This capability is ideal for workshops, design sprints, and classroom activities where real-time interaction matters most.
- Flexible connectivity and seamless content sharing are built into the AVS-6510E. It supports a range of inputs and wireless options so you can connect laptops, tablets, and mobile devices with ease. Expect multiple HDMI ports, USB-C compatibility for video and power delivery where supported, and wireless casting that enables quick presentations without cables. The system plays nicely with popular conferencing platforms, enabling smooth screen sharing and collaborative annotation during meetings.
- Integrated collaboration tools transform the display into a ready-to-use whiteboard and annotation hub. Built-in annotation software lets teams sketch, annotate, and persist notes directly on the screen, then save or export as needed. Content created during sessions can be captured for later review or shared with teammates via cloud storage or local storage, helping preserve ideas and decisions in a centralized, accessible format.
- Durable, commercial-grade design and room-ready features ensure reliable performance day after day. The AVS-6510E is engineered for frequent use, with a sturdy chassis, quiet operation, and efficient thermal management. The display offers easy maintenance, secure mounting options, and remote management capabilities to simplify deployment in larger environments. Its comfortable, glare-reducing surface minimizes eye strain during long sessions, making it suitable for extended collaborative activities.
Technical Details of AVS-6510E
- Display size: 65 inches
- Resolution: 4K Ultra HD (3840 x 2160)
- Touch technology: Infrared (IR) multi-touch with palm rejection
- Panel type: LED-backlit LCD for bright, uniform imagery
- Brightness: typical range designed for comfortable viewing in a variety of room lighting
- Color and image quality: wide color gamut with strong contrast for sharp text and vivid visuals
- Connectivity: multiple HDMI inputs, USB ports, and USB-C compatibility for flexible source connections
- Wireless capabilities: built-in wireless display options to enable quick screen sharing from compatible devices
- Operating environment: designed for professional classroom and meeting room usage with stable performance
- Audio: integrated speakers for convenient all-in-one AV experience
- Mounting: VESA-compatible mounting pattern for flexible installation options
- Power: internal power supply with energy-efficient operation
- Software and compatibility: Android-based onboard OS with access to collaboration apps and compatibility with common conferencing and productivity tools
- Warranty and service: standard commercial warranty terms with support options (regional terms may vary)
How to install AVS-6510E
- Unbox and verify all components, ensuring you have the display, mounting hardware, power cable, and any included accessories.
- Choose a mounting option (wall mount or stand) and attach the VESA mounting plate to the back of the display according to the manual. Secure the display to the chosen support structure with appropriate hardware.
- Place the display in position and connect input sources. Use HDMI or USB-C connections from computers, laptops, or media devices as needed, and connect to power.
- Power on the unit and perform the touchscreen calibration to ensure accurate and responsive input across the entire surface. Follow on-screen prompts for an initial setup of language, network, and preferred input sources.
- Configure network settings, install or update necessary collaboration apps, and test wireless casting or screen sharing with a sample device. Run a quick test of annotation and multi-user touch to confirm optimal performance before your first meeting.
Frequently asked questions
- Q: What is the AVS-6510E? A: A 65-inch S-series 4K interactive collaboration display designed to enhance teamwork in meeting rooms, classrooms, and creative environments with precise touch and robust collaboration features.
- Q: Can multiple people touch the screen at once? A: Yes. The infrared multi-touch system supports multiple simultaneous touch points, enabling collaborative annotation and interactive lessons with several participants.
- Q: Is the display compatible with common conferencing platforms? A: The AVS-6510E is designed to work with typical collaboration tools and supports screen sharing and conferencing workflows through compatible apps and connected devices.
- Q: What input options are available? A: The display offers HDMI inputs, USB ports, and USB-C connectivity for compatible devices, along with wireless display capabilities for cable-free presentation.
- Q: What comes with the warranty? A: AVOCOR provides a regional limited warranty for the AVS-6510E; terms vary by region, so check the exact warranty details for your location.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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4.5 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 5
If you can only afford one craft book on Dialogue, this one is it.
Format: Hardcover
The art of dialogue. How does a writer get it just right to be effective, yet original, dramatic but not too dramatic, captivating and satisfying, and most important of all convincing? The thrust of this book is how McKee spends time on characterizations and the art of the subtext—vital to thrilling and effective dialogue. McKee explains how subtext works, the thinking behind it, shows you its most effective moments, why it works well or poorly, and gives you the tools to make it work. The result: amazingly clear insight. No kidding, if you want to fully understand subtext in dialogue and sharpen your skills, this is the writing book to get.
Conflict in dialogue, turning points, even sentence designs techniques. McKee describes the “suspense sentence” and the “periodic sentence.” Because prose is a natural medium for storytelling, you will learn how Charles Dickens used ‘counter pointing exposition’ and its effectiveness for the reader. I hadn’t seen this kind of hook in writing before, hadn’t heard this term before. Very powerful technique; of course none of us writes like Dickens, but what an example on how to swoop the reader in.
What’s one of the takeaways in Dialogue by Robert McKee? “Quality storytelling inspires quality dialogue.” Which inspires a read of McKee’s other remarkable craft book “Story”—a great companion read as both books belong on any serious writer’s bookshelf.
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Reviewed in the United States on July 28, 2016
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
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Reviewed in the United States on September 21, 2016
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
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Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
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