SKU: 12847877262

Personalised Burton McMahon Syme on Yarra Pinot Noir 13.5% 750ml

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Personalised Burton McMahon Syme on Yarra Pinot Noir 13.5% 750mlPersonalised Burton McMahon Syme on Yarra Pinot Noir 13. 5% 750ml Expert Review: Andrew Graham 94 Points, The Syme on Yarra Vineyard lies in the Upper Yarra, near Seville on an east facing block of all MV6. Theoretically, that translates into a lighter wine. It is lighter? Probably not, but it is the most complete of the two. Immediately this has lovely acidity and delicacy a lovely, affable, yet serious Australian Pinot. Theres this red fruit

Personalised Burton McMahon Syme on Yarra Pinot Noir 13.5% 750ml

Expert Review:
Andrew Graham- 94 Points, The Syme on Yarra Vineyard lies in the Upper Yarra, near Seville on an east-facing block of all MV6. Theoretically, that translates into a lighter wine. It is lighter? Probably not, but it is the most complete of the two. Immediately this has lovely acidity and delicacy – a lovely, affable, yet serious Australian Pinot. There’s this red fruit translucency here which feels good, right, real. Plenty of whole bunch spice, plenty to grab onto. It’s just a light-but-substantial modern Yarra Pinot. Best drinking: good for at least five years.

Burton McMahon is an innovative collaboration between Matt Burton and Dylan McMahon; two winemakers that forged a friendship while driving through the wine regions of France. Together, they source fruit from small, exclusive vineyards in the Yarra Valley to make interesting and unique wines that reflect varietal character and terroir. Dylan McMahon was on track to become an electronic engineer until he decided to follow his destiny and make wine. His grandfather Dr Peter McMahon planted the first vines at Seville Estate in Victoria's Yarra Valley in 1972. Dylan spent his first five years working with direction from previous winemakers Alistair Butt and Iain Riggs and has now been Seville Estate's Winemaker since 2004.

Matt has been involved at various levels of winemaking and wine business management for the last sixteen years. Starting out as a Trainee Winemaker in the Hunter Valley, Matt then gained invaluable experience making wine in the United States and France before heading to Coldstream Hills in the Yarra Valley. In 2003, he finally settled in the Hunter Valley where he was ultimately promoted to the dual role of Winemaker and General Manager at leading boutique winery Gundog Estate.

Variety: Pinot Noir
Region: Yarra Valley, Victoria
Winemaker: Matt Burton & Dylan McMahon

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SKU: 12847877262

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4.1 ★★★★★
Based on 18 reviews
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A
Verified Purchase
AlanWarner
Draper, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
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Carole T Emberton
Port Orchard, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Belleville, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Waukegan, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
Omaha, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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