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Description
RME HDSPe MADI FX 390 Channel Pcie Audio CardRME HDSPe MADI FX Overview The HDSPe MADI FX from RME is a two card, compact PCIe solution for transmitting a huge number of audio channels using the MADI protocol. Utilizing two optical and one coaxial set of inputs and outputs, the cards are capable of delivering 194 input and 196 output channels when used in conjunction with the two channel AES EBU I O and the analog monitor output. Not only does the system provide an impressive input and output
RME HDSPe MADI FX Overview
The HDSPe MADI FX from RME is a two-card, compact PCIe solution for transmitting a huge number of audio channels using the MADI protocol. Utilizing two optical and one coaxial set of inputs and outputs, the cards are capable of delivering 194 input and 196 output channels when used in conjunction with the two-channel AES/EBU I/O and the analog monitor output.
Not only does the system provide an impressive input and output count, but the included TotalMix FX software features a 4,096-channel mixer with a 192 kHz effects engine that allows latency-free monitoring with numerous effects like EQs, compressors, reverb, and echo, rendered directly on the hardware of the card and independent of the DAW software being used. MIDI is integrated and provides comprehensive remote control, while Wordclock I/O includes switchable termination.
- Overview
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- Two-card PCIe solution for transmitting a huge number of audio channels using the MADI protocol
- 194 input and 196 output channels when used in conjunction with the two-channel AES/EBU I/O and the analog monitor output
- Wordclock connection and four MIDI I/Os
- Inputs and Outputs
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3 x MADI I/O- Two optical and one coaxial MADI I/O (SC industry standard optical connectors, coaxial configured as 75Ω BNC)
- 192 inputs and 192 outputs simultaneously available at 44.1 and 48 kHz, 96 inputs and 96 outputs at 96 kHz, and 48 inputs and 48 outputs at 192 kHz
- In general, two optical MADI-I/Os are adequate to implement a major studio or live setup with long cable lengths, whereas the additional coaxial MADI I/O provides maximum flexibility and provides in-the-box conversion between both formats
Analog Monitoring Output- Low-latency, reference quality analog stereo output, ideally suited to high- and low-impedance headphones
- Using the monitoring features of TotalMix, any input channel, recorded tracks, or complex sub-mixes can be selected for listening
- Cue function allows each of the 98 possible stereo sub-mixes to be monitored with a single mouse click
AES/EBU I/O- Digital input/output in the professional AES/EBU format for those who work with additional AES/EBU devices and would like to easily connect them to their DAW
- Allows the connection of a simple AD/DA converter (e.g. RME's ADI-2 for example) to get a second monitoring output, or to create a talkback setup
-
MIDI Integration and Remote Control
- Four MIDI I/Os - one via the external breakout cable, the other three internal as virtual MIDI ports, one for each MADI I/O
- Each MADI I/O owns a virtual MIDI I/O in the operating system that can be addressed by any MIDI program
- MIDI signals are transmitted through the same lines and distances as the MADI data, with the MIDI signals able to be played back from RME MADI devices via a standard MIDI DIN port
Wordclock I/O- Wordclock I/O with switchable termination
- The MADI FX card uses SteadyClock to extract the reference clock directly from the MADI signal, while reducing possible jitter to a minimum, making long-distance connections even more convenient
- Wordclock input processes signals automatically in single, double or quad speed
- TotalMix FX
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Digital Zero Latency Effects- DSP-based hardware mixer with 46-bit internal resolution
- Provides the same 192 kHz effects engine as the Fireface UFX and UCX but with improved DSP efficiency.
- Every input and output channel comes with a feature set comparable to a full-scale digital console
Flexible Routing with Professional Matrix View- All 194 inputs and 196 playback channels can be freely routed and mixed to 196 physical outputs
- This creates a powerful router/mixer and allows for much more than usage as simple computer I/O unit
Monitoring Controller- Provides a complete complement of all the functions needed to control the monitoring of modern in-the-box studio or live mixing sessions
TotalMix Remote Control- Main functions can be remotely controlled via MIDI with any Mackie Control compatible controller
- Can be also be remotely controlled by Apple's iPad via Mackie Control emulator apps, standard MIDI commands, and OSC (TouchOSC, Lemur) realizing comfortable wireless remote control of TotalMix key parameters
- Additional Features
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SteadyClock- RME's jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent of the quality of external clock signals
Intelligent Clock Control (ICC)- Displays status of every clock
- Retains the last valid input sample rate in case of failure of the external source
- SyncCheck offer a quick detection of clock problems
DIGICheck- Software tool box for metering, testing, measuring and analyzing digital audio streams
- Under Mac OS X the software provides unique functions and features of the spectral analysis of the data calculated in the hardware level right through to the sophisticated multi-channel level meter
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4.5 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001
★★★★★ 5
Cute Romance Novel
Format: Paperback
Was the perfect gift for a friend!
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Reviewed in the United States on June 2, 2026
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