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Description
ENA-3T1 Encore Alpha Car Audio Amplifier for Toyota 10-pin / 6-pin ConnectorEncore Alpha Car Audio Amplifier for Toyota 10 pin 6 pin Connector Now with RCA outputs for subwoofer connection! Experience superior sound quality from your car audio system with the Encore Alpha Plug & Play Car Audio Amplifier from Beat Sonic. This ultra compact high performance amplifier effortlessly enhances your in car audio experience, delivering clear, powerful sound and is designed to be easily installed in a wide range of vehicles. The RCA
Encore Alpha Car Audio Amplifier for Toyota 10-pin / 6-pin Connector
Now with RCA outputs for subwoofer connection! Experience superior sound quality from your car audio system with the Encore Alpha Plug & Play Car Audio Amplifier from Beat-Sonic. This ultra-compact high performance amplifier effortlessly enhances your in-car audio experience, delivering clear, powerful sound and is designed to be easily installed in a wide range of vehicles.
The RCA outputs and remote turn-on wire provide easy connection to a powered/active subwoofer or additional amplifier without the need for additional converters or adapters. The ENA-3 series also features the Auto-Sense switch for compatibility in a wide range of modern vehicles where speaker offset voltage dectection is required.
Product Features:
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Compact & Powerful: The Encore Alpha`s small size (96mm x 40mm x 113mm) conceals its robust 4 x 50W max power output, making it easy to install in any vehicle interior without sacrificing performance.
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Easy Installation: Designed for factory multimedia audio systems, the Encore Alpha features vehicle specific plug & play harness’ using the OEM connectors. The result is an easy to install audio upgrade without complex procedures or altering your vehicle's original wiring.
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RCA Outputs: Connect a powered subwoofer or additional amplifier. RCA outputs and remote turn-on wire allows for easy connection without the need for additional adapters.
* RCA outputs for non-JBL models only.
** Battery 12V power connection for the powered subwoofer is required.
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Engineered for High-Fidelity Sound: Featuring high-end Class AB amplification, the Encore Alpha combines the audio quality of Class A with the efficiency of Class B, that transforms your music into vibrant, energetic audio with controlled, powerful bass.
- High-Quality Film Capacitors: Ensures direct pass through for full-spectrum high frequency to low frequencies sound reproduction.
- Audio-Grade Electrolytic Capacitors: Enhances signal-to-noise ratio and delivers authentic sound reproduction as intended by the studio.
- Thick Copper Circuit Board (70μ): Delivers maximum power to the speakers without signal loss, even under continuous high-power levels.
Enhance your driving experience with the Encore Alpha Plug & Play Power Amplifier from Beat-Sonic.
- Retains OEM head unit & speakers
- Plug & play trouble-free installation using Toyota OEM 28-pin & 10-pin connnectors.
- 4ch x 50W (25W RMS) power output.
- RCA outputs for system expansion (non-JBL systems only)
- Made in Japan using premium audio grade components
This product has been designed as a compact, high performance audio upgrade that does not require any modifications to the vehicles factory electrical system and does not require any additional wiring.
ENA-3T1 Compatible Vehicles:
- 2014 - 2019 Toyota 4Runner
- 2016 - 2024 Toyota Avanza
- 2015 - 2018 Toyota Avalon
- 2018 - 2021 Toyota Aygo
- 2017 - 2026 Toyota Camry with Radio Receiver (without multimedia)
- 2018 - 2026 Toyota Corolla with Radio Receiver (without multimedia)
- 2020 - 2026 Toyota Corolla Cross with Radio Receiver (without multimedia)
- 2018 - 2026 Toyota Corolla Hatchback with Radio Receiver (without multimedia)
- 2018 - 2026 Toyota Corolla Touring with Radio Receiver (without multimedia)
- 2020 - 2022 Toyota C-HR with Radio Receiver (without multimedia)
- 2016 - 2019 Toyota C-HR
- 2013 - 2020 Toyota GT86
- 2015 - 2026 Toyota Hilux with 10-pin / 6-pin Radio Connector
- 2013 - 2019 Toyota Highlander
- 2024 - 2026 Toyota Land Cruiser 250 / Prado 6 speaker without navigation
- 2014 - 2020 Toyota Land Cruiser Prado
- 2021 - 2026 Toyota Land Crusier 300 with 6 speaker (non-JBL only)
- 2016 - 2017 Toyota Mirai
- 2020 - 2022 Toyota Prius with navigation
- 2016 - 2019 Toyota Prius without navigation
- 2012 - 2021 Toyota Prius C
- 2012 - 2018 Toyota Prius V / Prius+
- 2013 - 2018 Toyota RAV4
- 2013 - 2019 Toyota Sequioa
- 2015 - 2017 Toyota Sienna
- 2014 - 2019 Toyota Tacoma
- 2014 - 2019 Toyota Tundra
- 2014 - 2016 Toyota Venza
ENA-3T1 uses the Toyota 10-pin & 6-pin radio harness connector and is compatible with a wide range of Toyota vehicles from the early 2000`s through to current models. If your car is not listed please send us an inquiry we will check.
SPECIFICATIONS
| Output power | 4 x 50 Watts@4Ω (14.4V) |
| Speaker impedance | 4Ω ~ 8Ω |
| Amplifier class | AB |
| Inputs | 4 x high level speaker inputs |
| Outputs | 4 x high outputs 2 x RCA (3V) |
| Remote output | DC 12V (max.100mA) |
| Frequency response | 15Hz ~ 80kHz (+0/-1dB) |
| Total Harmonic Distortion (THD) | 0.01% (1kHz/4Ω) |
| Operating voltage | 11V ~ 15V |
| Max. current draw | 0.01% (1kHz/4Ω) |
| Quiescent current | 200mA |
| Protection | Short circuit, reverse polarity, overheat |
| Dimensions | 96mm(W) x 114(D) x 40mm(H) |
| Weight | 420g (exc. harness) |
| Harness length | Approx. 1 meter (3ft.) |
DOWNLOADS
| Instruction Manual |
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Exchange/Return Notes
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4.1 ★★★★★
Based on 13 reviews
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Product Reviews
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020