SKU: 91793915550

Still Good To Be Bad (Super Deluxe) (4CD/Blu-ray)

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Still Good To Be Bad (Super Deluxe) (4CD/Blu-ray)Whitesnake returned in 2008 with Good To Be Bad, the bands 10th studio album and its first in over a decade. Fans embraced the comeback, pushing the album into the Top 10 in the U. K. and flocking to stops on the bands massive world tour. Today, album tracks like Best Years and Summer Rain have taken their place in the bands live repertoire alongside global hits like Here I Go Again and Still Of The Night. Whitesnake explores the groups 2008 return

Whitesnake returned in 2008 with Good To Be Bad, the band’s 10th studio album and its first in over a decade. Fans embraced the comeback, pushing the album into the Top 10 in the U.K. and flocking to stops on the band’s massive world tour. Today, album tracks like “Best Years” and “Summer Rain” have taken their place in the band’s live repertoire alongside global hits like “Here I Go Again” and “Still Of The Night.”

Whitesnake explores the group’s 2008 return with the upcoming retrospective, STILL GOOD TO BE BAD. Due April 28th, a few days after the original album’s 15th anniversary, the 4-CD/Blu-ray set has two new versions of the original album (one remastered and the other remixed), a selection of rare and unreleased studio and live recordings from the period, and video of electrifying live performances from the Good To Be Bad world tour.

Whitesnake founder and lead singer David Coverdale played an integral role in making the new collection, serving as its executive producer. In the set’s liner notes, Coverdale traces the creative spark for Good to Be Bad back to 2003 when he reconvened Whitesnake for a tour celebrating the band’s 25th anniversary.

“We went out for two months and came back nine months later, and I had a big smile on my face and felt really energized.… I thought—‘Wow! I’ve got thirty years of music here that I can go out and play, and I don’t have to promote a new record…I can just have fun out there.’”

The anniversary ended, but the tour buses kept rolling as Whitesnake remained in demand on the road. As a result, in 2006, the band released Live…In The Shadow Of The Blues, a concert album that also introduced four new studio recordings. Those songs raised fans’ hopes for a new Whitesnake studio album, the first since 1997’s Restless Heart.

In 2007, Coverdale, guitarists Doug Aldrich and Reb Beach, keyboardist Timothy Drury, bassist Uriah Duffy, and drummer Chris Frazier began recording tracks for Whitesnake’s 10th studio album, Good to Be Bad. Celebrated by both fans and critics, the record was named “Album of the Year” at the 2008 Classic Rock Awards.

STILL GOOD TO BE BAD explores the creative process behind the record with 28 different mixes and alternate versions of album tracks, all but one of them previously unreleased. High points include “If You Want Me,” backed by the Hook City Harlots and Horns and a version of “All For Love” that features a different guitar solo by Aldrich. The collection also includes Evolutions, a disc that of unreleased audio that presents a guide through the genesis of each song, from initial ideas with rough vocal melodies and riffs through to finished demos and full band production versions.

The Blu-ray delivers a variety of Whitesnake video footage, including live tracks from the band’s 2008 European tour, acoustic performances from the era, and an interview by Eddie Trunk. New songs like “Best Years,” “A Fool In Love,” and “Can You Hear The Wind Blow” come to life in these incredible live performances. The Blu-ray also features promo videos for “Ready To Rock” and “Lay Down Your Love.”
 

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SKU: 91793915550

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Elvin Ortiz
New York, US
★★★★★ 5
Superman, a Dark Knight in the Skies
Format: Paperback
This is a beautiful tome of the first issues of Superman under Action Comics and the first Superman issue. Although providing the same texts of Chronicles, I find this series better because they have more issues per volume. In spite of its 390 pages, these volumes are light and easy to handle. Albeit the simplicity and innocence of these stories, Superman impresses me as a "dark knight" of the skies given his toughness with the bad guys. In these stories, he's got no compassion for criminals. He also defends the working class, stand for fair treatment of workers, and even takes an "isolationist" stance which was popular in the days before WWII. Another surprise for the first-time reader of this period is that Superman can't fly; he can only leap over tall buildings. There is no Krypton and no Daily Planet. The city of Metropolis is introduced for the first time in the second half of this tome. And Lois Lane is often relegated to unimportant journalistic tasks, while she has greater ambitions. It is a great experience to read these old stories in a beautifully designed tome. I hope they reproduce the others quickly.
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Reviewed in the United States on November 15, 2016
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bud
Waukegan, US
★★★★★ 5
This is Superman like you DON'T remember him!
Format: Kindle
I've been a fan for as long as I've been able to tie a bath towel around my neck, so diving into these early comics has been a real joy! The character was quite different in the beginning so if you're not familiar with Golden Age Superman this might be quite the eye opener. Here in these early comics, Supes certainly isn't the Big Blue Boy Scout you knew and loved in the Silver Age and beyond; early on, he's more like the Well-Meaning Big Blue Bully/Borderline Sociopath. Sort of like early Golden Age Batman: bad guys die, Superman (or Batman) kind of shrugs and thinks, "Well, they got what they deserved..." His relationship with Lois is a bit more desperate-seeming in a few places as well. In fact, he's almost a bit stalker-ish in his pursuit/attitude toward Miss Lane. You can thank DC editor Whitney Ellsworth and a few others for softening the rough edges and turning The Man of Steel into the virtuous character we have today.
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Reviewed in the United States on July 22, 2017
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Jcjxjdicjz
Massapequa, US
★★★★★ 5
This is my Superman
Format: Paperback
Before super villains came along, Superman fought corrupt businessmen and world leaders. In this volume, you get stories like Superman trapping a wealthy mine owner in his own mine so he can feel what it’s like for his exploited workers (as I type that, I thought of a great parallel that might get this review removed haha), forced warring leaders to settle their differences in person, and destroyed a ghetto to get the government to pay to give the poor people modern housing (today our government would just leave them homeless but I digress) At some point in this volume, you get the first supervillain and it gradually goes away from this great Superman at that point but this Superman is my Superman, rough scripting/art and all
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Reviewed in the United States on April 8, 2021
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Amazon Customer
West Palm Beach, US
★★★★★ 5
Superman: The Golden Age: Volume 1 Review
Format: Paperback
If you’re a fan of, or are interested in the Golden Age of comics, this book is for you. This is really the mainstream beginning of superhero comics. Before everything became mired in continuity, there were one-shot stories that were fun, and often dark. I definitely also recommend this for people who want to get into Superman as a character. For the price, the amount of content you get just can’t be beat.
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Reviewed in the United States on January 31, 2020
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C. T. Dixon
Charlottesville, US
★★★★★ 5
This is a Superman I can believe in
Format: Paperback
This is the original Superman, the one who made the character a hit. His powers have limits - a fire threatens his life! - and he uses them for the little guy, against social injustice. One of the best stories, from Action #5, has Supes fighting a breaking dam and flood, but mostly he's fighting human crookedness - crooked lobbyists, crooked football coaches, crooked mine owners, crooked taxi rackets. This Superman is a law unto himself, dependent on nothing but his strength and his personal sense of right. He's a lot more like Samson in that way than he's a Christ figure, and the result is stories in which he lightheartedly smashes slums so the government will have to build decent housing for the poor, smashes cars of reckless drivers, smashes an oil well to bankrupt the crooked promoters. Private property means nothing to him. Neither do legal rights. He's not here to fight for law and order, he's here to fight for justice as he sees it. The police? the government? They're feckless at best, and more often they're part of the problem. There's a strong Progressive sensibility here: if institutions don't benefit the people, the people need to take charge and change things. That's the Superman we see here, and it's the Superman I like best - the original Superman with brute vigor, a passion for justice with no subtlety, and no taking himself too seriously. It's not art, but it's what made comic books. And it still stands up.
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Reviewed in the United States on February 16, 2014

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