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Ships within 48 hours · Estimated delivery Jul 25 - Jul 30
For Your Every Summer RSVP, with Code: SUMMER15
Description
Bend - 13" LED Vanity with White Acrylic - Brushed Nickel FinishFinish Brushed Nickel Category Vanity & Wall Sub Category Wall Style Contemporary Collection Bend Avg Rated Hours 30000 Bulb Shape1 Integrated LED Bulb Type1 LED Color Temperature Warm White Dimmable Yes Dimmable Each Height(in) 5. 0 Each Length(in) 14. 76 Each Width(in) 4. 92 Lumens 910L Tariff Code 9405. 11. 8010 Warranty 3 Years Amps 0. 108A ANSI Base Integrated BAA Compliant No CA Prop 65 Lead CCT Selectable No CEC California T24 2016 2025 JA8
| Finish | Brushed Nickel |
| Category | Vanity & Wall |
| Sub Category | Wall |
| Style | Contemporary |
| Collection | Bend |
| Avg Rated Hours | 30000 |
| Bulb Shape1 | Integrated LED |
| Bulb Type1 | LED |
| Color Temperature | Warm White |
| Dimmable | Yes-Dimmable |
| Each Height(in) | 5.0 |
| Each Length(in) | 14.76 |
| Each Width(in) | 4.92 |
| Lumens | 910L |
| Tariff Code | 9405.11.8010 |
| Warranty | 3-Years |
| Amps | 0.108A |
| ANSI Base | Integrated |
| BAA Compliant | No |
| CA Prop-65 | Lead |
| CCT Selectable | No |
| CEC | California T24 2016 - 2025 JA8 Listed |
| CEC Terse | Lawful for sale in California |
| CEC Web Text | California T24 Listed |
| Connection | Direct Wired |
| Country Of Origin | China |
| CRI | 90+ |
| Dimmable Down To | 100 to 10 percent |
| Dimming Type | Forward Phase or Reverse Phase |
| Each Cube | 0.2101 |
| Each Quantity | 1 |
| Efficacy | 70.00 LPW |
| FCC Compliant | Yes |
| Feature 1 | Integrated LED features 13 watts, 90 CRI, 3000K and is dimmable |
| Feature 2 | Fixture measurements: 4.50 inch height, 13.00 inch width, and 3.00 inch extends and is comprised of steel with an acrylic lens |
| Feature 3 | Illuminate your home with 910 lumens and a warm white color temperature |
| Feature 4 | LED lighting provided adds up to significant savings on energy costs, and is rated for up to 30,000 hours with average use |
| Feature 5 | A three year limited fixture warranty brings peace of mind with your purchase |
| Feature 6 | For indoor use with standard 120 voltage |
| Feature 7 | Easy to install with included instructions and mounting hardware |
| Feature 8 | Dust lightly with a soft cloth for easy cleaning |
| Finish Family | Nickel |
| Has Camera | No |
| Has Emergency Battery | No |
| Incandescent Equivalent | 75W |
| Indoor Outdoor | Indoor |
| IOT Enabled | No |
| JA8 Compliant | Yes |
| Lens Material | Acrylic |
| Long Description | Simple yet elegant is the best way to describe Satco Nuvo's new Bend collection. With it's brushed Nickel backplate and white arched acrylic lens, the 62-1321 small LED vanity exudes sophistication with a minimalist style. Delivering energy-efficie |
| Material | Steel |
| Mounting Extends | 0.75 |
| Mounting Height(in) | 4.5 |
| Mounting Procedure | Wall |
| Mounting Width(in) | 6.0 |
| Operating Frequency | 60Hz |
| Operating Temp | 0C (+32F) to +50C (+122F) |
| Order In Multiples Of | 1 |
| Pack Type | Box |
| Power Factor | 0.99 |
| Quantity In Pack | 1 |
| R9 Value | 64 |
| Replaceable Light Source | No |
| RoHS Compliant | Yes |
| Romance Copy | Simple yet elegant is the best way to describe Satco Nuvo's new Bend collection. With it's brushed Nickel backplate and white arched acrylic lens, this collection exudes sophistication with a minimalist style. Delivering energy-efficient, dimmable, |
| Safety Listing | cETLus - Listed |
| SDS class | LED_Fixture |
| Short Description | BEND LED SMALL VANITY |
| Temperature (CCT) | 3000K |
| Title 20 Compliant | Exempt |
| Title 24 Compliant | Yes |
| Up Down Installation | Universal |
| Wattage Selectable | No |
| Weight Lb.(lbs) | 2.02 |
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Reviewed in the United States on May 24, 2026
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect.
And did I mention that some guy named Stanley Kubrick directed the thing?
The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous.
Okay.
Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling.
There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief.
It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it.
I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014