SKU: 876076894

5220 Eggshell Kerapoxy CQ Premium Epoxy Grout and Mortar

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Description

5220 Eggshell Kerapoxy CQ Premium Epoxy Grout and MortarKerapoxy CQ Epoxy Grout & Mortar 5220 Eggshell MAPEI Kerapoxy CQ is a twocomponent, 100% solids epoxy grout and mortar engineered for durable, stain and chemical resistant joints. Its nonsag formula and color coated quartz aggregate deliver long lasting color and easy maintenance for countertops, floors and hightraffic areas. Key Features: Epoxy Performance: 100% solids, two component system resists stains, chemicals, cracking and color fade. Color

Kerapoxy CQ Epoxy Grout & Mortar – 5220 Eggshell

MAPEI Kerapoxy CQ is a two‑component, 100%-solids epoxy grout and mortar engineered for durable, stain- and chemical-resistant joints. Its nonsag formula and color-coated quartz aggregate deliver long-lasting color and easy maintenance for countertops, floors and high‑traffic areas.


Key Features:

  • Epoxy Performance: 100%-solids, two-component system resists stains, chemicals, cracking and color fade.
  • Color-Coated Quartz: Proprietary aggregate provides rich, durable color without efflorescence.
  • Easy Application: Nonsag/nonslump formula for joints up to 3/8 in. and water-cleanable during installation.
  • Hygiene Protection: Includes BioBlock technology to help protect against mold and mildew.
  • Low Maintenance: Cleans back to original color and stands up to heavy use in residential or commercial spaces.

Please check the Product Data Sheet Here


Specifications Table:

Specification Details
Product name Kerapoxy CQ
Color/Variant 5220 Eggshell
Type Two-component, 100%-solids epoxy grout and mortar
Joint width capability Up to 3/8 in (10 mm)
Cleanability Water-cleanable during installation
Key technologies Color-coated quartz aggregate; BioBlock technology
Resistances Stains, chemicals, alkalinity, chlorine, cracking, color deterioration; does not contribute to efflorescence
Recommended uses Countertops, high-traffic areas, areas needing stain and chemical resistance

Frequently Asked Questions (FAQ):

Q: What joint widths can Kerapoxy CQ be used for?
A: It is designed for grout joints up to 3/8 inch (10 mm).


Q: Is it suitable for high‑traffic or commercial areas?
A: Yes. Its epoxy composition and chemical resistance make it ideal for high‑traffic floors, countertops and demanding environments.


Q: How is cleanup performed during installation?
A: The product is water‑cleanable during installation; follow MAPEI’s instructions for timing and technique.


Q: Does it help prevent mold and mildew?
A: Yes. It includes BioBlock technology to help protect against mold and mildew.


Q: Will it effloresce or discolor over time?
A: It does not contribute to efflorescence and is formulated to maintain color with excellent resistance to staining and color deterioration.


A Luxe, Seamless Finish with Enduring Color

Kerapoxy CQ wraps your tilework in a refined, continuous field of color that feels impeccably tailored. The color‑coated quartz brings a subtle, luminous texture that elevates everything from spa baths to gourmet kitchens. Pair it with honed marble or graphic porcelain to accentuate crisp grout lines and architectural geometry. It’s the quiet, high‑performance essential that delivers a polished, luxurious finish day after day.


Upgrade your tile installation with Kerapoxy CQ’s durable, stain‑resistant epoxy performance—choose 5220 Eggshell and get lasting beauty with confidence.

Installation

Shipping Notes
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Exchange/Return Notes
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SKU: 876076894

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4.3 ★★★★★
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Product Reviews
T
The Art and Making of
Alexandria, US
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review. (For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 10, 2018
R
Reverend Skull
Battle Creek, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
West Palm Beach, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Lake Worth, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Chelsea, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003

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