SKU: 66240077695

Pro Sample Pack 04 - Voltage

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Description

Pro Sample Pack 04 - VoltageTotal Size 2. 6gb Total Loops 201 Drum Kits 10 MIDI Files 103 TAKE A LISTEN Drum Loop 03 Drum Loop 10 Bass Loop 12 Bass Loop 14 Melody Loop 11 Guitar Loop 04 Chord Loop 07 Chord Loop 02 FX Uplifter 10 FX Downlifter 06 Kick 01 Huge Snare 01 Description Mobile Music Pro presents a powerful throwback collection of EDM samples inspired by the hands up and hardcore movements from Europe in the late 90s. This pack features hugely epic leads, soaring

Total Size

2.6gb


Total Loops

201


Drum Kits

10


MIDI Files

103


TAKE A LISTEN




Drum Loop 03
Drum Loop 10
Bass Loop 12
Bass Loop 14
Melody Loop 11
Guitar Loop 04
Chord Loop 07
Chord Loop 02
FX Uplifter 10
FX Downlifter 06
Kick 01
Huge Snare 01


Description

Mobile Music Pro presents a powerful throwback collection of EDM samples inspired by the hands up and hardcore movements from Europe in the late 90s.

This pack features hugely epic leads, soaring arpeggios, chart topping chords, heart pounding basses and dance floor destroying drums complemented by lush pop guitars and industry standard FX sounds such as risers, downlifters, impacts and sub drops. Voltage weighs in at a whopping 1GB worth of WAV files containing over 450 Royalty Free sounds!

*Bonus* We've added a Cubasis 3 template with 16 bars of sound including drums, bass and melody with a full song arrangement mapped out in MIDI and Audio events on the timeline.


Designed for iPad

In addition to the raw wav files this sample pack comes ready to work with your favorite iOS apps:

  • Cubasis 3 Template
  • Cubasis 2 Drumkits (Minisampler)
  • Cubasis 3 Drumkits/Instruments (Minisampler)
  • Beatmaker 3 Drumkits
  • Nanostudio 2 Drumkits
  • iMPC Pro 2 Drumkits
  • EG Pulse Drumkits
  • Beathawk Drumkits
  • Digistix Drumkits
  • Gadget Drumkits
  • Koala Drumkits
  • FAC Drumkits
  • Sitala Drumkits
  • SampleWiz 2 Instruments
  • Segments Instruments
  • Audiolayer Instruments
  • Chameleon Instruments
  • Numbered files for Ableton Live
  • MPC Drumkits (.xpm files)

What's Included

  • Over 450 100% Royalty Free Sounds!
  • BPM-labeled & Key-labeled
  • High Quality 44khz 24bit Audio
  • All Loops ACIDized
  • Apple Loop Files (.AIFF)
  • Rex Files (.RX2)
  • 160 Hand Crafted Drum One Shots
  • Separated Into 10 Drum Kits
  • 103 MIDI Files
  • 10 Full Drum Loops (Midi/RX2)
  • 10 Clap Loops (Midi/RX2)
  • 15 Sub Kick Loops (Midi/RX2)
  • 5 Kick Loops (Midi/RX2)
  • 10 Percussion Loops (Midi/RX2)
  • 10 Ride Loops (Midi/RX2)
  • 10 Top Loops (Midi/RX2)
  • 10 Snare Builds (Midi/RX2)
  • 14 Synth Bass Loops (Wet/Dry/Midi/RX2)
  • 12 Melody Loops (Wet/Dry/Midi/RX2)
  • 10 Arp Loops (Wet/Dry/Midi/RX2)
  • 8 Chord Loops (Wet/Dry/Midi/RX2)
  • 6 Piano Loops (Wet/Dry/Midi/RX2)
  • 9 Guitar Loops (Wet/Dry/Midi/RX2)
  • 32 Synth One-Shots
  • 12 Bass One-Shots
  • 50 FX (Downlifters/Uplifters/Impacts/Reverse/Sub Drops)
  • Bonus: Cubasis 3 Template




COMPATIBLE WITH



F.A.Q.


Yes. All our MIDI, Audio and Preset files are 100% royalty free to use in your own commercial releases. This includes distribution on Spotify/iTunes, Youtube, TV and Movie Placements etc. However these files are not for resale, repurposing, sharing or pirating.
For loops/one-shots, since they are wav files, they can be used in any DAW or audio platform that accepts WAV format. For the Presets you will need the respective app that the preset was created with (e.g. Cubasis instruments/presets are only compatible with Cubasis).
If for some reason you feel unsatisfied with our product(s) we offer a no questions asked 30 day money back guarantee.
Once you've completed checking out a link will be made instantly available to download your files. You'll also receive an email shortly after that containing a link to download the files and if you've created an account with your purchase email when you checked out you'll also be able to re-download it at anytime by logging into your account.
Please visit our Contact Page and we'll get back to you within 24 hours.



TUTORIAL VIDEOS

In this video we’ll be showing you our top 5 favorite AUv3 guitar amp suites and why we love them so much.
Watch Video

In this video we’ll be showing you how to copy your audio files from your external hard drive or wireless network onto your iOS device.
Watch Video

In this video we’ll be showing you how to chop up drums samples and melody samples using a few different AUv3 apps inside of Cubasis 3.
Watch Video

In this video we’ll be showing you a few different ways to customize your samples to make them more unique and fit within the context of your song.
Watch Video

In this video we show you how to process premade melody loops and drum loops to make them sound different and unique to you.
Watch Video

In this video we walk you through the built in sampler inside Cubasis 3 and show you how to create your own custom instruments.
Watch Video

In this video we’ll be showing you a few different apps that can help you detect the key or root note of any sample, loop or song on your iPad.
Watch Video

In this video we give you our top 5 picks for the best sampler apps that use the AUv3 standard so you can use them inside any DAW on the iphone and ipad.
Watch Video

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 66240077695

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4.9 ★★★★★
Based on 23 reviews
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K
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Kindra Foster
Waukegan, US
★★★★★ 4
Classic, but a bit disappointed
I’ve always wanted to read this book. Heard a lot about it and it’s importance in the science fiction genre. But I didn’t care for Heinlein’s style of writing. There was a lot of subtle humor in it that was enjoyable, and I suspect he meant for it to be a caricature of humanity. I enjoyed the analysis of human nature throughout the story. But I was disappointed in the direction the story took toward the end. It seemed like a cheap way to develop the possibilities that had been laid out in the rest of the book. I want to believe human beings would value the opportunity and show up in a better way if such a thing really happened. I felt like the main character was so rich and unique in the beginning, but in the end, he felt flat and inscrutable. Having said all of that, maybe if I hadn’t been swayed by my own expectations, I would have enjoyed the story more. I’ll have to try some of his other books and see what I think!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2024
C
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Craig in NE CT
New York, US
★★★★★ 5
Great story!
Format: Mass Market Paperback
I read this book as a teenager, in the 1960s, and just, now, finished rereading it, at age 65. I see that I missed many of the author's ideas (due to my youthful lusts, antics, and ignorance of life and of the Bible). "Stranger in a Strange Land" struggles with boundaries of self, morality, and what may constitute/govern a normal healthy society. The author pokes at our spiritual needs, ideas, or rituals upon which we all depend to order our lives, whether we be atheistic, pantheistic, or monotheistic. By minimizing God and godhood to the level of individual understanding and growth, the Heinlein's story posits that all philosophical views need not be antagonistic toward one another; that, by default, truth is and should be relative, given our potentially reformed natural self-interests. Whether a `religious' or irreligious person or organization is primitive, civilized, or `who-cares', Heinlein poses that, despite our ideologies that distinguish us from others, or unite us, only a growing constructive self-awareness is really important, not whether God really exists or whether we will face a final judgment. The author's trick to redemption is how we decide to get along with ourselves and our neighbors, within a `fly right, or mess up and go back to the beginning' scenario, in contrast to the biblical one-life-one-chance view. By design or default, in this story, Heinlein relegates God below human self-actualization, and allows no room for absolute truth. Heinlein's self-fulfilling self-actualization is entirely at odds with biblical Christianity and biblical Judaism, yet quite at home with most religions and faiths that rely on salvation by personal works, and reincarnation-based religions. Maybe that was part of the author's point in telling the story. When it comes to putting a halt to abusive powers, I have to chuckle at how Heinlein has Smith frustrate the overbearing powers-that-be. A thought struck me about twenty years ago that those who have power or understanding have a God-given responsibility to exercise discipline and restraint with those who lack power or understanding. Having more power or understanding than someone or something else does not obviate one's responsibility to exercise that power or understanding to better the world in which we live, nor does it entitle one to do ought but to treat others with love, respect, and decency, which, for the betterment of society and our world, may require that one's power or understanding be exercised to identify or destroy evil. Though this philosophy is exercised by the lead character within the story, the clarity of this comes late to Valentine Michael Smith, yet, sadly, such clarity does not move him to embrace an absolute God, absolute truth, nor his own existence as a created being that is not God, leaving Heinlein's view of life and after-life harshly in contrast to the biblical viewpoint, hence at odds with God. Martian or human, in the end, Heinlein simply does a shell game with his characters, when the issue of death arises, leaving readers to guess in what level the author will eventually hide them, to avoid a final judgment, leaving each soul's story to continue ad infinitum, ad nauseam, without any ultimate accountability. This is an entertaining science fiction story, yet, Heinlein's ideas, in this sexual-religious-social romp, border on theological sophistry. His ideas will probably offend most established points of view. Despite his general bravado, and so bold a topic, Heinlein omits balanced discussion among the characters, fails to deal with any absolute truth or true final judgment of evil, and perfunctorily dismisses biblical views that might be germane to cogent biblical discussion. There are two upwelling truths that the author has twisted and cheapened them considerably, by his denial of absolute truth and avoiding our accountability to God's perfect righteousness. Those are self-sacrificing love and the inevitability that every soul is responsible for her/his own thoughts and actions. Though he allows watered down versions of those traditional moral elements to remain, Heinlein (who must have seen too many money-hungry medicine shows, tent meetings, and carnival acts) relies solely on human constructive self-awareness, self-discipline, and self-empowerment to pose a stab at a positive future for humanity and the afterlife. The story's quasi-moral might read, "Find any way to beat the present system and exploit it at almost any cost, so long as no one really gets hurt." Smith's earthly end-game of self-sacrifice is a corrupted shadow of Christ's. Smith's is a twisted image of self-sacrifice, a huckster's trick to work the crowd, avoiding entirely the biblical God and plan of Christ. Heinlein's bootstrap theology, in the end, can neither respect nor agree upon one God, nor save itself from its own moral meanderings and wishful unthinking of human sin. As an author, myself, I would add that every one of our actions, gestures, and our written or spoken utterances, has its consequences, and that we are ultimately responsible, to God, for everything that we generate and utter. I believe that Heinlein's story agrees partly with my belief, except that Heinlein leaves the one true God completely out of his story. Despite Heinlein's philosophical thrust that everyone can claim "Thou art God", for self or others, I personally subscribe to the biblical view that all things and people are created by God, and that He holds us together by His Laws and will, and that there is, yet, a separation that He reserves between us and Him, that can only be bridged or reconciled through His Christ, and, furthermore, that we are the only part of His Creation that has been offered that exclusive plan of redemption. By contrast, Heinlein's story offers the carrot of constructive self-awareness as the means of possible redemption for humanity, insecurely hoping to save us from ourselves. Craig M. Szwed (Author, photographer, combat veteran, father, composer)
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2013
M
Verified Purchase
M. Estopinal
Dallas, US
★★★★★ 5
A True Arthurian Legend
Format: Mass Market Paperback
The Once and Future King provides an excellent perspective into the world of Arthur, the King of England. This book is divided into four sections, each dealing with the different aspects of Arthur's life, including both the good and the bad. The first book, the Sword and the Stone, has been immortalized by countless movies, such as the one by Disney. This book deals with the upbringing of Arthur, or in this case, Wart, his childhood nickname. Here we see the trials Wart must face as he learns about the many forms of leadership, courtesy of his mentor, Merlyn. The second book, the Queen of Air and Darkness, is a prelude to the collapse of Arthur's kingdom. The result of this book begins to brew throughout the entire novel, finally impacting at the end of the final book. The third book, the Ill-Made Knight, is my personal favorite. This book is about Lancelot's personal quest to become the best knight in the world. This book is filled with exciting quests that Lancelot has taken up, including such things as saving a maiden from a boiling pot of water, as well as the ill-fated quest to find the Holy Grail. The fourth and final book, the Candle in the Wind, deals with the collapse of Arthur's kingdom. Arthur's sins "come home to roost" in this book, forcing him to make decisions that could jeopardize the safety of his wife, Guenever, and his best friend, Lancelot. This novel is truly one of the classic fantasy books that one reads and never forgets. Although there are many portrayals of the Arthurian legend, this is without a doubt one of the better ones.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2004
A
Verified Purchase
Amazon Customer
Boise, US
★★★★★ 5
A novel about all of life
I've read this novel (and listened to the excellent audio book narrated by Neville Jason) in all its different versions over several decades and every time come away with fresh admiration not only for White's fantastic prose style but also for his insight into all aspects of human character and the workings of society. I cannot over-emphasise how rich it all is. For those who have only read The Sword in the Stone (or seen the Disney version), it is important not to write this volume off as a children's story. Each of the four or five books that make up The Once and Future King reflects a different stage in life and experience. The greatness and the tragedy of the story is something we fully recognise only as we grow older. All of the books are wonderful, but The Ill-Made Knight (the third) is an education in adulthood. The background of the entire work from individually-published volumes is a little messy. The Kindle edition I have seems to match the Harper Voyager paperback complete edition which has the integrated four-book version (with the geese and ants integrated into The Sword in the Stone, and Madam Mim removed) and The Book of Merlyn added at the end without any changes to fix the resulting duplication. This is the form in which I am most familiar with all the parts. The Neville Jason audio book available through Audible is synchronised with the Kindle book but actually includes a different version of The Sword in the Stone (Madam Mim included). When I first listened to this, it frustrated me, because the sections on the geese and ants seem so essential. However, taking it all in its entirety, it works very well and avoids the duplication that otherwise occurs. Neville Jason's reading is of the highest quality, with clearly recognisable voices for all characters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 14, 2014
D
Verified Purchase
Dick Forney
New York, US
★★★★★ 4
Excellent Though Quite Different Than I Expected
I lover the old Disney film version of Sword in the Stone, so I finally got around to reading the book. I love the first where it is a whimsical children’s tale. I expected a different feel as it went on and it does, just not quite what I thought it would be. I found it amusing that it is written as an almost companion to Mallory. Take that for what you will, but it is quite enjoyable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 7, 2026

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