SKU: 644858496

St. Nicodemus the Hagiorite icon

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St. Nicodemus the Hagiorite iconThe Orthodox icon of Saint Nicodemus the Hagiorite of Mount Athos. Commemorated July 14. Saint Nicodemus was a great theologian and teacher of the Orthodox Church, reviver of hesychasm, canonist, hagiologist, and writer of liturgical poetry. Saint Nicodemus was born on the Greek island of Naxos in the year 1748, and was named Nicholas at Baptism. At the age of twenty six, he arrived on Mount Athos and received the monastic tonsure in the Dionysiou

The Orthodox icon of Saint Nicodemus the Hagiorite of Mount Athos.

Commemorated July 14.

Saint Nicodemus  was a great theologian and teacher of the Orthodox Church, reviver of hesychasm, canonist, hagiologist, and writer of liturgical poetry. Saint Nicodemus was born on the Greek island of Naxos in the year 1748, and was named Nicholas at Baptism. At the age of twenty-six, he arrived on Mount Athos and received the monastic tonsure in the Dionysiou monastery with the name Nicodemus.

As his first obedience, Nicodemus served as his monastery's secretary. Two years after his entry into the Dionysiou monastery, the Metropolitan of Corinth, St Macarius Notaras (April 17), arrived there, and he assigned the young monk to edit the manuscript of the PHILOKALIA, which he found in 1777 at the Vatopedi monastery. Editing this book was the beginning of many years of literary work by St Nicodemus.

The young monk soon moved to the Pantokrator skete, where he was under obedience to the Elder Arsenius of the Peloponnesos, under whose guidance he zealously studied Holy Scripture and the works of the Holy Fathers. In 1783 St. Nicodemus was tonsured to the Great Schema, and he lived in complete silence for six years. When St Macarius of Corinth next visited Athos, he gave the obedience of editing of the writings of St. Symeon the New Theologian to St. Nicodemus, who gave up his ascetic silence and occupied himself once more with literary work. From that time until his death he continued zealously to toil in this endeavor. Not long before his repose, Father Nicodemus, worn out by his literary work and ascetic efforts, went to live at the skete of the iconographers Hieromonks Stephen and Neophytus Skourtaius, who were brothers by birth.

He asked them to help in the publication of his works, since he was hindered by his infirmity. There St. Nicodemus peacefully fell asleep in the Lord on July 14, 1809. According to the testimony of his contemporaries, St. Nicodemus was a simple man, without malice, unassuming, and distinguished by his profound concentration. He possessed remarkable mental abilities: he knew the Holy Scriptures by heart, remembering even the chapter, verse and page, and he could even recite long passages from the writings of the Holy Fathers from memory. The literary work of St. Nicodemus was varied.

He wrote a preface to the PHILOKALIA, and short lives of the ascetics. Among the saint's ascetical works, his edition of Lorenzo Scupoli's book, UNSEEN WARFARE is well known, and has been translated into Russian, English, and other languages. A remarkable work of the ascetic was his MANUAL OF CONFESSION (Venice, 1794, 1804, etc.), summarized in his treatise, Three Discourses on Repentance . His most edifying book CHRISTIAN MORALITY was published in Venice in 1803.

The saint also made great contributions by publishing liturgical books. Using materials from the manuscript collections of Mt Athos, he published sixty-two Canons to the Most Holy Theotokos under the title, NEW THEOTOKARION (Venice, 1796, 1849). St. Nicodemus prepared a new edition of the the PEDALION or RUDDER, comprised of the canons of the Holy Apostles, of the holy Ecumenical and Local Synods, and of the holy Fathers. St Nicodemus had a special love for hagiography, as attested by his work, NEW EKLOGION (Venice, 1803), and his posthumous book, THE NEW SYNAXARION in three volumes (Venice, 1819). He completed a Modern Greek translation of a book by St Theophylact, Archbishop of Bulgaria, PAUL'S FOURTEEN EPISTLES in three volumes. St. Nicodemus himself wrote AN INTERPRETATION OF THE SEVEN CATHOLIC EPISTLES (also published at Venice in 1806 and 1819).

The exceedingly wise Nicodemus is also known as the author and interpreter of hymns. His Canon in honor of the Mother of God Quick to Hear (November 9) and his Service and Encomium in Honor of the Fathers who Shone on the Holy Mountain of Athos are used even beyond the Holy Mountain. Some of his other books include the HEORTODROMION, an interpretation of the Canons which are sung on Feasts of the Lord and of the Mother of God (Venice, 1836), and THE NEW LADDER, an interpretation of the 75 Hymns of Degrees (Anabathmoi) of the liturgical book called the OKTOECHOS (Constantinople, 1844).

Reference: G.O.A.A.

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Bob A. Rowden
Natrona Heights, US
★★★★★ 4
Valuable and Engaging Book but with Poor Timing - It's Our Fault, too.
Format: Kindle
If this is not enough reason for companies and individuals, with even a sliver of good judgement, to stop using all Meta products ASAP, I am not sure what is. Careless People is consistent with, builds upon and confirms what both the "Real Facebook Whistleblower," Frances Haugen (The Power of One) and Jeff Horwitz (Broken Code) have already brought us. While Wynn-Williams did not have the mountains of solid evidence that I believe made the work of Haugen and Horwitz more important, Careless People does provide an interesting perspective and more detail, not only on Meta's failures caused by the drive for more profit, but also the profound personality flaws of Meta's top people. Assuming Careless People is reasonably accurate, Sarah Wynn-Williams is a very brave, resilient woman who wanted to do the right thing for Meta. She sacrificed way too much to help Meta when they did not deserve it. She offers a descriptive account of the difficulties she encountered in her role, including cases of bizarre sexual harassment and being sent to dangerous places all over the world. Even if these are exaggerated, the creativity she had in handling such situations makes the book so interesting to read. So many things went wrong for Wynn-Williams that would have caused many of us to give up, but she kept fighting (like Haugen). While any book providing the reasons why we all need to stop using Meta products is good progress, I am disappointed that Wynn-Williams never mentions Haugen or Horwitz in the acknowledgments or gives them credit for paving the way. I would have expected this at a minimum, since those books have been out since 2021 and those authors have provided abundant proof of Meta's world-wide and excessive damage - 22,000 pages of such proof (see the "2021 facebook leak" on Wikipedia) . As of March 2025, Wynn-Williams had never reached out to either of those two, nor offered to collaborate with them. Jeff Horwitz has interviewed hundreds of former Meta employees. Wynn-Williams left facebook in 2017. So while she offers more detail about what was wrong at Meta, she seems too late. And without any credit to the others, especially Frances Haugen, who risked just as much, if not more than Wynn-Williams, it seems strange that Wynn-Williams would now finally come forward, suspiciously looking like an attempt to use their success towards her own. That part still needs to be answered. The obvious lesson is that the 3 billion users of Meta products are "Careless," too. Nothing changes a company's behavior faster than when people stop using its products. For more than 6 years, since Roger McNamee published "Zucked: Waking Up to the Facebook Catastrophe" in 2019, we have known that Meta products suck the data out of users to sell it to anyone willing to pay for it. If you use any Meta products yourself and/or never bother to check that any website you are using, is sending your data to Meta with everything you click on (many tools are available to help you with this), but yet you claim to be an opponent of Trump, you have no one to blame but yourself. Meta gets away with the disastrous and horrific fallout of their carelessness BECAUSE WE LET THEM! In fact, given what Wynn-Williams has brought us, along with the others before her, can't we simply conclude that it is POOR JUDGEMENT for any person or company to actually use Meta, Inc. products in 2025? Meta is similar to the tobacco companies in the 70s who were not doing anything illegal (arguably still TBD for Meta). We all knew their products were dangerous, but so many continued to use them. Hopefully it will not take decades for people to change in this case. So unless there is some miraculously speedy and unprecedented exodus from Meta's user base, look for someone worse than Trump in the 2028 general election and 535 more of them in Congress now that the word is out that all you need are friends at Meta to get elected. Hang on because it's going to get much worse.
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Reviewed in the United States on April 12, 2025
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Samuel Lou Zhengzhi
San Leandro, US
★★★★★ 5
The modern Great Gatsby
Format: Hardcover
It is a very interesting (words) and depressing (reality) book to read. As a former Facebook employee, this book allows me to reflect my time at the company from a new angle, confirming some of the hypothesis I had, and shedding great insights into my experience. Thank you Sarah for sharing her story. We are all in this together.
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Reviewed in the United States on May 25, 2026
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book5eater
Bozeman, US
★★★★★ 5
Riveting, believable, depressing
Format: Kindle
Anyone who studies business recognizes the evolution. At the start, employees are comrades and customer's are wooed. Beyond a certain size, employees become line times and customers become commodities.
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Reviewed in the United States on May 23, 2026
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Danielle Baum
Lake Worth, US
★★★★★ 5
Fantastic series by a creative artist
Format: Paperback
Amulet, a graphic novel by Kazu Kibuishi ( , ), is geared towards the 9-12 age group. However, the novel will captivate anyone that begins to read it as they are swept along a moving story with beautiful illustrations. Our young heroine Emily witnesses the death of her father in the opening pages of this novel. Emily, her mother, and her brother Nevin move into the home of their missing great grandfather. There are secrets lurking within the house, one that soon ensnares Emily's mom. She's dragged from the basement by a tentacle through an open door and Emily and Nevin must go on a rescue mission to another world. This story captivates the reader from the beginning. The reader is compelled to feel for the characters of the story, from Emily witnessing the death of her father to watching her mom being dragged away by some unknown creature. Although this is only the first part of the series the reader gets a true sense of the characters, their feelings, and their emotions and is left hanging at the end of this book and wanting more. What really sells the story are the illustrations as they capture and convey the moods of the characters and their surroundings. The drawings have a light airy quality to them, with a simple, but moody, color palette to show off the extensive use of shadows to convey emotions of the character in graphic detail. The reader is never left wanting or wondering what the characters are thinking, the colors clearly display what they feel--the age of the great-grandfather is written into the lines on his face, the fear and courage of Emily as she seeks to save her what's left of her family. As the story progresses a darker palette is used and we are left wanting the lighter colors to return. Something unique about the drawings is that when the story first begins the characters almost look undefined. While we can read their emotions they are merely shapes on a page. However, as the story progresses they gain more depth and emotion. This novel is a must read. A strong young heroine, with monsters and robots as well, enough to keep any crowd entertained. The moving illustrations and compelling story make this a great read and the book is highly recommended for all ages.
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Reviewed in the United States on April 6, 2011
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linda l
Lowell, US
★★★★★ 5
A great book
Format: Paperback
My grandson loves these novels. He's 9 and I've purchased the 7th now 2 to go
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Reviewed in the United States on April 14, 2026

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