SKU: 29751184188

Continuator: The Autobiography of a Socially-Conscious, Cosmopolitan Composer

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Continuator: The Autobiography of a Socially-Conscious, Cosmopolitan ComposerHistorically, the term "cosmopolitan" has often been combined with the adjective "rootless," to describe members of the Jewish diaspora with a sense of alienation from mainstream culture. The author of this autobiography, the creator of music to words in eleven languages, and translations from each of them into his native English, feels anything but rootless, however, in his devotion to learning from and extending tradition. In this memoir, he

Historically, the term "cosmopolitan" has often been combined with the adjective "rootless," to describe members of the Jewish diaspora with a sense of alienation from mainstream culture.  The author of this autobiography, the creator of music to words in eleven languages, and translations from each of them into his native English, feels anything but rootless, however, in his devotion to learning from and extending tradition. 

In this memoir, he describes the influences of family, mentors, and colleagues that have shaped his life and work, including 100 translations/adaptations, 12 operas, 7 musicals, and 246 other vocal & instrumental works (heard on 6 continents) based on words by Blake, Rossetti, Shelley, Dickinson, Malamud, Chekhov, Heine, Brecht, Nash, Abel Meeropol, Langston Hughes, Norman Rosten, Karl Shapiro, Mihai Eminescu, Joel Shatzky, and dozens of other writers (especially women and Australians) in English, French, German, Greek, Hebrew, Ladino, Romanian, Russian, Spanish, Xhosa and Yiddish. 

He also recounts his learning experiences at Harvard, Cornell, Indiana; with the Guarneri Quartet, Nadia Boulanger, Erik Werba, Boris Goldovsky; as Metropolitan Opera Assistant Chorus Master; and in several German-speaking theaters in Europe, culminating in Berlin, where he was the first Jew to conduct Fiddler on the Roof in that city, and founded the Jüdischer Musiktheaterverein Berlin. At the invitation of Wolfgang Wagner, he and his wife Helene performed the first Yiddish song recital in Bayreuth during the Wagner Festival.

Adapting/completing unfinished works by Marc Blitzstein, including Idiots First (winner of the first Off-Broadway Opera Award for "most important event of the season") and Sacco and Vanzetti (nominated for a Pulitzer Prize), he worked with Leonard Bernstein, who called him "Marc's dybbuk” and composers Lazar Weiner, Paul Hindemith, Earl Kim, Harold Blumenfeld, Virgil Thomson, David Diamond, Joel Mandelbaum, Tom Lehrer, Lou (& Peter) Berryman, Pete Seeger, Sheldon Harnick, Ned Rorem, Stephen Sondheim, John Eaton, Donald Erb, Robert M. Palmer and especially Elie Siegmeister, who called him "my Continuator" - hence the title of this book.

Finally, the autobiography chronicles adventures on four continents, including over 700 performances with soprano Helene Williams, celebrating Emma Goldman, Rosa Luxemburg, Anne Frank, and five centuries of music, theatre, and naturism, in close to 5,000 YouTube videos with over 1,000,000 views, to date.

About the Author

A member of the Green Party, Community Church of Boston, and the ACLU, Leonard J. Lehrman was the first President of the Long Island Composers Alliance; co-chaired the National Committee to Reopen the Rosenberg Case; and hosted WHRB's "Serious Music Today" and WBAI's "Music of All the Americas." He attended the 1963 March on Washington and conducted the 1989 Manhattan premiere of the cantata I Have A Dream, as well as the Workmen's Circle Chorus, Oceanside Chorale, and Gilbert & Sullivan Light Opera Company of Long Island. Reference Librarian at Oyster Bay-East Norwich Public Library since 1995, Metropolitan Synagogue High Holidays Music Director since 2014, he founded The Metropolitan Philharmonic Chorus and the Composer/Performer Roundtable of the Music Library Association; and created and taught the first course in Jewish Opera at Hebrew Union College-Jewish Institute of Religion. 

Reviews

"In the opening story of his family, Leonard Lehrman writes that his grandfather’s “persistence, meticulousness and honesty were [said to be] legendary.” This history is enough of a gift to justify the book, but that quote also applies to Leonard, whose legend preceded him when he entered Harvard as a musical wunderkind.   “CONTINUATOR: The Autobiography of a Socially-Conscious, Cosmopolitan Composer” is an uncompromising chronicle of a radically talented composer, teacher, and pianist who describes his devoted life in music as a struggle. What emerges is a history of our time revealed in one man’s saga, with shattering glimpses of self-awareness and love for this world and its people."
--Philip Aaberg, Legendary pianist, composer, Grammy and Emmy Nominee, honorary D.M., Montana State University

"Lehrman pens a comprehensive work of legacy, influence, and impact. He invites us into his life through stories of his family lineage told with humor and wit but with raw truths that provide morsels of wisdom for us all. The chapters proceed with a detailed journey of Lehrman’s access and exploration in music that leads him to a career researching, composing, and performing music to promote social justice in works of Jewish identity. As the ultimate scholar on the works of Marc Blitzstein, it is no surprise to witness in this publication the impact and influences on Lehrman in how he has become the consummate musician and scholar that he is." --Jeremy Blackwood, Dean of Graduate Studies/Associate Professor of Voice, Southeastern Oklahoma State University

"Leonard Lehrman’s new autobiography is a fascinating reflection of an incredibly active, brilliant, and consequential American musician and scholar.  Lehrman’s encyclopedic memory takes the reader on a comprehensive and animated journey through each stage of his personal and professional life, all of which contribute to his enduring impact on the contemporary American musical landscape.  Anyone possessing either a profound or peripheral interest in the intersection of contemporary American composition, performance, and social dignity should acquire Leonard Lehrman’s new book.  You won’t be able to put it down."
--Dr. Kenneth O. Boulton, Dean, School of Fine Arts, Northern State University, Aberdeen, South Dakota

"Delightfully readable as well as remarkably comprehensive, Lehrman's book charts not only the course of his own indefatigable life in music, but also provides rich contextual background for his enduring preoccupations with social justice, his devotion to like-minded composer forebear Marc Blitzstein, and the world of his own far-ranging musical output. The text is both wonderfully informal and scholarly; headstrong, opinionated yet self-deprecating; humane but sometimes witheringly direct; penned by a mind to which seemingly every detail sticks, but also by someone who knows how to tell a good story and not linger a moment too long on any one subject. From its eyewitness perspective, the book celebrates a learned but free-spirited and independent 20th and 21st century composer who has written music in every imaginable genre, and for whom the art has consistently been wedded to political activism, and human and spiritual expression." 
--Allen Shawn, composer, pianist, professor at Bennington College, author and biographer of Arnold Schoenberg and Leonard Bernstein

Reading Continuator feels like walking through a living gallery of music, history, and social conscience — all shaped by the vision of one remarkable, deeply devoted individual. The scope of your experiences and the depth of your artistic achievements are truly extraordinary. What resonates most with me is how your work unites cultures, languages, and generations, as a deeply rooted guardian and innovator of tradition. Your ability to give voice to so many writers in 11 different languages speaks not only to your musical mastery, but also to an unwavering commitment to fostering human connection. Your journey shines with artistic bravery: conducting Fiddler on the Roof in Berlin, presenting the first Yiddish song recital in Bayreuth, completing Marc Blitzstein’s unfinished works alongside greats like Leonard Bernstein, and honoring historical figures such as Emma Goldman and Anne Frank through music. These are not mere professional milestones — they are enduring cultural landmarks. I’m equally moved by your steadfast dedication to social justice. It’s rare to encounter an artist who balances activism, scholarship, and creative excellence with such harmony. Continuator is far more than an autobiography — it is the living portrait of a man who has embodied his values, sustained tradition, and built a multilingual, global, and socially conscious legacy. This is a work alive with music, history, and purpose, one that I believe will continue to inspire both musicians and non-musicians for many years to come. --Sam Collins, Literary Consultant from Books to Life Marketing

"'Magnum opus' comes to mind in reading Leonard J. Lehrman's Continuator: The Autobiography of a Socially-Conscious, Cosmopolitan Composer.  Born in 1949, Lehrman has a rich history of contributing to a multifaceted musical world.... Continuator is the detailed story of this Renaissance man of classical music... The 545-page book details Lehrman's education, work history, and passion for  music, Judaism, and social activism."  --Mark Storey
"This book is not just an autobiography, it is an extraordinary living tapestry of music, culture, history, and deeply human experience - a devotion to bridging cultures through music translating and composing works in eleven languages, adapting texts from poets and writers across centuries. The sheer number of compositions, adaptations, and performances, spanning operas, musicals, and hundreds of other works, left me in awe of not only a composer but also a true cultural ambassador, making connections across continents, eras, and languages. 
Reading about experiences with Leonard Bernstein, Nadia Boulanger, the Guarneri Quartet, and others gave a palpable sense of the lineage of musical excellence. The anecdotes with Elie Siegmeister felt particularly moving, a beautiful testament to both respect and continuity in the arts. Conducting Fiddler on the Roof as the first Jew in Berlin and performing the first Yiddish recital in Bayreuth are acts of both personal and cultural bravery. They serve as powerful symbols of reclaiming and celebrating heritage through art. Participating in the March on Washington, championing the Rosenberg case, and working with organizations like the ACLU demonstrate that music has always been a reflection of a deeply engaged, socially conscious life. The book never feels like a list of accomplishments. The personal anecdotes, adventures on four continents, and reflections on collaborations make it warm, relatable, and inspiring. If I were to give Continuator a star rating, it would be a full 5 out of 5 stars. This is a work that deserves attention not only from music lovers but from anyone interested in culture, history, and the extraordinary possibilities of a life fully lived. It is a book that teaches, inspires, and moves the heart in equal measure. Thank you for sharing your story with such honesty, brilliance, and passion. It is a rare autobiography that leaves me reflecting on not only a remarkable career but also the profound ways in which music, culture, and activism intersect to shape our world."
-- Anna Jones, Senior Literary Consultant at Books to Life Marketing

"Continuator: The Autobiography of a Socially-Conscious, Cosmopolitan Composer by Leonard J Lehrman is a richly layered and intellectually vibrant memoir that reads like a lifetime symphony each movement shaped by culture, conviction, and an unwavering dedication to artistic and social purpose. Engaging with this work felt like stepping into a life that refuses to be confined by borders, genres, or expectations.
 
What makes this book truly compelling is the sheer breadth of experience it captures. Lehrman’s journey through music, language, and global collaboration is not only impressive it is deeply intentional. His work across multiple languages and traditions reflects a rare commitment to preserving and extending cultural heritage, all while forging something distinctly his own.
 
What stayed with me most is the author’s sense of rootedness within his cosmopolitan identity. Rather than being defined by displacement, he transforms diversity into strength drawing from history, literature, and human experience to create work that resonates across continents. His encounters with legendary figures and institutions add depth, but it is his personal voice that gives the narrative its enduring impact.
 
The strength of this memoir lies in its fusion of artistry and advocacy. It is not simply a record of accomplishments, but a testament to how creative expression can intersect with social consciousness, political awareness, and cultural dialogue. It challenges the reader to consider the role of art not just as expression, but as contribution.
 
This is exactly the kind of book that deserves a wider platform. Its scope is expansive, its insights are profound, and its relevance spans music, history, and social thought. On a podcast or speaking stage, this work would spark rich conversations about creativity, identity, and the responsibility of artists in shaping cultural narratives.
 
This is not just an autobiography it’s a lifelong composition of purpose, passion, and global connection."
 
— Sam Collins, Literary Expert and Consultant and Music, Cultural History, and Artistic Biography Enthusiast
 

Review Links

https://www.liherald.com/stories/this-valley-stream-composers-life-in-music-is-now-in-print,212580

https://www.longislandpress.com/2025/03/03/leonard-lehrman-continuator/

https://www.liherald.com/stories/leonard-lehrman-opera-composer-valley-stream-oyster-bay-library,213554

https://liherald.com/stories/what-to-know-about-famed-composer-and-oyster-bay-east-norwich-public-library-reference-librarian,213740

Steve Lipman's review in Jewish World

Review of 9/10/25 Author Event

Autumn/Winter 2025 Opera Journal Review (See page 86)

Author Interviews

"Your book reads in a very folksy manner. I mean people can easily read it -it has a lot of information about all sorts of individuals that you've met and worked with over the years, and it's sort of like sitting-down-in-a-room-with-a-friend kind of style of writing." - Judy Pinnolis

Judy Pinnolis, Associate Director, Instruction and Engagement at the Library at Berklee talks with Dr. Leonard J. Lehrman

Interview with Isabella Oren of LiHerald.com

Tues. Oct. 14 9-10pm Janet Coleman interviews Leonard & Helene on Cat Radio Cafe over WBAI, 99.5 FM & wbai.org - archived at https://wbai.org/archive/program/episode/?id=61035

https://podcasts.apple.com/us/podcast/whisper-in-the-wings-episode-1396/id1573470927?i=1000743664323

Other Articles

https://www.liherald.com/stories/vs-composer-leonard-j-lehrman-celebrates-76th-birthday,217244

https://alte.substack.com/p/my-life-in-jewish-music

Leonard J. Lehrman's BookTalk

https://www.youtube.com/playlist?list=PLmhHI8m9j-XsUWz3f7_tEQr_RU-LN9hHX 

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SKU: 29751184188

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Jamie McQuiston
Draper, US
★★★★★ 4
"Luck rides a horse named Joy"
Format: Kindle
What a delightful book! I was constantly rooting for the protagonist, Jo. She grew up without a true mother or father but found guidance and love with a Chinese man named Old Gin. They both found work with an aristocratic family as servants, while living secretly in the basement of a printing company. It was there that Jo learned to read and write through listening to the family who owned the printing press upstairs. She discovers the paper they publish, The Focus is in trouble and decides to help them out by secretly writing a column under the name Miss Sweetie. An adventure begins and secrets are revealed, but Jo emerges as a local hero as a result. I loved the author's prose and they way she incorporated Chinese anecdotes. I laughed out loud and cried in equal measure. It is a story about overcoming the struggle of race and poverty, but also about love and fighting for what you believe in. I highly recommend if your in the mood for something uplifting to read.
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Reviewed in the United States on May 14, 2021
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Nicole @ Nicoles' Novel Reads
Birmingham, US
★★★★★ 5
Excellent historical novel during the Gilded Age
Format: Hardcover
During the late 1800's Jo Kuan lives with her stand-in father, Old Gin, in a basement. She works as a milliner's assistant until she is let go one day because her employer deems that she is too opinionated and makes customers uncomfortable. However, there is one customer, Mrs. Bell, who admires Jo's craftmanship making intricate knots, which happens to be the lady who resides in the same residence as Jo. However, Mrs. Bell doesn't know Jo and Old Gin take refuge below the residence. Jo is given the opportunity to write as Miss Sweetie for the Focus's advice column when she sends an anonymous letter to the Bells. Miss Sweetie creates a huge buzz in her community. Jo anonymously writes articles regarding societal norms during the Gilded Age time period. What a great opportunity for someone who is "too opinionated." While she works as a lady's maid at the Paynes household during the day, she moonlights as Miss Sweetie at night. Stacey Lee tells a wonderful and insightful story of what it means to be Asian in the South of the United States in the late 1800's. I am always delighted to read historical fiction with characters I can relate to. I often wonder how life was for Chinese-Americans in the past. There is hardly any information about the history of Chinese-Americans living in the United States and how life was for them. Lee is one of my favorite historical fiction novelists. Her characters are relatable and I love being transported to a different time period and a different location every time I pick up one of her books. I absolutely love the voice of Jo. She is sassy but she knows her place. Jo is an advocate of women's rights and equality for all races. Being of Chinese descent, she teeters in between Whites and Blacks. It's hard to find a place in society, especially since there are not many Asian people living in the United States at the time. Most Chinese in the States at the time are men working on the railroad. Jo is longing to know more information regarding her parents. Who is her birth father? Who is her birth mother? Why was she given up? Jo is fortunate to have Old Gin raise her. The twist at the end caught me off guard for sure. Although Jo may feel out of place, she has Old Gin as her family. I also enjoyed reading how Jo finds solace in Sweet Potato and she finds friendship with Noemi. Jo even has a complex relationship with Caroline Payne, who can be very cruel. The Downstairs Girl shows readers a glimpse of the Gilded Age and what is it like to live as an Asian American during that time period. Jo defies the stereotype of Asian women being docile and quiet. Not only does she defy the stereotype for Asian women but she defies the gender stereotype of being a lady. Jo is quite capable of doing what a man does and she is quite outspoken. From writing in a newspaper to horse racing, Jo can do anything!
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Reviewed in the United States on September 11, 2019
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G. R. Jack
New York, US
★★★★★ 5
A story of someone who refuses to settle for less
Format: Hardcover
Stacey Lee takes you into a world you’re probably familiar with if you paid any attention in your U.S. History class and helps you see it in new ways. Most of us are familiar with the agonies of post reconstruction era South, but few stories shine a spotlight on the Chinese laborers who were shipped in by Southern plantation owners to replace emancipated slaves. This is the world seventeen-year-old Jo Kwan lives in. Much of Jo’s life is lived in secret. She can’t rent, let alone own, property, so she’s forced to live with her uncle in the basement of a white family who owns a failing newspaper. She can’t interact directly with the white patrons of the hat store because her boss says she makes the customers “uncomfortable.” She can’t even participate in the growing Suffrage movement because the women are only concerned with advancing the rights of white women. What’s a strong, opinionated girl to do? Start an advice column. She starts submitting columns to the paper under the pseudonym Miss Sweetie and immediately attracts attention, both good and bad, from Atlanta’s high society. Through the column, Jo finds her voice and an outlet to express views on her segregated and chauvinistic society. The more freedom she experiences, the more she wants and soon she is uncovering secrets of her past that threaten to ruin her. The Downstairs Girl never lets the reader forget how crushing life was for Chinese and Black Americans during this time, but the book isn’t a downer. Mostly this is due to Jo Kwan being such a spirited and sympathetic character. Her story is one of someone who refuses to settle for less and it’s fun watching her get the best of some of her antagonists. Lee’s writing is also witty and engaging, filled with the kind of southern colloquialisms that help transport the reader to this time and place.
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Reviewed in the United States on December 4, 2019
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KKV
Natrona Heights, US
★★★★★ 4
A great vacation read
Format: Kindle
I was looking for something interesting but not a lengthy novel. Really enjoyed this book. It was a quick read while on vacation and is anchored in a historical perspective I had not ever considered, that of being both Chinese and a woman in the South (Atlanta) at the time of the Women’s suffrage movement. The character is subject to the same segregation laws and lack of rights as a Black woman at the time. This is a clever, strong, female character who surmounts several obstacles created by the environment in which she lives.
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Reviewed in the United States on July 27, 2021
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Amazon Customer
Houston, US
★★★★★ 3
It was alright
Format: Kindle
Pervious to this book, I had no knowledge of the struggles of the Chinese in the South during the post Civil War era. For that reason, I'm glad I read this book. I enjoyed that this book discussed and gave perspective on many social issues of that time. The main character is spunky and likable. There are many unbelievable scenes and conversations that I did not enjoy because they seemed too far-fetched. Why the author had to include a description of a naked man was also not to my liking. Worst of all, though, was the incredible number of similes in this book. There were just too many, and it got annoying. Overall, it was good enough to read, but I do not highly recommend it.
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Reviewed in the United States on August 19, 2023

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