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Description
ASUS ROG Astral RTX 5090 OC Edition 32GB GDDR7 Graphics CardUnleash the future of gaming and content creation with the Asus ROG Astral RTX 5090, the ultimate expression of next gen performance and thermal innovation. Engineered for elite gamers, AI developers, and creators who demand uncompromising graphics power, the ROG Astral RTX 5090 redefines whats possible with NVIDIAs flagship GPU architecture. At its core lies the ultra efficient NVIDIA Blackwell architecture, supercharged with 32GB of GDDR7 memory and
Unleash the future of gaming and content creation with the Asus ROG Astral RTX 5090, the ultimate expression of next-gen performance and thermal innovation. Engineered for elite gamers, AI developers, and creators who demand uncompromising graphics power, the ROG Astral RTX 5090 redefines what’s possible with NVIDIA’s flagship GPU architecture.
At its core lies the ultra-efficient NVIDIA Blackwell architecture, supercharged with 32GB of GDDR7 memory and cutting-edge DLSS 4 technology, delivering lifelike visuals and razor-sharp frame rates at 4K and beyond. The ROG Astral RTX 5090 features a bold new design with an industry-first full-metal shroud, quadruple axial-tech fans, and patented vapour chamber cooling, ensuring optimal thermal performance even under intense loads.
Tailored for enthusiasts who demand both aesthetics and power, the ROG Astral RTX 5090 introduces the Advanced BTF ecosystem, designed to eliminate visible cables for cleaner, streamlined PC builds. With full support for real-time ray tracing, PCIe 5.0, and AI-enhanced workflows, this card empowers you to game, stream, and create without compromise.
Whether you're battling at the highest esports level or rendering complex 3D environments, the ROG Astral RTX 5090 delivers unprecedented speed, thermal control, and visual fidelity — setting a new benchmark for premium GPUs.
To ensure maximum stability and GPU-first power delivery, the ASUS ROG Thor III 1600W Titanium Gaming Power Supply is the perfect companion. With GPU-First architecture, it enhances voltage stability by up to 45%, delivering consistent power during intensive gaming and overclocking scenarios, unlocking the full potential of the RTX 5090 platform.
FEATURES:
| Inspired by the cosmos | ROG Astral design reflects a bold new aesthetic inspired by space, symbolising limitless innovation |
| Blackwell Architecture with DLSS 4 | Unlocks next-gen ray tracing, AI-rendered graphics, and multi-frame generation |
| 32GB GDDR7 memory | Massive memory capacity with ultra-fast bandwidth for 4K+ gaming and intensive creative workloads |
| Powerful 80-Amp MOSFETs | Supports high overclocking potential while maintaining thermal and acoustic balance |
| Axial-tech fan and heatsink | Cools power circuitry with low-profile design for quiet, focused airflow |
| Phase-change GPU thermal pad | Enhances thermal transfer for sustained performance and component longevity |
| PCIe 5.0 ready | Delivers high-speed data throughput and future-proof connectivity |
| Aura ARGB lighting support | Customisable indirect lighting for coordinated system aesthetics via Aura Sync |
| Metal reinforced shroud and backplate | Provides durability and visual refinement for high-end builds |
| GPU tweak III compatible | Enables real-time monitoring, tuning, and custom fan profiles with intuitive software |
SPECIFICATIONS:
| Graphic Engine | NVIDIA® GeForce RTX™ 5090 |
| AI Performance | 3593 TOPs |
| Bus Standard | PCI Express 5.0 |
| OpenGL | OpenGL®4.6 |
| Video Memory | 32GB GDDR7 |
| Engine Clock | OC mode: 2610 MHzDefault mode: 2580 MHz(Boost clock) |
| OC mode | 2610 MHz |
| Default mode | 2580 MHz(Boost clock) |
| CUDA Core | 21760 |
| Memory Speed | 28 Gbps |
| Memory Interface | 512-bit |
| Resolution | Digital Max Resolution 7680 x 4320 |
| Interface | Yes x 2 (Native HDMI 2.1b)Yes x 3 (Native DisplayPort 2.1b)HDCP Support Yes (2.3) |
| Yes x 2 (Native HDMI 2.1b) | |
| Yes x 3 (Native DisplayPort 2.1b) | |
| HDCP Support Yes (2.3) | |
| Maximum Display Support | 4 |
| NVlink/ Crossfire Support | No |
| Software | Asus GPU Tweak III & MuseTree & GeForce Game Ready Driver & Studio Driver: please download all software from the support site. |
| Dimensions | 35.76 x 14.93 x 7.6 cm |
| Recommended PSU | 1000W |
| Power Connectors | 1 x 16-pin |
| Slot | 3.8 Slot |
| AURA SYNC | ARGB |
WHAT'S IN THE BOX:
- Asus ROG Astral GeForce RTX 5090 OC Edition 32GB GDDR7 x1
- Speedsetup Manual x1
- ROG Graphics Card Holder x1
- ROG Velcro Hook & Loop x1
- ROG Magnet x1
- ROG Graphics Card Keycap x1
- ROG PCB Ruler x1
- Thank You Card x1
- Adapter Cable (1 to 4) - x1
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.7 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork.
The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable.
Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere.
This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching.
The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography.
Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011