SKU: 28177518619

Green Venus Fly Trap Carnivorous Plant

Sale price$52.20 Regular price$58.00
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Ships within 48 hours · Estimated delivery Aug 2 - Aug 7

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For Your Every Summer RSVP, with Code: SUMMER15

Description

Green Venus Fly Trap Carnivorous PlantThis version is green on the outside and can get a nice red coloring on the inside. A cool little bug eating live plant it is one of the "fastest" reacting and moving plants on earth. Similar to most plants the Venus Flytrap gathers nutrients from the air and soils, but since they adapted to a poor soil environment they gathered nutrients from trapping insects. It attracts bugs with its sugary syrup and once the trigger hairs get bent it will close on

This version is green on the outside and can get a nice red coloring on the inside. A cool little bug-eating live plant it is one of the "fastest" reacting and moving plants on earth. Similar to most plants the Venus Flytrap gathers nutrients from the air and soils, but since they adapted to a poor soil environment they gathered nutrients from trapping insects. It attracts bugs with its sugary syrup and once the trigger hairs get bent it will close on the prey and has a digestive enzyme to convert that prey into fertilizer. The Venus Flytrap belongs to the carnivorous plants native to subtropical wetlands on the East Coast USA. It loves being in a pot full of damp sphagnum moss and can handle bright to part-shade lighting. The traps range in size from 1/16 inch to an inch long or longer depending on the plant. Please ensure the sphagnum moss is kept wet at all times and mist the plant twice a day with rain or distilled water as it loves humidity.

Black traps?! Don't worry, there are several reasons and it may be part of the natural cycle of a trap that has already digested plenty. If you have received yours and some of the traps have turned black you can just pick them off. So long as the plant is continuing to put out new growth to replace the old traps you can remove all the dead parts as this is part of the normal part of the plant's lifecycle.

If all the traps are turning black then it can be due to poor lighting or water problems as one needs to use distilled or rainwater only.  Do not add fertilizer to the soil or the sphagnum moss as it will hurt the plant, they need nutrient-poor soil. 

These plants thrive in humid environments and should only be watered with distilled or rainwater. They are sensitive to minerals, fluoride, and chlorine, which can cause yellowing or browning of their leaves. Additionally, avoid using regular soil, as it's too rich in nutrients for them. Instead, we offer Sphagnum Moss, which is the ideal medium for their growth. No regular soil is suitable. They prefer bright light. Fluorescent or other cool-temperature grow lights can be used for the indoor cultivation of smaller species. A terrarium of smaller carnivorous plants under such lights can make a great starter set-up.

Whether kept indoors or outdoors, there’s no need for regular feeding. They will naturally catch gnats or flies from the air, which provides them with the nourishment they need to stay healthy and vibrant.

Available in the following packaging based on your preference:

  • Nursery Pot - Standard plastic 2-inch planter pot that can be placed inside a larger pot or left as is until it outgrows it. 

    We recommend you check our bundles for better pricing on the 2" nursery pot.

  • Diana Ceramic 3"  - This plant comes packaged in a white round porcelain planter pot ready for your home or office space with a bamboo tray to catch drips when watered.

 

  • Wanda Ceramic 3"  - This plant comes packaged in a white hexagon 3D porcelain planter pot ready for your home or office space with a bamboo tray to catch drips when watered.

  •  Olympia Planter - Ceramic 3.5" marble planter comes packaged in our elegant grey-white marbled style cylindrical porcelain planter raised on a white metal stand. This planter does come with a hole for drainage.

 

  • Daphne 4.5" Ceramic Planter- This planter includes a beautiful rose gold tray that catches the drips when you water your plant. 

 

If your plant needs added humidity our Plant Mister would make a perfect addition to your plant shelf for both function and beauty.

Learn more on the following links:

Skilled "Tiny Hunters" Carnivorous Plants

Venus Flytrap | Your Care Guide to this Indoor Carnivorous Plant.

Enjoy Summer More, Thanks to Your Carnivorous Plants!

Looking for more plant goodies? Check out our accessories Here.

Our plants are shipped from our indoor greenhouse in South Florida. Please note all our plants are one of a kind and if you want to message us we can send you a picture of the exact one you will receive. The product image here is intended to be the best representation of what you can expect to receive but yours may have slightly less or more growth depending on the crop we have when your order is placed. Any lifestyle pictures are meant to demonstrate how a fully grown or more mature plant looks for you to get a sense of it in your space.


Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 28177518619

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4.5 ★★★★★
Based on 26 reviews
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Doug S.
Battle Creek, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Louisville, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
San Leandro, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
New York, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Louisville, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011

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