SKU: 16804805924

Flower Portrait VIII (CALLA LILY) by Mercana Studio a Hand Embellished Textured Framed Art Print

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Description

Flower Portrait VIII (CALLA LILY) by Mercana Studio a Hand Embellished Textured Framed Art PrintOverview Calla Lily flower have a widespread use and have a long and rich heritage. Today they represent symbolic of purity, sympathy, beauty, rebirth and union. A Yellow bloom as depicted here expresses gratitude. Features Art Name and Artist: Flower Portrait VIII (CALLA LILY) by Mercana Studio Inspiration: Inspired by the vibrant elegance and natural symmetry of a blooming calla lily. Production Artist Medium and Technique: Hand embellished texured

Overview

Calla Lily flower have a widespread use and have a long and rich heritage.  Today they represent symbolic of purity, sympathy, beauty, rebirth and union.  A  Yellow bloom as depicted here expresses gratitude.

Features

  • Art Name and Artist: Flower Portrait VIII (CALLA LILY) by Mercana Studio 
  • Inspiration: Inspired by the vibrant elegance and natural symmetry of a blooming calla lily. 
  • Production Artist Medium and Technique: Hand-embellished texured framed art print. 
  • Color Hues and Shades: Features bold yellows and oranges against deep greens and blues, creating a vibrant yet earthy feel with natural warmth. 
  • Room Atmosphere: Brings warmth and elegance, perfect for brightening a cozy reading nook or a serene bedroom with its vibrant floral charm. 
  • Orientation and Dimensions: Measuring 21.5L x 3.0W x 21.5H, this square artwork is designed to hang in portrait orientation using the included wall-mounting hardware. 

Specifications

  • Product Type: Graphic Art
  • Set Type: Does Not Apply
  • Orientation: Portrait
  • Art Scale: Small
  • Subject: Plants & Flowers
  • Plants & Flowers: Lilies
  • Shape: Square
  • Wall Mounting Hardware: Yes
  • Number of Hooks: 2
  • LED/Illuminated: No
  • Open Format Type: Mounted with Backing
  • Art Technique: Graphic Art
  • Multi Piece Art: No
  • Art Production Method: Hand Detailed / Embellished
  • Title: Flower Portrait VIII (Calla Lily)
  • Number of Batteries: 2.7
  • Production Run: Open Edition
  • Made to Order: No
  • Main Color: Yellow, Green
  • Main Material: Paper
  • Mat Included: No
  • Mat Color: Does Not Apply
  • Framed: Yes
  • Frame Color: Brown
  • Frame Construction: Closed Corner Frame
  • Frame Material: Plastic
  • Embellishments/Special Finishes: Yes
  • Embellishment Effect: Textured
  • Embellishment Type: Hand Embellished
  • Frame Type: Picture Frame
  • Mercana Style - Influences: Modern, Sleek & Chic Modern

Dimensions

  • Product Size (inches): 21.5L x 3.0W x 21.5H
  • Weight: 2.70 lbs
  • Box Size (inches): 25.5L x 10.0W x 25.5H
  • Box Weight: 7.70 lbs
  • CBM: 0.0227

Additional Resources

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SKU: 16804805924

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Reviewed in the United States on October 5, 2025
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★★★★★ 1
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While this book raises some thought-provoking points, it ultimately reads like a product of self-righteous elites disconnected from reality and from the American public. 1. Ignores public opinion. The author never acknowledges that polls consistently show Americans oppose racial preferences in college admissions. Proposition 16—which would have allowed such preferences—was defeated by a wide margin in 2020 in California, one of the nation’s most liberal states. A Brookings poll found that virtually all racial groups, including Black respondents, supported the Supreme Court’s Students for Fair Admissions (SFFA) decision. 2. Starts with a strange premise. The first chapter claims conservatives will “regret” the SFFA ruling because universities will continue racial preferences covertly. But that sidesteps the real question: why shouldn’t colleges comply with the ruling’s letter and spirit? 3. Offers dubious legal advice. In Chapter Three, the author—himself a law professor—floats risky ideas for “working around” the Supreme Court’s decision. Many of these suggestions rest on shaky legal ground, as anyone familiar with the Second Circuit’s CACAGNY v. Adams, 116 F.4th 161 (2d Cir. 2024), would recognize. 4. Ignores proportionality and real-world outcomes. The book argues for “diversity” preferences without asking how much preference is justified. In reality, Asian American applicants face steep penalties. e.g. Stanley Zhong was rejected by five University of California campuses’ Computer Science programs as an in-state applicant—shortly before Google hired him for a full-time, Ph.D.-level software engineering position. Meanwhile, UC San Diego’s own freshman math-placement data show a surge of students—mostly “underrepresented minorities” favored by UC—placed into remedial courses, some testing at a 4th-grade level. It is hard to see how admitting these students is helping them other than allowing some elites to make themselves feel good or get a promotion. If this book represents what passes for legal scholarship at Yale, the state of American legal education should worry us all.
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