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Description
sortileges grasso venezianoSORTILEGES (CVLD282) Author: Camille Saint Saens; Maurice Ravel; transcriptions by Lucien Garban Performer: Eliana Grasso & Irene Veneziano piano four hands Available in: HD File, CD Tracks Camille Saint Saens Le Carnaval des Animaux (1886), transcription by Lucien Garban for piano four hands; 1. Introduction et marche royale du lion 2. Poules et coqs 3. Hmiones (animaux vloces) 4. Tortues 5. L'lphant 6. Kangourous 7. Aquarium 8. Personnages longues
SORTILEGES (CVLD282)
Author: Camille Saint-Saens; Maurice Ravel; transcriptions by Lucien Garban
Performer: Eliana Grasso & Irene Veneziano - piano four hands
Available in: HD File, CD
Tracks
Camille Saint-Saens
Le Carnaval des Animaux (1886), transcription by Lucien Garban for piano four hands;
1. Introduction et marche royale du lion
2. Poules et coqs
3. Hémiones (animaux véloces)
4. Tortues
5. L'éléphant
6. Kangourous
7. Aquarium
8. Personnages à longues oreilles
9. Le coucou au fond des bois
10. Volière
11. Pianistes
12. Fossiles
13. Le cygne
14. Final
Maurice Ravel
15. La Valse, poème chorégraphique (1919-1920), transcription by Lucien Garban for piano four hands;
L’Enfant et les sortilèges (1919-1925), trois extraits, transcription by Lucien Garban
16. Danse des libellules et des sphinx for piano four hands;
17. Five o’clock Fox-trot for piano four hands;
Valses nobles et sentimentales (1912), transcription by Lucien Garban for piano four hands;
18. Modéré - très franc
19. Assez lent - avec une expression intense
20. Modéré
21. Assez animé
22. Presque lent - dans un sentiment intime
23. Vif
24. Moins vif
25. Épilogue - lent
24bit/88kHz original recording made at Studio Zanta, Camponogara, Italy on June 15th -16th, 2016
Steinway & Sons D274 Concert Grand Piano prepared and tuned by Silvano Zanta
Velut Luna Production
Executive producer Marco Lincetto
Recording, mix and mastering Marco Lincetto
Editing Michele Sartor
Design Limage
Notes
We first encountered Lucien Garban when studying his transcription for piano four hands of La Valse. We immediately found it extremely interesting, with highly successful piano solutions, many references to the orchestral version, and some original elements, albeit naturally in the most absolute respect for the autograph writing. We were very fascinated by this figure of transcriber and composer, a pupil of Fauré, and a friend of his peer, the more celebrated and brilliant Ravel. Garban followed him with affection and admiration throughout his musical life: from the first performance, of revolutionary importance, of Pelléas et Mélisande to Ravel's requests for transcriptions or arrangements of his works, to Lucien's suggestions, who in his maturity became musical director of the Durand editions, for his friend Maurice, to Garban's professional and personal support during Ravel's last years, severely marked by illness.
We then tackled some of his other transcriptions, giving precedence to Ravel's music, namely Valses Nobles et Sentimentales and the three excerpts from L'Enfant et le Sortilège, these works being particularly dear to Garban, cited several times in correspondence. To also embrace another important part of the French musician's work, we chose to record his transcription for piano four hands of Carnival of the Animals, undoubtedly one of the most performed versions of the famous "zoological fantasy."
The album aims to highlight the figure of Garban, who worked extensively in Ravel's shadow but fell into an oblivion that we do not believe does him justice...
Eliana Grasso & Irene Veneziano
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