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Description
TAG | Standard Duty Towbar | KIA Cerato Sedan YD 2013–2018 | T2K618TAG Standard Duty Towbar Solution for your KIA Cerato YD Sedan The TAG Standard Duty Towbar (T2K618) is a high quality towing solution designed and manufactured in Australia specifically for the KIA Cerato YD Sedan (08 2013 06 2018). This towbar is engineered for light to medium towing tasks, offering a 1200kg towing capacity and a 75kg maximum ball weight. Featuring a flat fixed 2 bolt tow ball mount and a durable enamel immersion dipped finish, it
TAG Standard Duty Towbar Solution for your KIA Cerato YD Sedan
The TAG Standard Duty Towbar (T2K618) is a high-quality towing solution designed and manufactured in Australia specifically for the KIA Cerato YD Sedan (08/2013 - 06/2018). This towbar is engineered for light-to-medium towing tasks, offering a 1200kg towing capacity and a 75kg maximum ball weight. Featuring a flat fixed 2-bolt tow ball mount and a durable enamel immersion dipped finish, it utilizes factory mounting points for a secure and precise fit. This complete kit includes the tow ball, providing everything you need for a reliable setup. Note that installation requires bumper removal and a bumper cut, with an estimated fitting time of 120 minutes.
Key Features:
- Standard Duty Class - Flat Fixed 2-Bolt Tow Ball Mount
- 1200kg Towing Capacity / 75kg Ball Weight
- Utilises factory mounting points for ease of fitment
- Durable Enamel Immersion Dipped Finish
- TAG Limited Lifetime Warranty
- Includes: Tow Ball
- Installation: Bumper removal and bumper cut out REQUIRED
Please Note: A towbar is a safety critical item and not always a straightforward fitment due to vehicle manufacturing variation. We strongly recommend you get your towbar and wiring harness installed by a professional towbar or vehicle accessory fitting workshop.
Specifications:
- Towbar Class: Standard Duty
- Towbar Capacity [kg]: 1200
- Static Load Capacity (Ball Weight) [kg]: 75
- Hitch Type: Flat Fixed 2 Bolt
- Tow Ball Mount: L269C
- Coating: Enamel Immersion Dipped
- Bumper Removed During Fitment: Yes
- Bumper Cut Out Required: Yes
- Towbar Fitting Time [min.]: 120
Important Information
- The image shown may not reflect the actual product
- Shipping times may vary depending on destination and stock availability
Full Vehicle Applications List
| Make | Model | From | To | Body | Series | Engine | Variant | Drivetrain |
|---|---|---|---|---|---|---|---|---|
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NB | 1.8L | Petrol | S | FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NC | 2.0L | Petrol | Si| SLi| SX | FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4FD | 1.6L | Petrol | GDI | FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NA | 2.0L | Petrol | EX, LX | Automatic FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NA | 2.0L | Petrol | LTD | Automatic FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NA | 2.0L | Petrol | S, Si, SLi, SPORT | Automatic/Manual FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NA | 2.0L | Petrol | MPi | FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NB | 1.8L | Petrol | FWD | |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NC | 2.0L | Petrol | GDI | FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NB | 1.8L | Petrol | EX | Automatic FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NB | 1.8L | Petrol | S | Automatic/Manual FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NC | 2.0L | Petrol | Si, SLi | Automatic/Manual FWD |
| KIA | CERATO | 09/2012 | 06/2018 | Sedan | YD | G4NC | 2.0L | Petrol | SX | Automatic/Manual FWD |
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Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
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4.2 ★★★★★
Based on 14 reviews
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Product Reviews
★★★★★ 4
Sad & Creepy
Format: Hardcover
A pretty strong sadness vibe however it's creepy and for the most part well told so it was a worthwhile read.
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Reviewed in the United States on May 14, 2026
★★★★★ 5
Amazing Supernatural Thriller
Format: Hardcover
I had a lot of fun reading the Caretaker. This supernatural suspense novel snowballs from the start. Talk about a gripping opening that is going to keep you turning the pages… We follow our protagonist, Macy who is a down on her luck and job hunting to take care of bills for herself and younger sister after their father’s passing 3 years ago.
Macy accepts the job as a caretaker from an add via Craigslist with a $3k pre-payment and another potential $6k depending on how well she takes care of the home. 3 days to make $9k… Who would say no?
She is given a video tape to watch prior to staying at the property. Macy is instructed that the bonus payout will be rewarded, depending on how well she follows the instructions on the videotape. The videotape was made by the property owners late husband. In it, he describes certain rites that have to be followed starting at 3 AM. Things such as turning off any lights that turned themselves on. Answering the phone if it rings. Awaiting three knocks on the door. The videotape is very ominous, but doesn’t feel like it needs to be taken seriously Macy soon learns otherwise, the plot spirals into supernatural suspense from there as Macy tries to make her way through the three nights with an ending that is an absolute shock to me, but has me on the edge of my toes for whatever Marcus Kliewer writes next. Highly recommended.
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Reviewed in the United States on April 30, 2026
★★★★★ 2
Atmospheric Writing, Frustrating Protagonist
Format: Hardcover
Marcus Kliewer is a talented writer. The atmosphere was vivid, unsettling, and easy to picture, and I could almost feel the emotions he was trying to create. Unfortunately, the story itself didn’t work for me.
My biggest issue was the protagonist. I don’t need characters to make perfect decisions, but I do need a reason to root for them.
Time and again, she ignored clear instructions, got distracted at critical moments, or simply gave up. Instead of building tension, it became frustrating because many of the problems felt self-inflicted. The rabbit incidents and repeated failures to follow the caretaker rules were where the story lost me. I kept waiting for a turning point where she would take control of the situation or fight harder for her sister, but it never came. By the time the white rabbit appeared, I found myself skimming rather than reading because I no longer felt invested in the outcome.
I understand the novel can be interpreted as a story about grief, depression, and helplessness, and some readers may connect with that. For me, however, the book delivered atmosphere without payoff. The writing was strong, but I never cared about the protagonist enough to care what happened next.
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Reviewed in the United States on May 23, 2026
★★★★★ 3
Not the hit I was hoping for
Format: Kindle
I found the protagonist insufferable, but maybe because her inner dialogue felt cheesy. I liked how the rites felt trivial because in thought it would all tie together better in the end, but in was left feeling disappointed.
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Reviewed in the United States on May 18, 2026
★★★★★ 5
A beautifully haunting--and ultimately satisfying--conclusion to a brilliant series
Format: Hardcover
Alert: spoilers abound.
The overall pattern of the Hunger Games series is a familiar one to the genre: an ordinary individual (albeit one with some unordinary talents) is thrown into extraordinary circumstances, faces and overcomes an immediate threat to personal survival that turns into a much broader conflict in which this person plays a central part. Some of my favorite books or series follow this motif: Lord of the Rings, Harry Potter, Dune, Ender's Game, Star Wars, the Hyperion series, His Dark Materials ... the list goes on and on. It is much easier to begin such a series than it is to end one. The beginning is easy, because the scope is smaller: a compelling mystery or situation, an enigmatic or charismatic hero or heroine, a seemingly insurmountable menace ... it all makes for good drama, pregnant with potential promise, with the details to be filled in later. A successful ending is much harder, and even amongst the works I listed earlier, some were able to achieve a successful ending better than others. This is because by the end of such works, the scope has enlarged, the world is bigger: for an author, it is easy for plot lines to spiral out of control (the post-Ender's Game trilogy and the finale of His Dark Materials come to mind) or for the ending to seem too implausibly 'pat', too "happily ever after" to do justice to the difficult journey trekked by the characters we grew close to. And yet, it is safer for an author to hew to the latter course, as there is something innately human about the desire to root for the "one man against the universe" who triumphs over all odds, beats the bad guy, and gets the girl (or boy) and the gold too, as improbable as it might be. That's why we love action movies, even though most deserve the caveat "as long as you don't think about it too much ..."
This is why I loved Mockingjay, and found Suzanne Collins' ending to this series to be a remarkably brave choice. The "easy way out" was starkly apparent: Katniss could have saved Peeta (in a unique twist on the 'damsel in distress' motif--I must say, I found the choice of a female protagonist to be remarkably smart on Collins' part and refreshing for the genre), killed the bad guy, and they all could have lived happily ever after (with the man of her choosing). On some level, that might have still been a satisfying ending. But Collins' aim is to raise questions, strip assumptions bare, and leave the reader burned and bothered about the fundamental nature of reality, and of war most specifically. Actions have lasting repercussions, wounds and fear do not simply fade away during the chapter break. For me, the fact that Katniss attempts to run away from her demons makes her extraordinarily real. She has been beaten, stabbed, shot, blown up, poisoned, and tortured; she has killed and watched her closest friends and family be tortured and killed, while bearing responsibility at least in part for these actions; she has endured the genocide of her people. If this did not break her, how could she still be considered human? I would ask the critics who wished for a more stoic Katniss what they would have done in her shoes. Particularly given that the weight of Katniss' burden becomes increasingly weighty as Mockingjay continues and it becomes more and more clear that the liberators are fundamentally little different from the oppressors; a new regime under Coin would be no better--and perhaps worse in some ways--than one under Snow. One might be able to tolerate the pain and death if one believed it would lead to a brighter future, but this does not seem to be true had District 13 become the new masters of Panem. The "mission to kill Snow", which would have ended in the predictable 'triumphant victory of good over evil' in the hands of a less-skilled author quickly became a brilliantly perverse mockery of this trite motif, as it quickly becomes clear that Coin has sent Katniss to die along with some other people Coin viewed as a threat (all while keeping the cameras rolling for usable shots of 'the martyrdom of the Mockingjay'). The manner of Prim's death is also particularly heartbreaking, as is the realization that the revolution is really just the Hunger Games on a larger scale--whether orchestrated by Snow or by Coin, there is only one winner (and it is most decidedly not the superficial "winning tribute" of the Games). Both Snow and Coin's manipulation of reality, through propaganda and the use of the Hunger Games and the revolution as "reality TV" was also chilling, resulting in the need for the main characters to constantly question what was 'real' and what was 'not real': made up for the games, or the propaganda, or the war.
As a reader, that moment when Katniss shifted her arrow, sending Coin to her death, was cathartic. She chose a 'third way' of sorts, a choice that meant true freedom and liberation for Panem (even if it potentially meant her own death). Even in this moment, Katniss has likely been manipulated (by Snow, and probably even more importantly by Paylor, whose decision to let Katniss speak to Snow set the final events in motion ... and resulted in Paylor assuming the presidency). Yet, at worst, this 'manipulation' served to fully reveal the truth, allowing Katniss to make a true, fully-informed choice. As if to validate the rightness of this choice, the book ends with the indication that a 'new normal' has been created, one more hopeful than could have been possible under either Snow or Coin. True to form, the wounds remain; yet, life goes on. Through her sacrifice and pain, Katniss has created a better world for the next generation; she has also chosen (wisely I believe) the partner with whom together they can make each other whole. The dynamic between Katniss and Peeta was one of the most important and interesting aspects of the entire series, so personally I found it gratifying to see them together at the end, starting a new family (although even this slight nod to convention was tempered by the need to explain their nightmares and roles in the days of Capitol rule to their children). A more subdued and melancholy ending than is typical for this genre, but one that is ultimately true to its characters and the situations they faced: "happy ever after" is for the 'propos' and Capitol newscasts, not reality. Not understanding this fact would make us little better than the viewers in the Capitol watching the Hunger Games for entertainment, seeing the individuals not as people but as 'characters' there to simply give us a good show. Collins expects and demands more of us.
After a long and painful journey, a satisfying, if bittersweet, ending to an emotional, intelligent, and wonderful series that I look forward to going back and re-reading at some point in the future. The Hunger Games series more than met my expectations and has gone down as one of my all-time favorite series that I can highly recommend to others. 5 stars, easily.
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Reviewed in the United States on February 6, 2011