SKU: 65443312273

DeVore Fidelity Gibbon X “Ten” Speakers (Pair)

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DeVore Fidelity Gibbon X “Ten” Speakers (Pair)CALL FOR INFORMATION DeVore Fidelity Gibbon X "Ten" Loudspeakers at Vinyl Sound Toronto Canada The Gibbon X is a three way floorstanding loudspeaker from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Toronto, Canada. The flagship of the Gibbon Series and successor to the legendary Silverback Reference, the Gibbon X represents John DeVore's bid for a genuinely neutral, full range reference design within the Gibbon lineage. A

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DeVore Fidelity Gibbon X "Ten" Loudspeakers at Vinyl Sound Toronto Canada

The Gibbon X is a three-way floorstanding loudspeaker from DeVore Fidelity (Brooklyn, New York, USA), available at Vinyl Sound in Toronto, Canada. The flagship of the Gibbon Series and successor to the legendary Silverback Reference, the Gibbon X represents John DeVore's bid for a genuinely neutral, full-range reference design within the Gibbon lineage. A complex four-chamber plywood enclosure is wrapped in a renewable bamboo outer shell, housing a 0.75-inch ultra-low-mass textile dome tweeter suspended in a mechanically isolated inert chamber, a dedicated 7-inch midrange driver in its own sealed enclosure, and a pair of long-throw 9-inch woofers reaching down to 23Hz. With a 91.5 dB/W/m sensitivity, an 8.5-ohm nominal impedance, and a frequency response extending to 40kHz, the Gibbon X is easy to drive and easy to place, and has earned a Stereophile Class A recommendation from reviewer Jim Austin.

A Three-Way Design Built for Neutrality and Dynamic Realism

The Gibbon X departs from the warm, tube-friendly character of earlier DeVore Gibbon designs in pursuit of genuine neutrality, extended dynamics, and the kind of physical realism that can startle a listener. At its top end, the 0.75-inch textile dome tweeter is the same driver that later trickled into the Gibbon Super Nine. It is recessed slightly into the baffle and suspended inside a solid block of wood with a heavier-than-standard Zamak front plate that shifts the center of mass toward the baffle for more effective mechanical isolation, resulting in greater speed, extension, and lower distortion compared to conventionally mounted tweeters. The 7-inch midrange driver sits in its own dedicated sealed enclosure inside the cabinet, fully decoupled from the bass loading of the woofer chambers, fitted with a phase plug and an inverted natural rubber surround for low-distortion output through the critical vocal range. Below, a pair of long-throw 9-inch woofers operate in a tuned four-chamber plywood enclosure that controls resonances while delivering bass extension to 23Hz. The bamboo outer shell you see is not a structural enclosure: the real mechanical work is done by the internal plywood architecture, a deliberate separation of structural and acoustic function.

Enclosure Design: Bamboo, Plywood, and Four-Chamber Loading

The Gibbon X cabinet architecture is more complex than its slim, elegant exterior suggests. The renewable bamboo shell encloses a separate internal structure of plywood divided into four distinct chambers, each tuned independently to control bass response and reduce the interaction between woofer loading and midrange performance. The front and rear panels are made of painted MDF, while the internal plywood architecture provides the mechanical rigidity. The tweeter is housed in its own solid block of wood within this structure, with a heavy Zamak alloy front plate to optimize its suspension and isolation. The midrange driver has its own fully sealed sub-enclosure. This driver-within-enclosure-within-enclosure architecture gives the Gibbon X a level of acoustic separation between frequency bands that is rarely found in a speaker of this size and profile.

Key Features

  • Isolated Tweeter Chamber: The 0.75-inch ultra-low-mass textile dome tweeter is suspended inside a solid wood inert chamber with a heavy Zamak alloy front plate, shifting the center of mass toward the baffle to minimize resonance and maximize mechanical isolation from the cabinet structure.
  • Dedicated Sealed Midrange Enclosure: The 7-inch midrange driver operates in its own sealed enclosure inside the cabinet, fitted with a phase plug and an inverted natural rubber surround, keeping its loading completely independent of the woofer section for cleaner, lower-distortion midrange performance.
  • Dual Long-Throw 9-Inch Woofers: Two long-throw 9-inch woofers in a tuned four-chamber plywood enclosure reach 23Hz with controlled, authoritative bass output that has been described by reviewers as capable of literally startling listeners with its dynamic realism.
  • Four-Chamber Plywood Enclosure: The internal enclosure is built from plywood divided into four acoustically tuned chambers, controlling woofer resonances and limiting cabinet coloration independently of the bamboo outer shell.
  • Renewable Bamboo Outer Shell: The exterior finish is a renewable bamboo shell, available in Cherry, Mahogany, and Mink, that provides a refined aesthetic while the structural and acoustic work is handled by the internal plywood architecture.
  • 91.5 dB/W/m Sensitivity: High enough sensitivity to work well with moderate-power tube and solid-state amplifiers alike, while remaining resolving enough to reveal differences between amplifier topologies clearly.
  • 23Hz to 40kHz Frequency Response: A full eleven-octave bandwidth with genuine infrasonic bass extension to 23Hz and ultra-high-frequency extension to 40kHz, covering everything from the lowest organ pedal tones to the highest overtones of acoustic instruments.
  • Stereophile Class A Recommendation: Jim Austin, writing in Stereophile, designated the Gibbon X a Class A performer, the magazine's highest loudspeaker rating.
  • Part-Time Audiophile Editor's Choice: Scott Hull at Part-Time Audiophile awarded the Gibbon X the publication's Editor's Choice designation.
  • Handbuilt in Brooklyn, New York: Every pair is assembled by hand at the DeVore Fidelity workshop at the Brooklyn Navy Yard, New York, USA.

Technical Specifications

Design Three-way, ported, floorstanding loudspeaker
Tweeter 0.75-inch ultra-low-mass textile dome, suspended in inert chamber, Zamak front plate
Midrange 7-inch driver with phase plug and inverted natural rubber surround, sealed dedicated enclosure
Woofers Two long-throw 9-inch drivers, tuned four-chamber plywood enclosure
Frequency Response 23Hz to 40kHz
Sensitivity 91.5 dB/W/m
Impedance 8.5 Ohms nominal (16 Ohms maximum, 7.3 Ohms minimum at 26Hz)
Dimensions (H x W x D, excluding feet) 44 x 9 x 17.5 inches
Weight 85 lb (38.5 kg) per speaker
Enclosure Four-chamber tuned plywood internal structure, renewable bamboo outer shell, painted MDF front and rear panels
Finish Options Cherry Bamboo, Mahogany Bamboo, Mink Bamboo
Warranty 5 years limited, parts and labor
Origin Handbuilt at DeVore Fidelity, Brooklyn Navy Yard, New York, USA

Awards and Critical Recognition

  • Stereophile Class A Recommended Component, Jim Austin, Stereophile Magazine: "DeVore Fidelity's Gibbon X is, to me, a Class A performer, highly recommended."
  • Editor's Choice Award, Scott Hull, Part-Time Audiophile, Best of 2014: "The Gibbon X is room filling, precise, and gloriously immersive in its presentation. Finding a better performing speaker at this price or lower? Yeah. Good luck."

Frequently Asked Questions

What is the DeVore Fidelity Gibbon X?

The DeVore Fidelity Gibbon X is a three-way, ported floorstanding loudspeaker, handbuilt in Brooklyn, New York, and representing the flagship of the DeVore Fidelity Gibbon Series. It uses a 0.75-inch textile dome tweeter in an isolated inert chamber, a 7-inch midrange driver in its own sealed internal enclosure, and two long-throw 9-inch woofers in a four-chamber plywood enclosure. The Gibbon X delivers a 91.5 dB/W/m sensitivity, an 8.5-ohm nominal impedance, and a frequency response from 23Hz to 40kHz. It has been awarded a Class A recommendation by Stereophile and an Editor's Choice by Part-Time Audiophile.

How does the Gibbon X compare to the DeVore Fidelity Orangutan O/96?

The Gibbon X and the Orangutan O/96 represent two distinct design philosophies within the DeVore Fidelity lineup. The O/96 is a two-way design with a 96 dB/W/m sensitivity and a 10-ohm impedance, optimized for ease of drive with low-power tube amplifiers and characterized by a warm, organic tonal character. The Gibbon X is a three-way design with a 91.5 dB/W/m sensitivity and an 8.5-ohm nominal impedance, reaching deeper in the bass to 23Hz and extending higher to 40kHz, with a more explicitly neutral sonic character and a greater emphasis on dynamic realism and macrodynamic impact. The Gibbon X is the better choice for listeners who prioritize full-range extension, dynamic authority, and tonal neutrality; the O/96 remains the preferred design for those who pair speakers with low-power tube amplifiers and value a warmer presentation.

How does the Gibbon X compare to the Focal Sopra No.3 or the Wilson Audio Sabrina X?

The DeVore Fidelity Gibbon X, the Focal Sopra No.3, and the Wilson Audio Sabrina X all compete in the upper-tier floorstanding segment, but they differ substantially in character and design priorities. The Focal Sopra No.3 uses beryllium tweeter and W-cone drivers in a denser, more rigidly constructed cabinet, while the Sabrina X uses Wilson's proprietary composite materials with a focus on driver time alignment. The Gibbon X takes a different path: a renewable bamboo outer shell over a four-chamber plywood internal enclosure, with the emphasis on dynamic freedom, three-dimensional imaging, and an approachable 91.5 dB/W/m sensitivity that works well with a wider range of amplifiers than either of its more load-demanding competitors.

Can the Gibbon X be driven by a tube integrated amplifier?

Yes, the Gibbon X is well suited to tube integrated amplifiers with moderate output power. Its 91.5 dB/W/m sensitivity and 8.5-ohm nominal impedance present a manageable load for push-pull tube amplifiers producing 30 watts or more. During its Stereophile review, Jim Austin used the Leben CS-600 integrated amplifier with the Gibbon X to good effect. The Gibbon X is more revealing of amplifier character than the higher-sensitivity Orangutan designs, meaning a well-matched tube amplifier will be audibly rewarded in terms of tonality and midrange texture.

What is the purpose of the inert chamber surrounding the Gibbon X tweeter?

The tweeter in the Gibbon X is suspended inside a solid block of wood with a heavier-than-standard Zamak alloy front plate, forming what DeVore Fidelity describes as an inert chamber. The mass of the Zamak plate shifts the center of gravity toward the baffle, which reduces mechanical resonance in the tweeter's mounting system. This isolation means that vibrations from the woofer and midrange sections cannot travel through the cabinet structure and modulate the tweeter's output. The result is improved high-frequency speed, extension, and low-distortion performance compared to a tweeter mounted directly to a shared front baffle.

Where can I buy the DeVore Fidelity Gibbon X in Toronto or Canada?

Vinyl Sound in Toronto, Ontario is an authorised DeVore Fidelity dealer and carries the Gibbon X loudspeaker. Vinyl Sound Canada offers in-store listening sessions, expert guidance on amplifier matching, and full after-sales support for the Gibbon X and the complete DeVore Fidelity Gibbon and Orangutan speaker lines. Contact Vinyl Sound Toronto to discuss availability and bamboo finish options.

What amplifier topology works best with the Gibbon X?

The Gibbon X is an amplifier-revealing design that works well across a range of topologies, including solid-state class-A and class-AB designs and push-pull tube amplifiers. Stereophile reviewer Jim Austin found that solid-state monoblocks produced a fuller bass presentation, while the Leben CS-600 tube integrated also paired effectively. DeVore Fidelity's original recommendation for the Gibbon X is to position the speakers with no toe-in, aimed straight ahead, which reduces the impact of toe-in adjustments on tonal balance and simplifies room setup considerably.

What does the four-chamber enclosure of the Gibbon X accomplish?

The Gibbon X's internal enclosure is divided into four separate plywood chambers, each acoustically tuned to control specific resonance behaviors of the dual 9-inch woofers. Dividing the enclosure this way reduces the internal standing waves that degrade bass definition and timing in simpler single-chamber ported designs. It also mechanically stiffens the structure so that cabinet resonances do not color the output. The bamboo outer shell is an aesthetic and structural outer layer; the real acoustic work is performed entirely by this internal four-chamber plywood architecture.

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SKU: 65443312273

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shaleah newmam
Louisville, US
★★★★★ 5
No regets
Format: Paperback
This was a good book to read! In school you only learn the male prospective during slavery! I know feel I can say white woman played a major role during slavery times. I like that fact that the Author put in the information to where we can go srwcah and read for ourselves. The visuals where an added touch. I feel like because alot of women of that time couldn't write so alot of information was missing. I feel like this is a must read.
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Reviewed in the United States on April 9, 2025
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AuthorAnnaBella
Battle Creek, US
★★★★★ 5
One of the most poignant books I have read in a long time.
Format: Paperback
One of the most poignant books I have read in a long time. “Southern communities, lawmakers, and courts recognized slave-owning women as individuals able to acquire and exercise mastery over enslaved people, s is evident from laws passed throughout the South. Laws dating back to the colonial period routinely recognized the mistresses owned enslaved people in their own right, and these same laws acknowledged the fact that these women were capable of exercising mastery over the enslaved people they owned.” Stephanie E. Jones - Rogers. They were referred to as Southern Belles’. Revered for their ladylike daintiness. But… there was nothing dainty about their dealings for they too, owned human property. These white southern mistresses were heavily involved and often owned more property than their male counterparts even being the breadwinners. These women were barbaric and wore the crown of cruelty. Dr. Rogers gave the enslaved a voice in this text – allowing our ancestors to share with us their story and experiences under the thumb of white mistresses. This text uncovers the extent of the involvement that white women had with slave ownership. There was discord in marriages due to white women struggles to maintain control of their financial gains of human property. These women utilized the judicial system to protect their pecuniary interests. The parents of these white girls/women bequeathed slaves to white females i.e. as young as newborns – which leads us to mistresses in the making – that is the education of young white women of the mastery of slave ownership. My heart broke as I was able to envision the accounts of atrocities inflicted upon our ancestors. Our people were raped and forced into being breeders and wet nurses to ensure the livelihood of these white mistresses and their families. The evidence is insurmountable in all the ways slave-owning women invested in, and profited from their financial ties to American slavery and its marketplace. Most importantly, there was testimony from formerly enslaved people of their experiences within slavery. This text is a mandatory read for all and in my opinion, must be included as part of the curriculum in schools.
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Reviewed in the United States on October 16, 2020
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Urban Professor
Lexington, US
★★★★★ 5
Slave Trade was not only a White Man's Affair
Format: Kindle
The book is an excellent read particularly in today's climate. Why 53% of white women would put a vile man in office is explained in the pages of this book. White women held positions of power in the America slave trade, a fact overlooked in history. These southern bell's represented as the gold standard of woman hood in the antebellum south were anything but, and they for the most part showed as much, business savvy as down right cruelty in the slave trade. They benefited in every conceivable way from this free labor market. They were no advocates for the kind humane treatment of slaves. In many cases they were as vicious as their counterpart and just as committed to a keeping Blacks marred in the system of bondage. They are in most cases depicted as silent partners and where that might be the case many white women had full command and knowledge of the value of a slave they invested in and they wanted a hefty return. In fact they used every means on the table to keep these black, men, women and children bound to their wealth creation. These co-conspirators had more than a hand in the cookie jar, they enjoyed the power and did not hesitate to support the maintenance of this inhumane institution.
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Reviewed in the United States on April 24, 2019
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The Gypsy Reader
Whiting, US
★★★★★ 5
Excellent book, not only for lawyers or law students
To begin with, I am neither a lawyer, a law student, nor even a prospective law student. I am, however, someone who has always been interested in the law, primarily for two reasons. First, the law is the principal formal means a society uses to try to resolve conflict among the society's members. Second, and closely related to the first reason, the sum shape, both of content and procedure of the law, is an expression of exactly what a society's values are and the goals a society sets for itself or the standards by which it ideally wishes to be judged. I found this book to be excellent, informative, well written, and even at parts entertaining. Although meant as a guide for law students to use to prepare for the strenuous exams that are associated with each course they will take in law school, the book provides much, much more, and hence my belief that it can profitably be read by a far larger readership than its ostensible audience. One of the key elements stressed throughout, and exemplified by numerous enlightening examples, is that there usually is no one correct answer to any given legal question. Arguments can be made on at least two sides of any matter based upon, for example, a "plain reading" of the text of a relevant law and the reasonably understandable intent of those who made the law (e.g., a legislature). The authors bring out clearly such sources of legal precedent as laws, government regulations, individual case law decisions by judges, common law, government policy, and specific codes (e.g., the Uniform Commercial Code, or UCC) and show how differing results to a case can readily come about based upon arguments using the different sources to bolster respective cases. In reality, although by minimal definition a book designed, as said above, to prepare for the taking of law school tests, the book actually also is a good guideline on how to think (not necessarily what to think) about many larger issues in society, including politics and policy issues of all sorts. Finally, the first two thirds of the book discuss ways to think about the wide range of questions that can be posed to aspiring lawyers and introduces the reader to understanding such distinctions as "forks in the law" and "forks in the facts" (a quite useful distinction to keep in mind). The final part of the book provides solid test taking strategies that are applicable to a wide range of academic testing (e.g., answer the question the professor actually asked and avoid wasting time or effort on ancillary matters not really germane to helping to resolve the issue.) Although some of these may seem obvious once read, the tips are the type of thing that, under pressure of exams, many students often forget to apply. In sum, I highly recommend this book to those interested in life in the modern world.
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Reviewed in the United States on August 29, 2015
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Amazon User
Dallas, US
★★★★★ 5
Must read for 1L or Incoming Law Student! So helpful!!!
Format: Paperback
Any 1L or incoming law student needs to read this book! So, I took the BARBI Law Preview before law school began to get an overview of what law school was like and a heads up on how to do things. During this program I had read just two chapters of the book- and these two chapters alone put me in a crucial mind frame to understand the importance of what your professors are looking for. It is not just about distinguishing the right issues and facts, because there is truly no such thing, but distinguishing both sides of an issue, and of course you have to read the book to get more info, but I feel like it has helped me understand what success sounds like in exams. I am only going into my third week of 1L, but I can tell the book has given me a leg up. I recommend that you read this book before you start, or in the first two weeks (though you'll be burdened with a lot of reading then- so before is best) so you can get into the mindset, instead of doing it right before exams and feeling like you have to rewire your brain to everything you thought you understood. I guess I'll have to update you guys once I see my exams, but so far so good!
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Reviewed in the United States on September 4, 2015

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