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Description
Into the Bookbinding JungleThis edition translates Oppenheims recent rainbow collages into a combination of two new (to her practice) printmaking techniques. The risograph under layer is created from three hand painted images layered together to create a rainbow. The black letterpress print on top is made from an image of a collage of screenprints of marbled paper (how is that for a visual game of telephone?) that has been reworked to create areas of space where it is possible
This edition translates Oppenheim’s recent rainbow collages into a combination of two new (to her practice) printmaking techniques. The risograph under-layer is created from three hand painted images layered together to create a rainbow. The black letterpress print on top is made from an image of a collage of screenprints of marbled paper (how is that for a visual game of telephone?) that has been reworked to create areas of space where it is possible to see through to the under-layer only. The narrative of the print is of a smiling bookbinder—or aspiring bookbinder—entering the magical jungle of bookbinding. Printed by Allison Carter-Beaulé at Center for Book Arts.About the Artist
Sheryl Oppenheim was born in 1983 and raised in Orlando, Florida. She is a painter, paper marbler, and maker of illegible books, an idea she first became interested in after seeing the work of Bruno Munari, and through her proximity to books, bookbinders, and marbled paper at her first job in New York, at a bookbinding supply house. She began marbling paper in 2011 and began learning Suminagashi in 2016. Her artist books and prints are included in public collections including the Metropolitan Museum of Art’s Watson Library, the Museum of Modern Art, the Walker Art Center, the New York Public Library, the Brooklyn Museum, and the National Museum of Women in the Arts. She has participated in recent exhibitions at the Minnesota Center for Book Arts, Sadie Halie Projects, Deanna Evans Projects, International Print Center New York, Small Editions, and the Cranbrook Museum of Art. Oppenheim received her BA from Brandeis University and her MFA from Temple University’s Tyler School of Art. She lives and works in New York City.Shipping Notes
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4.5 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 4
Ok but not great
Style: 100-Pk, Size: 6-Inch
Not the thickness I would have expected for the price but do seem to work ok. Very hard to find good quality dessert plates at an affordable price. Probably won’t buy again.
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Reviewed in the United States on December 4, 2025
★★★★★ 5
Would not use these for food; very thin and not sturdy
Style: 100-Pk, Size: 6-Inch
Great for targets on the range
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Reviewed in the United States on March 27, 2026
★★★★★ 3
Handy Size, But Flimsy & Not Leak-Proof
Style: 100-Pk, Size: 6-Inch
I actually use these for my cat’s wet food, and while the size is perfect for that, they do have some downsides.
What I liked:
Great small size for snacks, desserts, or pet food
Convenient and disposable
Comes in bulk, which is helpful
What could be better:
Tends to leak through with wet food
Plates are somewhat flimsy
They stick together, which makes them a little annoying to separate
They work fine for lighter or dry items, but with anything moist, you’ll want to be careful or maybe double them up. For my use, they get the job done, just not perfectly.
Who this is great for:
Light snacks, desserts, or dry foods
Quick, disposable use
Pet owners for dry food or short-term use
Value:
Decent for bulk plates, but the quality limits how versatile they are.
Final Verdict:
Convenient and the right size, but the flimsiness and leaking are something to keep in mind. Best for lighter use.
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Reviewed in the United States on March 25, 2026
★★★★★ 1
Flimsy and thin and soaks through
Style: 300-Pk, Size: 6-Inch
So flimsy. That they stick together and you use 2 or three at a time. And if you don’t then anything soaks through them in short order.
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Reviewed in the United States on May 27, 2026
★★★★★ 5
Small paper plates
Style: 100-Pk, Size: 6-Inch
Nice weight don’t leak
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Reviewed in the United States on April 2, 2026