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Description
Hoya 72mm Neutral Density (NDX4) 0.6 FilterMulti Coated (HMC) Glass The Hoya 72mm Neutral Density (NDX4) 0. 6 Filter has several uses and offers the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film. They have no effect on color balance. Multi coated to minimize reflection at the filter surfaces which reduces flare and ghosting. Neutral Density filters have four main uses To enable slow shutter speeds to be used,
- Multi-Coated (HMC)
- Glass
The Hoya 72mm Neutral Density (NDX4) 0.6 Filter has several uses and offers the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film. They have no effect on color balance.
Multi-coated to minimize reflection at the filter surfaces which reduces flare and ghosting.
Neutral Density filters have four main uses
- To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
- To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
- To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
- To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
Neutral Density Factors
- 2x = ND.3 (exposure adjustment = 1 stop, reduces ISO 1/2)
- 4x = ND.6 (exposure adjustment = 2 stops, reduces ISO 1/4)
- 8x = ND.9 (exposure adjustment = 3 stops, reduces ISO 1/8)
- As one of the premier filter manufacturers, Hoya filters continue to made from quality glass assuring the photographer clear, sharp and accurate images
- Hoya filters consistently provide even color all the way through the filter; All surfaces are ground and polished to specific thickness and tolerances
UPC: 024066002730
| Filter Type | Solid ND |
| Density | 0.6 (2 Stops) |
| Shape | Circle |
| Circular Size | 72 mm |
| Rotating | No |
| Front Thread / Bayonet | 72 mm |
| Filter Material | Glass |
| Coating | Multi-Coated |
| Packaging Info | |
|---|---|
| Package Weight | 0.15 lb |
| Box Dimensions (LxWxH) | 4.173 x 3.543 x 0.551" |
In the Box
Hoya 72mm Neutral Density (NDX4) 0.6 Filter
- One-Year Warranty
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4.8 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
Seek and you will find. (Poems that speak to you)
Format: Paperback
I was not familiar with his work but have become a fan. Of course, as is true of my review of most poets work, I find more of the author's poems that I don't get or can't appreciate than ones I do; however, I found enough which moved me or had some profound impact that I am keeping this collection close for re-reading.
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Reviewed in the United States on December 17, 2025
★★★★★ 5
Above the River: The Complete Poems of James Wright
Format: Paperback
James Wright is a terrific, though not well known, American poet of the 1950's and 60's. Along with Robert Bly and William Duffey, Wright helped to open a new page in modern poetry which encouraged writers to break from the restrictions of traditional British formats. Personal and reflective, the poems focus on nature and have a strong touch of influence from ancient Chinese poets. Though the collection is filled with great stuff, my favorite is "Northern Pike."
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Reviewed in the United States on October 10, 2010
★★★★★ 4
Sublime Poetry Slightly Flawed by Format
Format: Paperback
I hate to give this work anything less than 5-stars, because at the moment (and probably most future moments) I revere James Wright's poetry. He makes blue collar blackened river Ohio come alive riven death with darkness and life. So this book is a must for poetry lovers.
Where it distracts me is the attempts at completeness is a difficult editor's dilemma and one that doesn't serve the poet or the poet's reader well here. There are two James Wright's out there (this book presents three), as is true with most sublimated artist that pass through a learning phase before hitting on their voice, their style.
James Wright started as a formalist (not my favored style) hailing structure and rhyme sometimes at the expense of meaning and language (disclaimer...one man's humble opinion belies a personal taste and no two taste buds seem the same). The book of course being a complete work, offers all of those poems of bandied prose. And then the editor offers a bridge or break of sorts in Wright's translated works of German and Spanish poets. Wright was a great poet in English, but the gift of gifted translation should have been left to the likes of W.S. Merwin, Anthony Kerrigan, Charles Tomlinson, and Stephen Mitchell for Neruda, Paz, and Rilke.
So, Wright's "Above the River," really first breaks the surface on page 119 after his epiphany to all thing free form. It is then that his poetry sings darkly. I leave you with some of Wright's beautiful language (there's plenty to be had). Buy the book for the rest.
In Fear of Harvests
It has happened
Before: nearby,
The nostrils of slow horses
Breathe evenly,
And the brown bees drag their high garlands,
Heavily,
Toward hives of snow.
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Reviewed in the United States on September 30, 2003
★★★★★ 5
A Twentieth Century Teasure
Format: Paperback
James Wright's poems are acts of courage. His persistent advocacy of the underdog is real and clear-eyed(American Twilights 1957, written fo the executed killer Caryl Chessman). "Arrangements with Earth for Three Dead Friends" is one of the most moving elegies I know in the language (taken from his early career). Then there are the wonderful and luminous translations "ten Short Poems: from the Spanish of Juan Ramon Jiminez, Pablo Neruda's "Anguish of Death", Cesar Vallejo's "I Am Freed" and many others. These are vital and wide-ranging poems that belong in every library.
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Reviewed in the United States on June 11, 2013
★★★★★ 5
Wow! Wright Rocks!
Format: Paperback
This collection brings together both the greater & lesser known works of James Wright so that students or lovers of poetry can get a true feeling for his style & focus. Some pieces seem less focused, while others hone in with cruel beauty on those moments where the literal and the figurative worlds collide. Brilliant poet. I recommend this book especially to serious students of poetry.
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Reviewed in the United States on March 12, 2016
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