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Description
Manfrotto cold shoe tilt head MLH1HS-2The MLH1HS 2 Manfrotto Cold Shoe Tilt Head is the next generation tilt head replacing the highly successful ; MLH1HS Snap Tilt head. Maintaining the key features that made the Snap Tilt head so popular, the new tilt head features a number of new and improved features offering amended functionality including: Re designed umbrella hole now angled so speedlights can be positioned more centrally towards the middle of the umbrella for more even
The MLH1HS-2 Manfrotto Cold Shoe Tilt Head is the next generation tilt head replacing the highly successful ;MLH1HS Snap Tilt head.Maintaining the key features that made the Snap Tilt head so popular, the new tilt head features a number of new and improved features offering amended functionality including:
Re-designed umbrella hole now angled so speedlights can be positioned more centrally towards the middle of the umbrella for more even distribution of light.
Increased locking torque on the tilt knob ensuring a secure tilt position, critical to prevent any movement of the angle of the light during a shoot.
New locking mechanism to allow the use of any stand or accessory using a 5/8'' (16mm) spigot.
Manfrotto's innovative counterbalance mechanism remains a key feature of the Cold Shoe Tilt head, providing maximum safety due to its spring loaded system which prevents any attached accessories from accidentally falling and potentially getting damaged.
With a notable maximum payload of 2 kg, the Manfrotto Cold Shoe Tilt Head can comfortably support the latest professional lightweight portable lighting equipment including flash and LED without compromise, even when paired with a modifier.
The unique smart locking ring of the Manfrotto Cold Shoe Tilt Head allows the user to easily and securely, fasten their chosen accessories.
Simply unscrew the ring to open the shoe, slide in the accessory, then tighten the ring to lock the cold shoe attachment ready to begin shooting quickly and safely.
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4.8 ★★★★★
Based on 17 reviews
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Product Reviews
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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Reviewed in the United States on October 14, 2016
★★★★★ 5
McKee’s best
Format: Kindle
More relevant than STORY, more useful on a daily basis. This is the book I recommend to all beginning writers. I’ve now read it three times and will read it at least three more. I learn, relearn, and remember bits and pieces each time. It is one of three books that has made me the greatest writer of all time.*
*my opinion, anyway.
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Reviewed in the United States on June 5, 2023
★★★★★ 5
Incredible.....or, you know, like totally, Dazzling!
Format: Hardcover
This character and omnibus are excellent! The sturdy hardcover contains the entire original series plus additional one-shot graphic novels and guest appearances in other series. Colors look nice and well printed. The main character is a mutant singer trying to make her way in the world which adds an extra dimension to her story. The artwork is fun to look at and around 2/3 of the way through the book Dazzler gets an updated 1980s costume. How many other super heroes can take on Galactus in roller skates? Highly recommended!
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Reviewed in the United States on August 21, 2025