SKU: 11982931477

Pegasus Bay Estate Waipara Valley Chardonnay 2017

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Description

Pegasus Bay Estate Waipara Valley Chardonnay 2017French oak Grapefruit Smokey bacon Fresh acidity "Impressive, vibrant and flinty white peach and grapefruit aromas with an array of fresh, spicy, hazelnut tinged oak. The palate combines a lot of ripe melon and white peaches with smoky, grilled nuts. Great wine thats packed with interest" Nick Stock, jamessuckling. com, Oct 2018 "Wow. Wow and triple wow. If the immense punch of grilled grapefruit, buttered crumpet, and hints of smoked bacon and

  • French oak
  • Grapefruit
  • Smokey bacon
  • Fresh acidity

"Impressive, vibrant and flinty white-peach and grapefruit aromas with an array of fresh, spicy, hazelnut-tinged oak. The palate combines a lot of ripe melon and white peaches with smoky, grilled nuts. Great wine that’s packed with interest" Nick Stock, jamessuckling.com, Oct 2018

"Wow. Wow and triple wow. If the immense punch of grilled grapefruit, buttered crumpet, and hints of smoked bacon and popcorn doesn’t send you sideways, the powerful, weighty, woof-inducing complexity on the palate definitely will. Sourced from old vines and matured on its yeast lees in 30% new French oak puncheons, it’s a beautiful, golden, richly textured wine that has beautifully smoky layers on the finish. Cellaring potential? I’d love to taste this again in five years. Gorgeous stuff" Yvonne Lorkin, May 2019

"Estate grown in North Canterbury, this is a highly impressive, youthful wine. Powerful and weighty, it is invitingly fragrant, with intense, grapefruit-like flavours gently seasoned with biscuity French oak, notable complexity and obvious ageing potential" Michael Cooper, The Listener Magazine, Jun 2019

"This powerful, North Canterbury wine has a definite ‘wow’ factor. From ungrafted, 30-year-old vines, it was hand-picked and fermented with indigenous yeasts in French oak puncheons. Full of personality, it has a highly fragrant, complex, slightly smoky bouquet, leading into a weighty but elegant palate, with grapefruit-like flavours, finely integrated oak and lovely depth" Michael Cooper, Winestate Magazine Australia, Aug 2019

"Rich, weighty, textural wine that “feels” as good as it tastes. Big, intense and quite complex chardonnay with struck match/mineral, grapefruit, bran biscuit and spicy oak flavours. Impressive now but promises to grow in stature with bottle age" Gourmet Traveller Magazine, Australia, Aug 2019

"Big charry and flinty nose. Great intensity and concentration. Complex and rich; long finish with grapefruit citrus Reductive. Carries over to palate. Too much. Mild yellow; developed; very sulfidic and smoky; oaky; developed; rich but a tad clumsy. Sulfides rule. Sulfitey and lean; exotic" The Six Nations Wine Challenge, sixnations.com.au, Feb 2020

The colour is lemon/straw. On the nose there are aromas of citrus, as well as honeydew melon and some stone fruit (peach and nectarine). In addition there is a hint of struck match which adds complexity and a flinty minerality. There are also some underlying savoury notes (toast and brioche) as a result of the secondary fermentation and lees contact in the barrel. The palate is concentrated, however the earlier picking has resulted in a wine that remains elegant and focussed, with refreshing acidity and a lingering finish.

Settled weather over flowering resulted in a moderate fruit set. The subsequent warm summer then allowed the grapes to ripen beautifully. Naturally smaller berry size and loose open bunches helped accelerate ripening, allowing winemakers to pick the fruit a little earlier this season than usual.

The vineyard is located within the Waipara Valley of North Canterbury, on free draining, north facing terraces carved out of New Zealand’s Southern Alps by an ice-age glacier. It benefits from being in the lee of the Teviotdale Range, giving maximum protection from the Pacific’s easterly breezes and thus creating a unique mesoclimate. The vines are over 30 years old, with a large proportion planted on their own roots. The soil is free draining and of low fertility, resulting in naturally reduced vine vigour. This produces low yields of optimally ripened, high quality, flavourful grapes, which fully express the qualities of this unique terroir. The vineyard has warm days, but the nights are amongst the coolest in the Waipara Valley, drawing out the ripening period of the grapes, while still retaining good natural acidity.

Wiemakers use traditional Burgundian winemaking methods. The fruit was hand-picked in stages during early April and then the whole bunches gently pressed. The nonclarified juice was then put into large French oak barrels (puncheons), 70% of which were old in order to limit pickup of oak flavour. In these it underwent primary fermentation by the grapes indigenous yeasts. The wine was then matured in the puncheons on its natural deposits of yeast lees (sur lie). In the summer after harvest it started to go through spontaneous secondary (malolactic) fermentation. It was regularly tasted during this time and the fermentation was stopped when the ideal balance was obtained. It had approximately 12 months maturation prior to bottling.

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SKU: 11982931477

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J. A. White
Lexington, US
★★★★★ 3
Comprehensive, but not convincing to this non-believer
Format: Paperback
Having previously read Fawn Brodie's , I read this one to get the believer's view. Bushman is at his best describing the evolution of Smith's thinking and revelations. Although the book is long, it is well written and authoritative. It gives a deeper understanding of Smith's religious philosophy than does Brodie's book. To his credit, Bushman confronts many of the crucial controversies surrounding Smith. From my non-believer's perspective, however, the defenses of Smith are not remotely convincing. Some examples: 1. DNA analysis shows without question that the American Indians came from east Asia. This fact is in direct contradiction of the traditional LDS view that Native Americans are lost Israelites. Bushman argues that Smith may have been writing about a small tribe somewhere in New York, or about people outside North America altogether. Within a few pages, Bushman has forgotten about this controversy altogether, and happily describes the Book of Mormon as a history of the American Indians. 2. Smith made the huge mistake of reproducing parts of the hieroglyphics he claims to have interpreted as the "Book of Abraham." These documents have been translated by scholars and have nothing to do with Abraham. Bushman (pp. 291-2) puts forth the argument that Smith's translation may not have been a true translation, but instead may have been a divine revelation simply inspired by the presence of the scrolls. Bushman suggests the same for the Book of Mormon. This is a truly shocking stance for an LDS believer to take: if Smith's "translations" weren't translations, why should anyone believe that his revelations were divinely inspired? Ironically, Bushman's view here sounds much like Brodie's: Not anticipating that scholars would use the Rosetta stone to translate hieroglyphics, Smith imagined that bogus translations would not be found out. 3. Smith repeatedly lied about whether he and the Saints were practicing polygamy. Bushman's defense of Smith in this context reminds me of Bill Clinton's statements regarding Monica Lewinsky: Smith held a secret definition of the term "polygamy," and thus felt free to mislead (or lie) with impunity. The facts, as reported by both Brodie and Bushman, support the conclusion that Smith coerced women into his bed by arguing that their eternal salvation was at stake. The stain of Smith's lustful "revelation" regarding polygamy continues to haunt the LDS, which claims to recoil from earthly polygamy but argues that men (not women) get to have harems in heaven. Despite these complaints, I recommend this book to non-believers who are patient enough to get through it. I feel that I have much greater insight into the LDS mindset than I did before.
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Reviewed in the United States on April 21, 2008
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Ian
Los Angeles, US
★★★★★ 5
The definitive paperback edition
Format: Paperback
I purchased the Oxford World's Classics edition of "Le Morte d'Arthur: The Winchester Manuscript" for a school reading assignment, and I can say with confidence that this is the version you want. The original Old English is present (it was virtually a new language), complete with very useful footnotes to assist with antiquated words and phrases. The story was intriguing, colorful, and poignant (it's a downer, but a well-written one), filled with memorable characters such as Sir Gareth and Sir Launcelot. If you have a taste for classic literature and are looking for a challenge, definitely give "Le Morte d'Arthur" a read, especially with this version.
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Reviewed in the United States on March 1, 2023
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Josephine DiNovo
Pawtucket, US
★★★★★ 5
This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes
Format: Paperback
I got this book for class, so I've only read large segements of it. This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes. The footnotes were always available to explain unfamiliar words without interrupting the flow of the story.
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Reviewed in the United States on May 18, 2016
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Nico Agostinelli
Lexington, US
★★★★★ 5
Fast Shipping
Format: Paperback
I received this book one week ahead of the expected shipping date. It was new and in good quality as described. Highly recommend this seller.
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Reviewed in the United States on August 9, 2024
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Randy Bone
Port Orchard, US
★★★★★ 4
Delightful text, but the omissions are frustrating
Format: Paperback
The modern spellings of the original Middle English text make this book quite easy and fun to read. However if you're trying to follow the actual complete storyline or compare it side-by-side with one of the original full text versions the frequent omissions quickly become quite evident and frustrating as you realize just how abridged this version actually is. That being said, the foot-of-page glossary and explanatory notes are quite helpful and informative. If only they wouldn't have left so much of the text out this would be a five-star review.
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Reviewed in the United States on December 25, 2019

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