SKU: 89409339972

Bruce Springsteen at 75

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Bruce Springsteen at 75Experience the extraordinary career of The Boss with this richly illustrated package featuring two gatefolds, exclusive pullout poster, 8" 10" glossy, and a sturdy slipcase. Twenty time Grammy winner, Rock and Roll Hall of Fame inductee, and best selling authorBruce Springsteen is, of course, also one of rocks most revered songwriters and performers. In Bruce Springsteen at 75 , veteran rock journalist Gillian G. Gaar reveals this rock icon through 75

Experience the extraordinary career of “The Boss” with this richly illustrated package featuring two gatefolds, exclusive pullout poster, 8" × 10" glossy, and a sturdy slipcase. Twenty-time Grammy winner, Rock and Roll Hall of Fame inductee, and best-selling author…Bruce Springsteen is, of course, also one of rock’s most revered songwriters and performers. In Bruce Springsteen at 75 , veteran rock journalist Gillian G. Gaar reveals this rock icon through 75 career releases, performances, and accolades . This exquisite volume features: Slipcased hardcover format Stunning concert and candid offstage photography Images of memorabilia, including gig posters, vinyl record sleeves, ticket stubs, period ads, and more Gatefold Bruce Springsteen timeline Unpublished 8" × 10" photo An exclusive pullout poster Through seven-and-a-half decades, Gaar covers it all: Bruce’s childhood in New Jersey and early garage bands , The Castiles and Steel Mill All 20 studio albums , including those with the E Street Band and as a solo artist A selection of his greatest singles , like the rock standards “Born to Run,” “Hungry Heart,” and “Born in the U.S.A.” Relationships with notable bandmates Steven Van Zandt and the late Clarence Clemons Legendary gigs , from his early residency at New York’s The Bottom Line to his longest ever concert to his more recent Broadway show His relationship with wife and bandmate, Patti Scialfa Awards like his Rock Hall induction and the Presidential Medal of Freedom ...and much more Beginning with his 1973 debut LP Greetings from Asbury Park, N.J. and continuing through his latest release and tour, Bruce Springsteen is one of the most beloved performers and musicians in rock ’n’ roll history, influencing countless acts for decades. This book is your unprecedented retrospective of The Boss’s career , from teenage Jersey garage rocker to international star and celebrity.

EAN: 9780760381106
Farbverschnitt: Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen.
Erscheinungsjahr: 16.04.2024
Produktform: Leinen, Gebunden
Autoren: Gaar, Gillian G.
Seitenzahl/Blattzahl: 200
Abbildungen: 400 color & b/w photos
Themenüberschrift: MUSIC / Individual Composer & Musician
Keyword:  
Fachschema: Englische Bücher / Biografie, Erinnerung~Englische Bücher / Musik~Rock (Musik)~Pop (Musik)
Fachkategorie: Unterhaltungsmusik, Popmusik~Komponisten und Songwriter~Musiker, Sänger, Bands und Gruppen, Autobiografien: Kunst und Unterhaltung
Region: Vereinigte Staaten von Amerika, USA
Style: Pop Musik~Rock
Imprint-Titels: Motorbooks International
Verlag: Quarto
Länge: 287 mm
Breite: 256 mm
Höhe: 33 mm
Gewicht: 1786 gr
Genre: Importe
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SKU: 89409339972

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4.7 ★★★★★
Based on 29 reviews
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J
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jk Smiles
Draper, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
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Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Lake Worth, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
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Ray Pryor
New York, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Houston, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
C
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cf otto
Lake Worth, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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