SKU: 89161585993

Kleine weiße LED Hängeleuchte Izmir Ø 15 cm – skandinavisch & modern

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Description

Kleine weiße LED Hängeleuchte Izmir Ø 15 cm – skandinavisch & modernDie LED Hngeleuchte Izmir von Trio Leuchten berzeugt durch ihre schlichte runde Form, eine strukturierte weie Oberflche und ein weies Textilkabel im skandinavischen Stil. Mit ihrem kompakten Durchmesser von 15 cm eignet sie sich ideal als Kchenpendel, als dezente Esstischbeleuchtung oder fr Schlafzimmer, Flur und Diele. Ausgestattet mit warmweier LED Technik von Osram sorgt sie fr angenehmes, blendfreies Licht bei hoher Effizienz. Kurz Highlights

Die LED Hängeleuchte Izmir von Trio Leuchten überzeugt durch ihre schlichte runde Form, eine strukturierte weiße Oberfläche und ein weißes Textilkabel im skandinavischen Stil. Mit ihrem kompakten Durchmesser von 15 cm eignet sie sich ideal als Küchenpendel, als dezente Esstischbeleuchtung oder für Schlafzimmer, Flur und Diele.
Ausgestattet mit warmweißer LED-Technik von Osram sorgt sie für angenehmes, blendfreies Licht bei hoher Effizienz.

Kurz-Highlights

  • Kleine LED-Pendelleuchte Ø 15 cm in Weiß

  • Strukturierte Oberfläche mit Textilgewebe

  • Skandinavisches, zeitloses Design

  • Warmweißes Licht (3000 K) für wohnliche Atmosphäre

  • Perfekt für Küche, Esstisch, Schlafzimmer, Flur & Objektbereiche

Technische Daten

Allgemein

  • Leuchtenart: LED-Hängeleuchte

  • Montage: Decke

  • Form: Rund

  • Material: Metall mit Textilgewebe

  • Farbe: Weiß

  • Maße: Ø 15 cm | Höhe max. 130 cm (bei Montage einstellbar)

  • Stil: Modern / Skandinavisch

Elektrische Daten

  • Spannung: 12 V (Netzanschluss 220–240 V)

  • Schutzart: IP20

  • Schutzklasse: II

  • Dimmbar: Nein

Leuchtmittel

  • Technik: LED

  • Leistung: 4,5 W

  • Lichtfarbe: Warmweiß

  • Farbtemperatur: 3000 K

  • Lichtstrom: 400 Lumen

  • Farbwiedergabe: CRI Ra 100

  • Lebensdauer: ca. 50.000 h

  • Schaltzyklen: ca. 50.000

  • Quecksilberfrei: Ja

Einsatzbereiche

  • Küche (Kücheninsel, Arbeitsfläche)

  • Esszimmer (einzeln oder in Reihe)

  • Wohnzimmer

  • Schlafzimmer

  • Flur & Diele

  • Hotel, Büro, Objektbereiche

Häufige Fragen (FAQ)

Ist die Leuchte höhenverstellbar?
Die Abhängung kann bei der Montage individuell eingestellt werden (bis max. 130 cm).

Welche Lichtfarbe hat die Izmir?
Warmweißes Licht mit 3000 Kelvin – ideal für Wohnräume.

Shipping Notes
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SKU: 89161585993

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4.8 ★★★★★
Based on 18 reviews
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Product Reviews
M
Max
Houston, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Chelsea, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Waukegan, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 1, 2003
H
"hirofantv"
Lake Worth, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 30, 2001
P
Pete Dempsey
West Palm Beach, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2001

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