SKU: 85784154705

GassiHeld - Anti-Zieh-Geschirr

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Description

GassiHeld - Anti-Zieh-GeschirrENTLASTE DICH UND DEINEN HUND Schluss mit tglichem Kampf ander Leine Keine verkrampften Arme mehr. Keine stressigen Situationen, wenn dein Hund pltzlich loszieht. Das GassiHeld Anti Zieh Geschirr untersttzt euch dabei, ruhiger zu laufen damit eure Spaziergnge wieder das werden, was sie sein sollen: entspannt, sicher und voller gemeinsamer Momente. Warum das Anti Zieh Geschirr von Pfoties? Das macht den Unterschied VERSTELLBARE PASSFORM Intelligente 4

ENTLASTE DICH UND DEINEN HUND

Schluss mit täglichem Kampf ander Leine

Keine verkrampften Arme mehr. Keine stressigen Situationen, wenn dein Hund plötzlich loszieht. Das GassiHeld® Anti-Zieh-Geschirr unterstützt euch dabei, ruhiger zu laufen – damit eure Spaziergänge wieder das werden, was sie sein sollen: entspannt, sicher und voller gemeinsamer Momente.

 

Warum das 
Anti-Zieh-Geschirr
 von Pfoties?
Das macht den Unterschied

VERSTELLBARE PASSFORM

Intelligente 4-Punkt-Verstellung passt sich flexibel an und sitzt sicher – auch wenn dein Hund noch wächst.

 

ANTI-ZIEH BRUST-CLIP

Umlenkung bei Zug nach vorne – reduziert Ziehen spürbar und entlastet den Hals.

 

ERWEITERTE KONTROLLE

Integrierter Rückengriff für sofortige Kontrolle in Notsituationen – ohne ruckartiges Ziehen.

 

ATMUNGSAKTIVES MATERIAL

Luftdurchlässiges Mesh verhindert Hitzestau und sorgt für angenehmen Tragekomfort.

 

NACHTS SICHTBAR

Reflektierende Elemente erhöhen die Sichtbarkeit bei Dämmerung und Nachtspaziergängen.

 

DUAL-FUNKTION

Vorne fürs Training, hinten fürs entspannte Gassi – flexibel je nach Situation.

 

30 Tage risikofrei testen

Sanfte Leinenführigkeit –Komfort & Kontrolle vereint

Was den GassiHeld® so besonders macht? Der Front-Clip gegen Ziehen und der Rücken-Clip für entspannte Runden. Du entscheidest je nach Situation – Training vorne, Spaziergang hinten. Kein Ziehen am Hals, kein ständiges Gegenhalten – einfach anlegen und los.

 

Jetzt ausprobieren

Über 25.000+ Fellnasen liebenunser GassiHeld!

Über 25.000 Hundebesitzer vertrauen bereits auf entspanntere Spaziergänge mit mehr Kontrolle – dank dem GassiHeld® Anti-Zieh-Geschirr.

Ob Stadt, Park oder Wald: Der GassiHeld® ist der Favorit vieler, weil er Komfort, Sicherheit und Training in einem Produkt vereint – ohne Stress an der Leine. Und wie immer gilt: 30 Tage testen. Geld zurück, wenn’s nicht passt.

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SKU: 85784154705

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4.7 ★★★★★
Based on 14 reviews
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Product Reviews
M
Max
Charlottesville, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
San Leandro, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Belleville, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Alexandria, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Houston, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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