SKU: 78105057765

Manual for Survival

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Manual for SurvivalManual for Survival zur Ausstellung Survival in the 21st century Herausgeber: Georg Diez, Dirk Luckow, Nicolaus Schafhausen Editors: Georg Diez, Dirk Luckow, Nicolaus Schafhausen 272 Seiten 87 Abbildungen in Farbe Deutsch, Englisch Klappenbroschur 16,5 cm x 24 cm 272 pages 87 illustrations in color German, Englisch softcover 16,5 cm x 24 cm Zur Ausstellung erscheint die Publikation Manual for Survival im Hirmer Verlag mit Texten der Kuratoren, einem

Manual for Survival
zur Ausstellung Survival in the 21st century

Herausgeber: Georg Diez, Dirk Luckow, Nicolaus Schafhausen
Editors: Georg Diez, Dirk Luckow, Nicolaus Schafhausen

272 Seiten
87 Abbildungen in Farbe
Deutsch, Englisch
Klappenbroschur
16,5 cm x 24 cm

272 pages
87 illustrations in color
German, Englisch
softcover
16,5 cm x 24 cm

Zur Ausstellung erscheint die Publikation »Manual for Survival« im Hirmer Verlag mit Texten der Kuratoren, einem Vorwort von Dirk Luckow sowie Beiträgen von Superhero Sighting Society, Frédérique Aït-Touati, Alexandra Arènes, James Bridle, Holly Jean Buck, Sam Chermayeff Office, Georg Diez, Axelle Grégoire , Srećko Horvart, Aris Komporozos-Athanasiou, Jota Mombaça, Trevor Paglen, Nicolaus Schafhausen, Ece Temelkuran, Katinka Versendaal

Die Ausstellung SURVIVAL IN THE 21st CENTURY bietet mit Werken von rund 40 internationalen Künstler*innen eine Vielzahl von Antworten auf die Frage, wie wir im 21. Jahrhundert überleben wollen. Wie lässt sich Zukunft denken? Was können wir aus der Vergangenheit für unsere Zeit neu entdecken? Wie können Kulturen erhalten bleiben? Welchen Einfluss haben Technologien auf den Menschen im digitalen Zeitalter? Wie kann man den Planeten Erde neu sehen, wie werden sich unsere Ernährung und unser Zusammenleben verändern?

Die ausgestellten Kunstwerke liefern keine Patentrezepte oder pauschale Lösungen. Sie stellen vermeintliche Gewissheiten in Frage, bieten Denkanstöße und eröffnen neue Horizonte.

SURVIVAL IN THE 21st CENTURY wird über die künstlerische Praxis Weltentwürfe hinaus zugänglich machen. In knapp 100 Workshops, Lectures und Aktionen können Besucher*innen in der »School of Survival« gemeinsam Strategien und Fertigkeiten für die Herausforderungen des 21. Jahrhunderts entwickeln. Das Ausstellungshaus wird zu einem Lernraum für die Zukunft. Kunst ist das Medium, Überleben ist das Ziel.

Mit Werken von Panteha Abareshi, Lawrence Abu Hamdan, Yalda Afsah, Abbas Akhavan, Assemble & AAU Anastas, Mohamed Bourouissa, Andrea Bowers, James Bridle, Julian Charrière, Sam Chermayeff Office, Edith Dekyndt, Simon Denny, Cao Fei, Liam Gillick, Lubaina Himid, Kablusiak, Leon Kahane, Paul Kolling, Sharon Lockhart, Goshka Macuga, Taus Makhacheva, Jota Mombaça, Shaun Motsi, New Red Order (NRO), Olaf Nicolai, Christelle Oyiri, Céline Pagès, Trevor Paglen, Grayson Perry, Shlomo Pozner, Bruno Serralongue, Jeremy Shaw, Charles Stankievech, Thomas Struth, Ron Terada, Emmanuel Van der Auwera, Syrus Marcus Ware.

Kuratoren: Georg Diez und Nicolaus Schafhausen
Research Curators: Lena Baumgartner und Frances Fürst

The exhibition “Manual for Survival” is published by Hirmer Verlag with texts by the curators, a foreword by Dirk Luckow and contributions by Superhero Sighting Society, Frédérique Aït-Touati, Alexandra Arènes, James Bridle, Holly Jean Buck, Sam Chermayeff Office, Georg Diez, Axelle Grégoire, Srećko Horvart, Aris Komporozos-Athanasiou, Jota Mombaça, Trevor Paglen, Nicolaus Schafhausen, Ece Temelkuran, Katinka Versendaal.

The exhibition project SURVIVAL IN THE 21st CENTURY explores the foundations of life in the age of the polycrisis. Developed by Georg Diez and Nicolaus Schafhausen in close cooperation with the Deichtorhallen, the exhibition incorporates elementary questions of ecology, technology and spirituality. The "School of Survival" expands the about 40 international artistic positions and turns the exhibition venue into a learning space for the future.

SURVIVAL IN THE 21st CENTURY focuses on fundamental questions of human existence and reflects on the radical disruptions we are facing: climate change, the digital revolution, growing injustice on a national and global scale, the crisis of democracy and the question of community. The elaborate exhibition with numerous multimedia installations and an exhibition architecture designed by Bundschuh Architekten demonstrates how cultural survival requires new cultural practices.

In a radically complex world, fundamental questions are posed differently and anew: how can we manage, build and live differently, eat differently, use technology differently for people, how can we learn from non-Western societies, how can human and non-human coexistence be organized differently, how can ecology become a comprehensive lesson, how can we change our political processes and institutions so that they become more transparent, more direct, more democratic?

The exhibition aims to make world concepts accessible beyond artistic practice. It is a social offer to learn together and from each other as a constructive public - in workshops, lectures and continuously through the seminar-like educational program of the "School of Survival" also in the city. The exhibition house will become a kind of school for the new century, which sees and embraces the changes in education and learning as essential. Art is the medium, survival is the goal.

With works by Panteha Abareshi, Lawrence Abu Hamdan, Yalda Afsah, Abbas Akhavan, Assemble & AAU Anastas, Mohamed Bourouissa, Andrea Bowers, James Bridle, Julian Charrière, Sam Chermayeff Office, Edith Dekyndt, Simon Denny, Cao Fei, Liam Gillick, Lubaina Himid, Kablusiak, Leon Kahane, Paul Kolling, Sharon Lockhart, Goshka Macuga, Taus Makhacheva, Jota Mombaça, Shaun Motsi, New Red Order (NRO), Olaf Nicolai, Christelle Oyiri, Céline Pagès, Trevor Paglen, Grayson Perry, Shlomo Pozner, Bruno Serralongue, Jeremy Shaw, Charles Stankievech, Thomas Struth, Ron Terada, Emmanuel Van der Auwera, Syrus Marcus Ware.

Curators: Georg Diez and Nicolaus Schafhausen
Research Curators: Lena Baumgartner und Frances Fürst

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SKU: 78105057765

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All pads are individually package with resealable plastic pouches which is nice when reselling. Sturdy backer material and it does not slide easily. These mousepads have a subtle gray or even bluish-gray tint that will slightly distort the color of any image pressed directly on them. The result is that no design containing white will look quite right and other colors may look a little faded or a bit off-color. Overall good buy, but these have some limitations when using sublimation ink and not HTV products. Will likely buy again as end result was a happy customer after some design elements were modified.
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Just a lot to like about this printer and nothing I don't like. Very capable for the price. I do mostly black and white printing, rarely print photos. (This will supposedly do a credible job of photo printing too but I haven't tried it). If you want professional caliber photo printing, you probably want the Epson 8550 which is similar to this, a bit more expensive, but does 6 color printing. If you are doing more like every day business printing the 15000 might be a better choice because it's built more for speed. The tank system means I can just replace the black because I use it a lot. The black ink tank is double size of the others and based on my experience so far, I think I'll easily get over a thousand pages on the standard-vivid setting which is very strong black but still relatively high speed printing. Given that the black ink bottles are under $30 I think the cost per page will be comparable to laser. The booklet/pamphlet printing can be complicated to work out with layers of PDF software and the Epson printer driver. But once you work it through, it's super capable. I've printed a lot of 12 x 18 double-sided for booklets and the paper handling has been flawless. (It can duplex automatically for 8 1/2 x 11 but for other sizes you have to manually duplex, which you can do by printing back/front or even/odd.) It's not as fast as a laser printer but it's pretty fast -- inkjets have improved so much.
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