SKU: 74764110654

Suzuki Gsx 1300 R Hayabusa [NG BRAKE DISC] - Bremsscheibe Wave schwimmend

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Description

Suzuki Gsx 1300 R Hayabusa [NG BRAKE DISC] - Bremsscheibe Wave schwimmendDie NG BRAKES Bremsscheibe Wave schwimmend ist eine hochwertige Komponente fr das Motorradchassis und bietet herausragende Leistung und Zuverlssigkeit. Diese Bremsscheibe ist speziell fr anspruchsvolle Fahrer konzipiert, die Wert auf optimale Bremsleistung und Langlebigkeit legen. Technische Daten: Produktname: NG BRAKE DISC WAVE 458X Designation: NG BRAKES Bremsscheibe Wave schwimmend Kategorie 1: Fahrzeugteile & Zubehr Kategorie 2: Fahrgestellteile

Die NG BRAKES Bremsscheibe Wave schwimmend ist eine hochwertige Komponente für das Motorradchassis und bietet herausragende Leistung und Zuverlässigkeit. Diese Bremsscheibe ist speziell für anspruchsvolle Fahrer konzipiert, die Wert auf optimale Bremsleistung und Langlebigkeit legen.

Technische Daten:

  • Produktname: NG BRAKE DISC WAVE 458X
  • Designation: NG BRAKES Bremsscheibe Wave schwimmend
  • Kategorie 1: Fahrzeugteile & Zubehör
  • Kategorie 2: Fahrgestellteile
  • Kategorie 3: Fahrgestell Bremsscheibe
  • Volume (cm³): 2484
  • Gewicht (g): 1862
  • Länge (mm): 335
  • Breite (mm): 337
  • Höhe (mm): 22
  • Scheiben Typ: Schwimmend

Leistungsmerkmale

Die schwimmende Bremsscheibe ermöglicht eine verbesserte Wärmeableitung und verringerte Verformung unter extremen Bremsbedingungen, was zu einer konsistenteren Bremsleistung führt. Die spezielle "Wave"-Form der Scheibe trägt dazu bei, dass sich die Bremstemperatur gleichmäßiger verteilt und die Bremswirkung effektiver ist.

Vorteile der NG BRAKES Bremsscheibe Wave schwimmend

Dieses Produkt bietet nicht nur eine verbesserte Sicherheit durch zuverlässigere Bremsvorgänge, sondern auch eine längere Lebensdauer der Bremsscheiben und Bremsbeläge. Die schwimmende Konstruktion sorgt für eine optimale Anlage der Bremsscheibe am Bremssattel, was die Bremskraft verstärkt und die Abnutzung minimiert.

Zusammenfassend ist die NG BRAKES Bremsscheibe Wave schwimmend eine exzellente Wahl für Motorradfahrer, die auf der Suche nach einer leistungsstarken, zuverlässigen und langlebigen Lösung für ihre Bremsanlage sind. Ideal für den Einsatz in Hochleistungsmotorrädern wie der Suzuki GSX 1300 R Hayabusa.

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SKU: 74764110654

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4.3 ★★★★★
Based on 17 reviews
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Product Reviews
M
Max
Louisville, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Phoenix, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Houston, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Natrona Heights, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Boise, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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