SKU: 65959412044

Nadine Ethner, The Baltic Sea Project Part II, Prism #2, 2024

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Description

Nadine Ethner, The Baltic Sea Project Part II, Prism #2, 2024Landschaft ist stets ein Spiegelbild menschlichen Handelns. Die Ostsee vereint verschiedene Lnder und Perspektiven, die sich in einem Lichtprisma widerspiegeln. Licht kann das Verborgene offenbaren. In Prozessen der digitalen Transformation ist Landschaft nicht mehr nur Lebensraum, sondern auch ein politisches Spiegelbild verschiedener Staaten. Es gibt zudem eine erweiterte Realitt, die unsere Augen nicht wahrnehmen knnen. Hinzu kommt die Anflligkeit

Landschaft ist stets ein Spiegelbild menschlichen Handelns.

Die Ostsee vereint verschiedene Länder und Perspektiven, die sich in einem Lichtprisma widerspiegeln. Licht kann das Verborgene offenbaren.

In Prozessen der digitalen Transformation ist Landschaft nicht mehr nur Lebensraum, sondern auch ein politisches Spiegelbild verschiedener Staaten. Es gibt zudem eine erweiterte Realität, die unsere Augen nicht wahrnehmen können.

Hinzu kommt die Anfälligkeit der Ostsee, die unter Umweltproblemen wie Sauerstoffmangel leidet, was zur Bildung von sauerstoffarmen „toten Zonen“ in den Tiefen des Meeres führt. Der aktuelle Wasserstand ist der niedrigste seit 140 Jahren.

Ökologische Katastrophen und eine behutsame ökologische Wiederherstellung durch den Menschen sind eng miteinander verflochten.

"Der sinnliche Eindruck, den der Betrachter über die räumlich angeordneten Fotografien erfährt, lässt ein inneres Empfindungsbild aufsteigen, das zu sich zu einer synthetischen Wahrnehmungsform verdichtet. Wir begegnen einem impressionistischen Gestus, der auf einer Vielzahl konzeptioneller Einzelnuancen beruht. Anders ausgedrückt: Rund um dieses kleine graublaue Binnenmeer des Nordens existiert eine mehrfarbene Palette an unterschiedlichen Ländern, Menschen und Kulturen, die in dem Projekt Baltic Sea ins ästhetische Verhältnis gesetzt sind."–Stephan Reisner

The Baltic Sea Project Part II, Prism #2, 2024

Auflage 5+2 AP

38 x 30 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, mit weißem Rand 1,5 cm, (Edition 3+1AP)

€ 1200,00 (inkl. 19% MwSt) ungerahmt, nummeriert und signiert

ca. 45 x 35 cm, gerahmt

€ 1400,00 (inkl. 19% MwSt) gerahmt, Ahorn weiß gebeizt, Distanzleiste, Museumsglas, nummeriert und signiert

oder

50 x 40 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, mit weißem Rand 1,5 cm, (Edition 2+1AP)

€ 1650,00 (inkl. 19% MwSt) ungerahmt, nummeriert und signiert

ca. 52 x 42 cm, gerahmt

€ 1900,00 (inkl. 19% MwSt) gerahmt, Ahorn weiß gebeizt, Distanzleiste, Museumsglas, nummeriert und signiert

zzgl. Versandkosten

-

Landscape is always a reflection of civil intervention. 

The Baltic Sea unites different countries and perspectives, reflected in a prism of light. Light can reveal what is hidden. In digital transformation processes landscape is not only a habitat anymore, but also a political reflection of different states. There is also an augmented reality that our eyes cannot perceive. Added to this is the vulnerability of the Baltic Sea, which suffers from environmental problems such as oxygen depletion, leading to the formation of oxygen-depleted “dead zones” deep in the sea. The current water level is the lowest it has been in 140 years. Ecological disasters and careful human ecological restoration are closely intertwined.

"The sensory perception that the viewer has while looking at the photographs creates an inner image that condenses into a kind of synthetic perception. We encounter an impressionistic gesture that rests on a large number of singular conceptual nuances. Put another way, Baltic Sea takes the diverse colors of the countries, people and cultures surrounding this small gray-blue sea in the north and puts them into an aesthetic context."–Stephan Reisner

The Baltic Sea Project Part II, Prism #2, 2024

Edition of 5+2AP

38 x 30 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, with white border (1,5 cm), unframed, (Edition of 3+1AP)

€ 1200,00 (incl. 19% VAT) unframed, numbered and signed

ca. 45 x 35 cm, framed

€ 1400,00 (incl. 19% VAT), maple wood white stained, distance bar, mounted, museum glass, numbered and signed

or

50 x 40 cm Hahnemühle Fine Art Print, Fine Art Baryta Satin, with white border (1,5 cm), unframed, (Edition of 2+1AP)

€ 1650,00 (incl. 19% VAT) unframed, numbered and signed

ca. 52 x 42 cm, framed

€ 1900,00 (incl. 19% VAT), maple wood white stained, distance bar, mounted, museum glass, numbered and signed

plus shipping

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SKU: 65959412044

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sidneekayy :)
New York, US
★★★★★ 1
Doesn’t work
Did not take off the self tanner whatsoever. I even used it every time I took a shower for a full week just trying to scrub off the tan & nothing. I don’t recommend if you’re desperate to take self tanner off.
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Reviewed in the United States on April 16, 2026
I
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I ❤️Amazon
Omaha, US
★★★★★ 3
Great Exfoliator
Purchased this to help remove self tanner and help prep my skin to reapply self tanner. It is great for exfoliating your skin prepping for the next round of self tanner. It doesn't help much with removing self tanner. I have used it in the shower as well as soaked in the tub before using it and that didn't make much different. Shaving removes more self tanner than this self tanner removal. I was hoping for much better results but sadly after using several times different ways the result is minimal removal.
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Reviewed in the United States on May 6, 2024
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Amazon Customer
Waukegan, US
★★★★★ 4
Good
Smell good , workers good ,
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Reviewed in the United States on January 10, 2026
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DEDRA CRISWELL
Bozeman, US
★★★★★ 5
Tan
Works great
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Reviewed in the United States on May 27, 2026
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bob ford
Natrona Heights, US
★★★★★ 2
Doesn’t take all the fan off. Leaves blotchy
Doesn’t get the tan off all the way and I’ve used it 4 times now. It makes the tan blotchy and uneven (yes I know that’s what happens when the tan is going away but like I said I’ve used it 4 times and it hasn’t made much difference. A regular exfoliant works better) I used the same brand tanner as well so not sure why it’s not working. Bummed tho!
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Reviewed in the United States on May 6, 2026

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