SKU: 65727552092

Watery Badeanzug für Damen - Eco Freestyler - Schwarz

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Description

Watery Badeanzug für Damen - Eco Freestyler - SchwarzDer Eco Freestyler Solid Badeanzug fr Frauen Mdchen ab 13 Jahren hat sich schnell zu unserem klaren Topseller und Liebling unter Schwimmern aller Niveaus entwickelt. Entworfen mit einem hohen Beinausschnitt, dnnen Trgern, freiem Rcken und hergestellt aus unserem besonders chlorbestndigen und sogar recycelten Signature Material AquaFlex ECO, ist dies optimal, wenn du besonders lange Bahnen schwimmst, Ausflge ins Schwimmbad und oder an den Strand machst

Der Eco Freestyler Solid Badeanzug für Frauen/Mädchen ab 13 Jahren hat sich schnell zu unserem klaren Topseller und Liebling unter Schwimmern aller Niveaus entwickelt. Entworfen mit einem hohen Beinausschnitt, dünnen Trägern, freiem Rücken und hergestellt aus unserem besonders chlorbeständigen und sogar recycelten Signature-Material AquaFlex ECO, ist dies optimal, wenn du besonders lange Bahnen schwimmst, Ausflüge ins Schwimmbad und/oder an den Strand machst und ein Gewissen hast, das die Nachhaltigkeit unterstützen möchte. Hier in der stilvollen (und beliebtesten) schwarzen Farbe.

Das Model auf Foto 1 ist 180 cm groß / 19 Jahre / 82 cm Brustumfang und trägt Größe 32UK.

Wir haben zwei Freestyler-Modelle - der einzige Unterschied zwischen dem Eco Freestyler Solid und dem Freestyler Solid ist die Materialzusammensetzung. Der Eco Freestyler besteht zu 55% aus recyceltem Polyester aus Plastikflaschen und zu 45% aus PBT-Polyester, während der Freestyler Solid aus 100% PBT-Polyester besteht. Die Passform, der Look und die Funktionalität, die mit einer Materialzusammensetzung aus 100% Polyester einhergehen, sind also dieselben - beim Eco Freestyler werden nur 55% des Polyesters recycelt.

Hergestellt aus unserem nachhaltigen (und langlebigen) Aquaflex ECO-Material

Nachhaltige Bademode muss kein Vermögen kosten - oder weniger haltbar sein. Mit unserem einzigartigen Aquaflex ECO-Material, das zu 55 % aus recyceltem Polyester aus Plastikflaschen und zu 45 % aus PBT-Polyester besteht, ist es uns gelungen, ein Material zu entwickeln, das seine Farbe und Passform auch nach zahlreichen Ausflügen ins Schwimmbad und an den Strand (+500 Stunden in gechlortem Wasser) beibehält und gleichzeitig extrem gut für unseren Planeten ist. Außerdem ist es nach dem OEKO-TEX Standard 100 zertifiziert, sodass du sicher sein kannst, dass es keine gefährlichen Chemikalien enthält.

Zusätzlich zu diesen offensichtlichen Vorteilen bietet das Material ein luxuriöses und weiches Gefühl auf der Haut, ist resistent gegen Sonnenlicht (so dass der Anzug vorteilhaft am Strand verwendet werden kann), bietet vollen +50 UPF UV-Schutz des Körpers, hat eine außergewöhnliche 4-Wege-Elastizität in den Trägern und im Stoff, die für das notwendige Bewegungsgefühl sorgt und zu guter Letzt ist es wasserabweisend und atmungsaktiv, so dass der Badeanzug nach dem Gebrauch schnell trocknet. Sie wurde für alle Schwimmer und Strandbesucher entwickelt, die gerne schwimmen und im Wasser spielen.

Ein kleiner Bonus: Da er so oft im Schwimmbad und am Strand benutzt wird, haben wir dafür gesorgt, dass der Badeanzug in einer speziellen, 100% wasserdichten Tasche (Wert: 99 kr.) geliefert wird, in die der Badeanzug auf dem Weg zum und vom Schwimmen gelegt werden kann, damit der Rest der Tasche nicht nass wird. Außerdem ist es gut für die Umwelt, denn du musst kein Einwegplastik wegwerfen.

Ein eleganter femininer Look

Der Eco Freestyler Solid für Frauen in der Farbe Bone Grey ist aus einlagigem Stoff gefertigt, hat einen offenen Rücken, einen hohen Beinausschnitt, klare Farben und ein dezentes weißes Watery-Logo unten auf der Hüfte. Insgesamt verleiht sie einen extrem sportlichen und femininen Look und eine schlanke Silhouette.

Der Eco Freestyler Solid ist auch in verschiedenen anderen Farben erhältlich, darunter Nordic Blau, Dunkelgrau, Rubinrot og Dunkelblau

Produktspezifikationen von Watery Eco Freestyler Solid Badeanzug für Frauen

Der Watery Eco Freestyler Solid für Frauen besteht aus unserem einzigartigen Aquaflex ECO-Material, das zu 55 % aus recycelten Plastikflaschen und zu 45 % aus PBT-Polyester hergestellt wird.

Das verleiht dem Anzug einige besondere Eigenschaften:

  • 100% Chlor- und UV-beständig, so dass sowohl die Passform als auch die Farbe bis zu 500 Stunden im Wasser erhalten bleiben
  • UPF +50 UV-Schutz
  • Ein einzigartig hohes Maß an Atmungsaktivität
  • Ausgestattet mit einer 4-Wege-Elastizität in Stoff und Trägern, die dir das nötige Gefühl von Freiheit im Badeanzug gibt.
  • Ist öl- und sonnencremebeständig sowie antibakteriell, so dass du keinen schweren, verschmierten Badeanzug hast und der immer wie neu aussieht.
  • Wasserabweisend und wasserfest, saugt es sich nicht mit Wasser voll und wird beim Schwimmen nicht schwer, sodass du dich stattdessen natürlicher durch das Wasser treiben lassen kannst.
  • Die Tatsache, dass der Badeanzug tatsächlich aus recycelten Plastikflaschen hergestellt wird, die aus den Weltmeeren gesammelt wurden, ist aufgrund der anspruchsvollen Behandlung nach der Sammlung möglich. Dabei werden die Flaschen in winzige Flocken zerkleinert, durchlaufen eine adaptive Erhitzung und Abkühlung und werden schließlich zum stärksten und haltbarsten recycelbaren Nähgarn der Welt.
    Aber auch wenn dieser Prozess anspruchsvoll ist, in Bezug auf einer brandneuen Frischfaser, werden weniger Emissionen erzeugt, weniger Wasser verbraucht und nur neues Rohöl im Prozess verwendet.
  • Das Gummiband in den Trägern und der Nähfaden am Rand des Badeanzugs haben einen großen Einfluss auf die Haltbarkeit des Badeanzugs, da sie nach Ausflügen in gechlortem Wasser meist schlaff werden. Für den Freestyler wurde das besonders chlorbeständige Fratelli Leoni®-Gummiband gewählt, das durch die spezielle Vorbehandlung des Silikons seine Elastizität bis zu 3-mal länger behält als normal verwendete Gummibänder für Badebekleidung. Außerdem ist das im Anzug verwendete Nähgarn, Alterfil ® T, besonders weich auf der Haut und sorgt für einen schönen Abschluss am Rand.

Der Anzug wird in Europa unter der höchsten OEKO-TEX-Standard 100-Zertifizierung hergestellt, die an Produkte vergeben wird, die den Test gegen schädliche chemische Substanzen bestanden haben.

Das Modell selbst ist ausgestattet mit

  • Offenem Rücken für Agilität und Flexibilität bei der Bewegung
  • Dünnen Riemen für einen hohen Freiheitsgrad
  • Einem hochtaillierter Schnitt für einen eleganten Look.

Dazu gibt es einen kostenlosen (Wert: 15 EUR) und wiederverwendbaren Nass-/Trocken-Beutel, in den der Badeanzug zum und vom Training gelegt werden kann, damit der Rest der Schwimmtasche nach dem Ausflug ins Wasser nicht nass wird.

Mit anderen Worten: Mit dem Eco Freestyler Solid Badeanzug für Frauen bekommst du einen soliden Anzug für viele Jahre, der dafür gemacht ist, immer und immer wieder getragen zu werden und dabei einen stilvollen und klassischen Look zu behalten.

Waschanleitung für optimale Haltbarkeit

  1. Sofort nach Gebrauch in kaltem Wasser abspülen, um Chlor, Salzwasser und/oder Sonnenschutzmittel zu entfernen
  2. Wenn der Anzug zu lange nicht zum Trocknen aufgehängt wurde, wasche ihn von Hand in kaltem Wasser mit einem sanften Waschmittel oder Handseife.
  3. Nicht bleichen, bügeln oder im Trockner trocknen
  4. Zum Schluss hängst du den Anzug zum Trocknen auf einer ebenen Fläche auf, damit er wieder seine Form annimmt. Das Aufhängen zum Trocknen auf einem Trockengestell kann den Anzug dehnen.

SKU: 1000414

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SKU: 65727552092

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4.3 ★★★★★
Based on 14 reviews
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Zachary Bednar
Bozeman, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Lake Worth, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
New York, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
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Verified Purchase
Krisha
San Leandro, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
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Rob
Massapequa, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
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Reviewed in the United States on June 5, 2026

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