SKU: 5537821304

2x Toolbrothers TURTLE Schleifset 125mm + Milwaukee M18 BOS125-602 FC Akku Exzenterschleifer 18 V 125 mm + 2x Akku 6,0 Ah + Ladegerät

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Description

2x Toolbrothers TURTLE Schleifset 125mm + Milwaukee M18 BOS125-602 FC Akku Exzenterschleifer 18 V 125 mm + 2x Akku 6,0 Ah + LadegerätLieferumfang: 1x Milwaukee M18 BOS125 0 Akku Exzenterschleifer 18 V 125 mm 1x Staubbeutel 1x Absaugadapter 1x Erweiterungsadapter 2x Schleifpapier 2x Milwaukee M18 B6 Akku 18 V 6,0 Ah 1x Milwaukee M12 18FC Akku Ladegert 2x Toolbrothers TURTLE Schleifscheiben Set bestehend aus insgesamt: 20x Toolbrothers TURTLE 125 mm P40 20x Toolbrothers TURTLE 125 mm P60 20x Toolbrothers TURTLE 125 mm P80 20x Toolbrothers TURTLE 125 mm P120 20x Toolbrothers TURTLE

Lieferumfang:

- 1x Milwaukee M18 BOS125-0 Akku Exzenterschleifer 18 V 125 mm
- 1x Staubbeutel
- 1x Absaugadapter
- 1x Erweiterungsadapter
- 2x Schleifpapier
- 2x Milwaukee M18 B6 Akku 18 V 6,0 Ah
- 1x Milwaukee M12-18FC Akku Ladegerät
- 2x Toolbrothers TURTLE Schleifscheiben-Set bestehend aus insgesamt:
        - 20x Toolbrothers TURTLE 125 mm P40
        - 20x Toolbrothers TURTLE 125 mm P60
        - 20x Toolbrothers TURTLE 125 mm P80
        - 20x Toolbrothers TURTLE 125 mm P120
        - 20x Toolbrothers TURTLE 125 mm P180
        - 20x Toolbrothers TURTLE 125 mm P240 

Produktbeschreibung:

Der Milwaukee M18 BOS125 Akku Exzenterschleifer ist durch seine 18 Volt sowie den 14000 - 24000 Schleifhüben ein echtes Kraftpaket. Der Hochleistungsmotor sowie die 6-stufige Geschwindigkeitsvoreinstellung sorgen für einen verbesserten und materialgerechten Abtrag. Durch den mitgelieferten Adapter ist er kompatibel mit allen Milwaukee Staubabsaugungen. Die Kombination aus Maschine und REDLITHIUM-ION Akku verspricht eine verlustfreie Leistungsabgabe für eine längere Standzeit und eine längere Lebensdauer. Die Staubbox mit intrigierten Filter ist äußerst nützlich, so ist eine freiere Sicht auf das zu behandelnde Werkstück möglich. Dank des Klettsystems ist ein Werkzeugloser Schleifscheibenwechsel in Sekunden möglich. Durch das Gewicht von gerade einmal 1,6 kg sowie die geringe Größe ist der Einsatz auf der Montage ein Kinderspiel. Der Exzenterschleifer ist 100% systemkompatibel mit dem M18 Produktprogramm. Die Firma Toolbrothers hat sich bereits als Vergleichsportal für Werkzeuge einen Namen gemacht und bringt nun mit ihrem TURTLE Schleifset eine breite Auswahl der gängigsten benötigten Schleifmittel auf den Markt. Egal ob Hart- oder Weichholz, Furnier, Stein, Lacke, Aluminium, Stahl, oder das entfernen von Rost auf Stahl, für viele Anwendungsbereiche ist das passende Schleifmittel enthalten und man ist bestens dafür gewappnet. Durch die hochwertige Aluminiumoxid Beschichtung sind die Schleifscheiben äußerst robust und bleiben auch bei längeren Schleifarbeiten standhaft. Durch die gewebeverstärkte Klettrückseite haftet das Schleifpapier besonders fest am Schleifteller des Exzenterschleifers. Mithilfe der 8 Löcher ist eine optimale Staubabsaugung gewährleistet, was das Schleifergebnis positiv beeinflusst und die Langlebigkeit der Schleifscheiben erhöht. Durch die 125 mm Schleifscheiben von der Firma Toolbrothers haben Sie eine kostengünstige aber hochwertige Alternative zu teureren Markenprodukten.

Technische Daten:

Hersteller: Toolbrothers
Herstellerbezeichnung: TURTLE Schleifset
Körnung: P40 / P60 / P80 / P120 / P180 / P240
Größe: 125 mm
Kornart: Aluminiumoxid
Farbe: rot
Bindemittel: Kunstharz
Anzahl Löcher: 8 
Anwendungsbereiche: anschleifen / ausbessern / entfernen von Lacken, Hart- / Weichholz, Furnier, Stahl, rostfreier Stahl, entfernen von Rost auf Stahl, Aluminium, Stein

Hersteller: Milwaukee
Herstellernummer: 4933464228
Akku: Li-ion
Leerlaufdrehzahl (min-1): 12000
Schleifteller- / Schleifpapiergröße: 125mm
Schwingkreisdurchmesser: 2,4mm
Schwingzahl (min-1): 14000 - 24000
Spannung: 18V


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SKU: 5537821304

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4.2 ★★★★★
Based on 25 reviews
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Product Reviews
A
Verified Purchase
Amelia
Cuba, US
★★★★★ 5
Staying is the making. The real making.
Format: Paperback
The tyrant owns form, doesn’t he? This is a book for anyone who might be no one, or anyone who is worried, or anyone who has ever thought about women, epic poetry, or both.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 8, 2019
R
Verified Purchase
Rachel S.
Charlottesville, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Battle Creek, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Fort Morgan, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Omaha, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011

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