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dorfhaft ans einem eisigen fluss frederik marinus krusemanVillageois prs d'une rivire gele : ein Gemlde voller winterlicher Gelassenheit. In diesem faszinierenden Werk taucht Frederik Marinus Kruseman in eine winterliche Landschaft ein, in der sich Dorfbewohner friedlich an einer gefrorenen Fluss bewegen. Die khlen Tne von Blau und Wei dominieren die Leinwand und schaffen eine Atmosphre von Ruhe und Frieden. Das weiche, diffuse Licht, typisch fr Wintertage, umhllt die Szene und hebt die Details der Figuren
Villageois près d'une rivière gelée : ein Gemälde voller winterlicher Gelassenheit. In diesem faszinierenden Werk taucht Frederik Marinus Kruseman in eine winterliche Landschaft ein, in der sich Dorfbewohner friedlich an einer gefrorenen Fluss bewegen. Die kühlen Töne von Blau und Weiß dominieren die Leinwand und schaffen eine Atmosphäre von Ruhe und Frieden. Das weiche, diffuse Licht, typisch für Wintertage, umhüllt die Szene und hebt die Details der Figuren und Häuser hervor. Krusemans Technik, die Realismus und Impressionismus verbindet, lässt die Frische der Luft und die beruhigende Stille des Winters spüren. Jeder Pinselstrich scheint eine Geschichte zu erzählen, was diesen kunstdruck zu einem wahren Aufruf zur Kontemplation macht. Frederik Marinus Kruseman : ein Meister der niederländischen Landschaftsmalerei. Geboren 1810 in den Niederlanden, ist Frederik Marinus Kruseman bekannt für seine Landschaften, die die Schönheit der Jahreszeiten einfangen. Beeinflusst vom Romantizismus und Realismus, hat er einen einzigartigen Stil entwickelt, der Präzision und Emotion vereint. Kruseman hat oft ländliche Szenen gemalt, die das tägliche Leben der Dorfbewohner zeigen, wie in diesem Werk. Seine Arbeiten sind emblematisch für das 19. Jahrhundert, eine Zeit, in der die Kunst sich der Natur und den Szenen des gewöhnlichen Lebens zuwandte. Durch seine Gemälde hat er einfache Momente, die voller Poesie sind, verewigt und sich so zu einer bedeutenden Figur der niederländischen Kunst entwickelt. Eine dekorative Anschaffung mit vielfältigen Vorzügen. Dieser kunstdruck des Gemäldes Villageois près d'une rivière gelée ist eine ideale Wahl, um Ihr Zuhause zu verschönern. Ob im Wohnzimmer, im Büro oder im Schlafzimmer, er bringt eine Note von Gelassenheit und natürlicher Schönheit. Die Druckqualität garantiert eine Treue zu den Farben und Details des Originalwerks, sodass Sie die winterliche Atmosphäre, die es ausstrahlt, voll genießen können. Seine ästhetische Anziehungskraft und seine beruhigende Stimmung machen ihn zu einem dekorativen Element, das Ihre Gäste begeistern und Ihren Wohnraum bereichern wird. Mit diesem Leinwandbild entscheiden Sie sich für ein Stück, das eine Geschichte erzählt und zum Träumen einlädt.Shipping Notes
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4.8 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 5
Well researched, disturbing, engaging.
Format: Paperback
I was amazed at how indepth and involved this history was. Very interesting, engaging and also very disturbing.
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Reviewed in the United States on April 1, 2026
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
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Reviewed in the United States on March 17, 2014
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence.
Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons:
--the shifting finger-pointing at various groups;
--the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and
--Horsmanden's bizarre behavior toward Mary Burton.
Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability.
Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park?
One cannot make up this stuff, it is too real so it must be history at its best.
And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known.
If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
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