SKU: 22922370040

Transporthilfe für schwere Kundenstopper – Fahrhilfe für Straßenständer

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Description

Transporthilfe für schwere Kundenstopper – Fahrhilfe für StraßenständerTransporthilfe fr schwere Kundenstopper und Straenstnder Schwere Kundenstopper, windfeste Straenstnder oder Waterbase Systeme lassen sich im Alltag oft nur mit hohem Kraftaufwand bewegen. Diese Transporthilfe wurde genau fr diesen Zweck entwickelt: Sie ermglicht das einfache, sichere und rckenschonende Verschieben schwerer Werbeaufsteller durch nur eine Person. Ideal fr Gastronomie, Einzelhandel, Events und alle Standorte, an denen Kundenstopper

Transporthilfe für schwere Kundenstopper und Straßenständer

Schwere Kundenstopper, windfeste Straßenständer oder Waterbase-Systeme lassen sich im Alltag oft nur mit hohem Kraftaufwand bewegen. Diese Transporthilfe wurde genau für diesen Zweck entwickelt: Sie ermöglicht das einfache, sichere und rückenschonende Verschieben schwerer Werbeaufsteller durch nur eine Person. Ideal für Gastronomie, Einzelhandel, Events und alle Standorte, an denen Kundenstopper regelmäßig umgesetzt werden müssen.

Entwickelt für besonders schwere Kundenstopper

Viele windfeste Kundenstopper wiegen 25 kg oder mehr. Ohne Hilfsmittel ist das tägliche Versetzen mühsam und zeitaufwendig. Die Transporthilfe greift direkt am Aufsteller an und nutzt integrierte Rollen, um Gewicht abzufangen und Beweglichkeit zu schaffen. Bordsteine, Gehwege und längere Strecken lassen sich deutlich leichter überwinden.

Einfache Handhabung mit klappbarem Griff

Die Fahrhilfe wird unkompliziert am Kundenstopper angesetzt und mit einem Handgriff einsatzbereit gemacht. Nach dem Transport kann sie platzsparend zusammengeklappt und verstaut werden. Dadurch bleibt der Arbeitsablauf flexibel, ohne zusätzlichen Platzbedarf im Lager oder Verkaufsraum.

Vorteile der Transporthilfe für Kundenstopper

– Deutlich geringerer Kraftaufwand beim Bewegen schwerer Aufsteller
– Geeignet für Kundenstopper ab ca. 25 kg Gewicht
– Transport durch eine einzelne Person möglich
– Rollen erleichtern das Überwinden von Gehwegen und Bordsteinen
– Klappbarer Griff für platzsparende Lagerung
– Robuste Ausführung für den dauerhaften Einsatz im Alltag
– Zeitersparnis beim täglichen Aufstellen und Entfernen von Werbeständern

Anwendungsbereiche und typische Einsatzsituationen

– Gastronomie: Tägliches Rein- und Rausstellen von Kundenstoppern
– Einzelhandel: Flexibles Umsetzen von Straßenaufstellern je nach Laufkundschaft
– Events und Messen: Schneller Positionswechsel schwerer Werbeständer
– Fußgängerzonen: Bewegen von windfesten Kundenstoppern über längere Distanzen
– Filialbetriebe: Einheitliche Lösung für mehrere schwere Aufsteller

Kompatibilität und empfohlene Systeme

Diese Transporthilfe wurde speziell für schwere Kundenstopper und Straßenständer entwickelt, unter anderem für:
– Wind-Sign Serie
– Wind-Sign Waterbase Budget
– LED-Werbeaufsteller der Wind-Sign Serie
– Weitere schwere, windfeste Kundenstopper mit entsprechendem Aufbau

Technische Daten im Überblick

Produktart: Transporthilfe / Fahrhilfe für Kundenstopper
Einsatz: Manuelles Bewegen schwerer Straßenständer
Funktion: Rollenunterstützter Transport mit Handgriff
Besonderheit: Klappbar, platzsparend verstaubar
Einsatzbereiche: Innen- und Außenbereich, ebene Flächen und Gehwege

Passendes Zubehör und Ersatzteile

Die Transporthilfe ist die ideale Ergänzung für schwere Kundenstopper aus unserem Sortiment. Besonders sinnvoll in Kombination mit windfesten Straßenständern, Waterbase-Systemen und LED-Kundenstoppern, die regelmäßig umgesetzt werden müssen.

Produktkategorie

Ersatzteile & Zubehör

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SKU: 22922370040

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4.2 ★★★★★
Based on 18 reviews
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Product Reviews
J
Verified Purchase
Joel Bradford
Bozeman, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Phoenix, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Boise, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
West Palm Beach, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Pawtucket, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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