SKU: 12074926720

Harry's Horse Bareback Pad Faux Fur schwarz

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Description

Harry's Horse Bareback Pad Faux Fur schwarzHarrys Horse Bareback Pad Faux Fur schwarz Komfort & Sicherheit fr Reiter Reite zu deiner Freude mit dem neuen Bareback Pad! Diesem Grundsatz folgt das neue Harrys Horse Bareback Pad Faux Fur in schwarz, das eine neue und berarbeitete Version des beliebten Harrys Horse Bareback Pad ist. Die funktionellen und pferdefreundlichen Attribute berzeugen und die neue flauschige Unterseite aus Kunstfell rundet das Gesamtbild ab. Komfortable Sitzflche mit

Harry’s Horse Bareback Pad Faux Fur schwarz - Komfort & Sicherheit für Reiter

Reite zu deiner Freude mit dem neuen Bareback Pad!

Diesem Grundsatz folgt das neue Harry’s Horse Bareback Pad Faux Fur in schwarz, das eine neue und überarbeitete Version des beliebten Harry’s Horse Bareback Pad ist. Die funktionellen und pferdefreundlichen Attribute überzeugen und die neue flauschige Unterseite aus Kunstfell rundet das Gesamtbild ab.

Komfortable Sitzfläche mit rutschhemmendem Material

Das Bareback Pad Faux Fur ist mit weichem, rutschhemmendem, Material auf der Oberseite ausgestattet, das für ein angenehmes Sitzen und ein ansprechendes Äußeres sorgt. 

Optimale Orientierung & Unterstützung für Reiter

Die weichen und flexiblen, seitlichen Bareback-Pad-Sitzblätter geben dem Reiter eine Orientierung für die optimale Lage des Ober- und Unterschenkels, ohne die natürliche Bewegung des Reiters in allen Grundgangarten zu stören oder gar zu stoppen. Dennoch geben sie dem Reiter ein Gefühl von Sicherheit z. B. bei größeren Galoppsprüngen, aber ersetzen keinen ausbalancierten Sitz, der mit dem Bareback Pad Faux Fur trainiert wird.

Polsterung & Druckverteilung

Die Polsterung des Bareback Pads soll schwungvolles Einsitzen absorbieren und sorgt für eine bessere Druckverteilung. Auch hier dient die Sitzfläche zur Orientierung für die optimale Sitzposition des Reiters, damit ein Sitzen „im Pferd“ leichter fällt. 

Die Füllung des Bareback Pad Sattels besteht aus hochdichtem Schaumstoff. Dies verhindert besonders im Sitzbereich ein schmerzhaftes Eindrücken der Sitzbeinhöcker des Reiters in die Muskulatur des Pferdes.

Anatomisches Design & V-Gurtung

Die Gurtstrippen des Bareback Sattels sind als sogenannte V-Gurtung ausgeführt, die den Druck auf das gesamte Bareback Pad gleich verteilt und nicht nur auf wenige Dornfortsätze als Punktlast einwirkt. 

Die Unterseite des Bareback Pad Faux Fur besteht aus einem rutschhemmendem hellbeige Kunstfell. Dies sichert eine optimale, stabile Position auf dem Pferderücken und passt sich der Auflagefläche des Pferderückens an.
Die anatomische Rückenform des Bareback Pads eignet sich auf für Ponys und Pferde mit einem höheren Widerrist.

Praktische Details

Ein Griff im vorderen Bereich des Sattels dient zum Anheben des Bareback Pads, z. B. beim Aufsatteln oder Absatteln. Dieser Griff dient nicht aus Aufstiegshilfe oder zum Festhalten des Reiters am Pad.

Auf eine Befestigung für Steigbügeln wurde ganz bewusst verzichtet. Das Bareback Pad Faux Fur kann nur ohne Steigbügel genutzt werden, da es sonst zu enormen Druckspitzen im Bereich der Wirbelsäule und des Widerrist des Pferdes kommt. 

Das Harry’s Horse Bareback Pad Faux Fur eignet sich für Anfänger, die einen losgelassenen und mitschwingenden Sitz erlernen möchten, sowie fortgeschrittene Reiter, die ihren Sitz verbessern möchten.  

Die seitlichen Gurtpolster können auf die gewünschte Höhe geschoben werden. Die Unterseite der Gurtpolster ist mit den bewährten Shark-Skin-Noppen versehen, die ein Verrutschen beim Reiten verhindern. Der Gurtschoner stabilisiert des Lage des Reitpads zusätzlich.

Größe des Harry’s Horse Bareback Pads

Größe: L – Sitzfläche geeignet für Erwachsene und Jugendliche

Achtung: Das Bareback Pad Faux Fur wird ohne Sattelgurt geliefert. Dieser muss separat erworben werden.

Shipping Notes
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Exchange/Return Notes
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SKU: 12074926720

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4.7 ★★★★★
Based on 6 reviews
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Bice
Los Angeles, US
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head. For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending. Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog. Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States. It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days. I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen. This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin. As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place. If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others. If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
D
Verified Purchase
Doug S.
Dallas, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
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Verified Purchase
Tripp Moore
Waukegan, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Massapequa, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Massapequa, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026

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